Part II. Abraxas
The ancient image of the Mithraic lion-headed serpent is first found at the start of the Christian-era who is sometimes depicted as crowned or surrounded by a halo or streaming rays indicating its inherent solar and magical nature. This image is called a Khnoubis or Chnoubis, carved on old gems and amulets. Hebraic names such as “IAO”, “Adonai”, “Sabaoth” and the Gnostic corruption of “Ialdaboath” are also found on these gems for superstitious purposes. Chnoubis was also synonymous with Abraxas, Ophis and Knuphis. Such names are ascribed to the public, builder-god, the “Demiurge” which is the Greek, Platonic term for “architect”, the “lord” and author of the structure of the material world.
In ancient magical texts such as the Greek Magical Papyri often invoke images of Chnoubis which were used for the purpose of warding off malevolent demonic influence as well as stomach aches by knowing and memorizing many different names of spirits in life and after death in efforts to banish them and overcome the cosmic rulers that guard each succeeding realm of the “astral realm”. The Greek Magical Papyri also provides the means to summoning of demons for various anti-social purposes of the magician (such as making thievery invisible, sending dreams, winning favors in both men and women, inflaming lust in the person of desire, killing, etc.) Abraxas was also known as the king of demons, a title similar to gods of other cultures such as Shiva of Hinduism. In the Dictionnaire Infernal (Demonographia), Abraxas was spelled “Abracas” as one of the many demons for the purpose of invocation similar to the usage ascribed in the Greek Magical Papyri.
In many Gnostic texts, the Demiurge was also associated with the element of fire, besides bearing many Chimeric qualities as the Apocryphon of John indicates:
And when she saw (the consequences of) her desire, it changed into a form of a lion-faced serpent. And its eyes were like lightning fires which flash. She cast it away from her, outside that place, that no one of the immortal ones might see it, for she had created it in ignorance.
In the Pistis Sophia, the Demiurge isn’t at all by any means a handsome fellow as he’s depicted as a fiery yet dark lion-faced demon, residing within the Dante’s Inferno-like chaotic underworld of Hades where he and his forty-nine demons tortures the wicked souls who end up in such a horrible place in boiling rivers of pitch-black darkness. In the Gospel of Judas, “Nebro” (meaning rebel angel) Yaldaboath’s henchman and himself also dwell in Hades or hell as one of the twelve angels to come “into being [to] rule over chaos and the [underworld]”. He comes from heaven, his “face flashed with fire and whose appearance was defiled with blood”.
The mythological Chimera found in the Homer’s Illiad was also described with similar features:
…a thing of immortal make, not human, lion-fronted and snake behind, a goat in the middle, and snorting out the breath of the terrible flame of bright fire.
The Gnostics had taken biblical theology into new, previously unknown territory by merging it with Platonic thought. Yet after this infusion, neither biblical theology or Platonic thought looked the same after. Plato had his benevolent Demiurge, a creator god from Timaeus. This Demiurge worked hard to create the best possible world as a reflection of the the Ideal realm. For Plato, matter is neither inherently good nor evil. It remains neutral. Matter in Timaeus is originally featureless and passive like the darkened, still waters of an isolated pond. It’s primeval and existent even before the four basic elements. Receptive matter is considered to be the “mother” while the “father” Demiurge becomes the active agent to mold it after the image of eternity as an imitation. The world he created was the best that could be given the fact that it was a reflection of the higher world in the realm of matter. The soul can work to be freed from matter by pious living, and upon death, ascend back to the Good.
The Sethian Gnostics on the other hand conceived the world as wholly disastrous and shitty by a retarded and spiritually blind creator, called Ialdaboath. The Gnostics’ obessesion with theodicy or the problem of evil and its source became reflected on their myths. Like many Jewish thinkers of their time, the Gnostics posited a hierarchical duality between the Supreme God and the demuirgical angel. Yet their identification of the Demiurge with Satan become a much more radical and even “misotheistic” (hatred of the gods or the belief that god or the gods aren’t good but are in fact malevolent, bent on making the lives of their creation as miserable as possible) interpretation of the creator god. This malevolent demon-king was the warring, belligerent opponent to the Pleroma, the higher collective realm of the spiritual “aeons”. Because he was the one who created the world, it is a world of suffering and imprisonment. The Sethians had linked the story of Satan’s fall from Paradise with the Demiurge.
Ialdabaoth in Gnostic literature was the aborted and accidental birth of Sophia, creator of the sensible cosmos and was eventually relegated as the blasted lion-faced fuck writhing within the bowels of Tartarus. The only hope for freedom of the soul is for a redeemer to come and instruct it how to get out of the cycle of imprisonment that contains it through Ialdabaoth’s rule and destroy Ialdabaoth’s army of angels and demons by the means of spying, even shape-shifting into their bestial forms and destroying their yoke over the slave race of mankind. The Savior was essentially a betraying double-agent to the archons. No amount of righteous living is going to free the soul from the clutches of the Demiurge. Only a savior angel or “Illuminator” more powerful than the malicious Ialdabaoth could liberate the soul from the iron shackles of the cosmos.
This is completely different to Plato’s myth. The archons are of course, the fallen or jealous angels who are battling the forces of the Stranger God and its emanated revealer who seek to reveal the fruit of gnosis to mankind which is held in captivity by the “god of the aion”. The daimons or demons are another inferior and subordinate class (to the gods) of malicious creatures created from a different substance than the angels. According to Irenaeus, the Gnostics taught that angels and demons (including the Devil) were crystallized from the tears of the fallen Sophia:
They further teach that the spirits of wickedness derived their origin from grief. Hence the devil, whom they also call Cosmocrator (the ruler of the world), and the demons, and the angels, and every wicked spiritual being that exists, found the source of their existence. They represent the Demiurge as being the son of that mother of theirs (Achamoth), and Cosmocrator as the creature of the Demiurge. Cosmocrator has knowledge of what is above himself, because he is a spirit of wickedness; but the Demiurge is ignorant of such things, inasmuch as he is merely animal. Their mother dwells in that place which is above the heavens, that is, in the intermediate abode; the Demiurge in the heavenly place, that is, in the hebdomad; but the Cosmocrator in this our world. The corporeal elements of the world, again, sprang, as we before remarked, from bewilderment and perplexity, as from a more ignoble source. Thus the earth arose from her state of stupor; water from the agitation caused by her fear; air from the consolidation of her grief; while fire, producing death and corruption, was inherent in all these elements, even as they teach that ignorance also lay concealed in these three passions.
Similarly, in the the little known text called The Paraphrase of Shem, reveals a mythology featuring a “cosmic” Womb which gives births to the cosmos, including both angels and demons. The text is very erotic, with sexual images everywhere, used to explain how this cosmos came into being:
And in order that the demons also might become free from the power which they possessed through the impure intercourse, a womb was with the winds resembling water. And an unclean penis was with the demons in accordance with the example of the Darkness, and in the way he rubbed with the womb from the beginning. And after the forms of Nature had been together, they separated from each other. They cast off the power, being astonished about the deceit which had happened to them. They grieved with an eternal grief. They covered themselves with their power.
A good example of this is the Paraphrase of Shem, which is one of the few extant gnostic treatises which contains a three-principled system of origins as opposed to one. The author likens the cosmic catastrophe to sex. Perhaps the author didn’t like sex very much. Some Gnostic groups held to three originating cosmic principles, rather than one or two. Shem is a text from one such group. The author of Shem hypothesizes three different principles: light, darkness, and spirit.
There was Light and Darkness and there was Spirit between them. Since your root fell into forgetfulness – he who was the unbegotten Spirit – I reveal to you the truth about the powers. The Light was thought full of hearing and word. They were united into one form. And the Darkness was wind in waters. He possessed the mind wrapped in a chaotic fire. And the Spirit between them was a gentle, humble light. These are the three roots. They reigned each in themselves, alone. And they covered each other, each one with its power.
Most other groups such as the Manicheans and Marcionites held a two-principled system: light and darkness, good and evil. The rooster-headed Anguepede (chimera) under his name Abraxas was also considered to be a combination of the seven planetary powers that consists of the archons discussed earlier. Abraxas and Chnoubis were also considered to be roughly equivalent to the Agathodaimon, the “good spirit” of fortune and health by the ancient Egyptians and Greeks. They were often represented as serpents.
Abraxas, according to Gnostic myth, was a redeemed archon who rose above the Hebdomad to rule over it as an intercessionary figure between the Pleroma and the world of matter. Abraxas became a figure of veneration for many Gnostics such as those who followed Basilides. This astral god was feared by the ancient people because he controlled the universe. He ruled it and our fates. He usually has a leonine head or a cock-head, solar rays, and also serpentine form as both forms are interchangeable for Abraxas. Abraxas was however, often depicted as a bizarre mixture of man and beast, with the rooster’s head representing the dawn of understanding (roosters of course being the animal that traditionally greets the dawn) and a sense of vigilant wakefulness; the body of a man represents the embodied logos, the human capacity for understanding and growth; the snakes represent prudence and energy; while the whip and shield symbolize the dynamism of the life force and wisdom (the great protector) respectively.
This fierce and terrifying astral lord goes by many other names as well. Some Gnostics equated Abraxas with Ialdabaoth, Saklas, Samael, Nebruel, Michael, Elieli, and Judas. He was also equated with IAO, Chnoubis, Abrasax, etc. Abraxas appears in only a few instances throughout the Nag Hammadi codices in such Sethian texts such as The Great Book of the Invisible Spirit, The Apocalypse of Adam, and Zostrianos as basically a minor Aeon or angel that works in tandem with Sophia and the “four spiritual lights” to rectify the error brought on the rise of the “deficiency” in the fetters of the material. Abraxas was also interchangeable with the deity-archon Sabaoth (meaning host), which according to the Gnostic mythology presented in On the Origin of the World was the son and offspring of Yaldaboath who would eventually rebel against his father in a great war, repent of his “sins”, and side with his grandmother, Sophia-Achamoth. The archon would be elevated “above the seventh heaven” or the “Ogdoad” and enthroned, surrounded by ministering angels and Cherubim within a mansion that is “huge, magnificent, seven times as great as all those that exist in the seven heavens.”
According to Ireneaus in his work detailing his indictment against varies heretical schools of thought, Against Heresies, he lays out Basilides’ (possibly the inventor of Abraxas) system of thought pertaining to Abraxas’ domain:
They hold that their chief is Abraxas; and, on this account, that word contains in itself the numbers amounting to three hundred and sixty-five.” Abraxas or Abrasax becomes a de facto ruler of the “364 kingdoms of spirits (plus himself)” due to the fact that his name has a high numerical value that equals to 365, the number of days in the year.
G.R.S. Mead in Thrice-Great Hermes discusses the possible connection of Abrasax or Abraxas to the celestial spheres of the cosmic rulers of fate:
The name Abraxas, which consisted of seven elements or letters, was a mystery-designation of the God who combined in himself the whole power of the Seven Planets, and also of the Year of 365 days, the sum of the number-values of the letters of Abraxas working out to 365. This mysterious Being was the “Year”; but the Year as the Eternity, also conceived of in a spatial aspect, as the Spirit or Name that extends from Heaven to Earth, the God who pervades and full-fills the Seven Spheres, and the Three Hundred and Sixty-five Zones, the Inner God, “He who has His seat within the Seven Poles—ΑΕΗΙΟΥΩ,” as the Papyri have it, and also without them, as we shall see. (402)
Tertullian in Against All Heresies also discusses Abraxas in the account of Basilides’ system as his chief deity:
Basilides affirms that there is a supreme Deity, by name Abraxas, by whom was created Mind, which in Greek he calls Nous; that thence sprang the Word; that of Him issued Providence, Virtue, and Wisdom; that out of these subsequently were made Principalities, powers, and Angels; that there ensued infinite issues and processions of angels; that by these angels 365 heavens were formed, and the world, in honour of Abraxas, whose name, if computed, has in itself this number. Now, among the last of the angels, those who made this world, he places the God of the Jews latest, that is, the God of the Law and of the Prophets, whom he denies to be a God, but affirms to be an angel. To him, he says, was allotted the seed of Abraham, and accordingly he it was who transferred the sons of Israel from the land of Egypt into the land of Canaan; affirming him to be turbulent above the other angels, and accordingly given to the frequent arousing of seditions and wars, yes, and the shedding of human blood. Christ, moreover, he affirms to have been sent, not by this maker of the world, but by the above-named Abraxas; and to have come in a phantasm, and been destitute of the substance of flesh: that it was not He who suffered among the Jews, but that Simon was crucified in His stead: whence, again, there must be no believing on him who was crucified, lest one confess to having believed on Simon. Martyrdoms, he says, are not to be endured. The resurrection of the flesh he strenuously impugns, affirming that salvation has not been promised to bodies.
It’s almost as if Basilides becomes a worshiper of a Demiurgical figure — that being Abraxas. There is much speculation about the etymology concerning Abraxas which vary from meaning “holy word” or “blessed name”, although it still remains cloudy at best. It is also suggested that Abraxas is derivative of the Arimaic magical word “Abracadabra” meaning “I create as I speak”. Like Baphomet, Abraxas seems to be a concoction of different mythological symbols such as the two Indian cobras for his legs as represented in the above depiction.
Irenaeus, in describing the followers of Basilides, claimed in Against Heresies:
These men, moreover, practice magic; and use images, incantations, invocations, and every other kind of curious art. Coining also certain names as if they were those of the angels, they proclaim some of these as belonging to the first, and others to the second heaven; and then they strive to set forth the names, principles, angels, and powers of the three hundred and sixty-five imagined heavens. They also affirm that the barbarous name in which the Saviour ascended and descended, is Caulacau.
Plotinus, the father of Neo-Platonism also maintained similar descriptions of the Gnostics as “magicians” and “sorcerers” by using the barbarous names of the Ineffable in his polemic in the Ennead 2.9, Against the Gnostics: Against Those That Affirm the Creator of the Cosmos and the Cosmos Itself to Be Evil:
In the sacred formulas they inscribe, purporting to address the Supernal Beings — not merely the Soul but even the Transcendents — they are simply uttering spells and appeasements and evocations in the idea that these Powers will obey a call and be led about by a word from any of us who is in some degree trained to use the appropriate forms in the appropriate way — certain melodies, certain sounds, specially directed breathings, sibilant cries, and all else to which is ascribed magic potency upon the Supreme. Perhaps they would repudiate any such intention: still they must explain how these things act upon the unembodied: they do not see that the power they attribute to their own words is so much taken away from the majesty of the divine.
Plotinus resented the Gnostics’ demonization of Plato’s Demiurge, the creator of the material cosmos. Plotinus believed the Gnostics had corrupted the original teachings of Plato to suit their world-views. In fact, Plotinus goes as far as to mock the Gnostic creation story of the fall of Sophia and the aborted Demiurge as surpassing “sheer folly.” Plotinus also took issue with the Gnostic’s neglect on their pursuit of virtue, maintaining themselves as beyond reproach of the laws of the world which were extrapolated and fueled by hypothetical rumors of their supposed hedonistic and libertine tendencies.
For they manufacture these doctrines as though they were not in contact with the ancient thought of the Greeks; for the Greeks knew, and spoke clearly without pomposity, of ascents from the cave, coming closer and closer by gradual stages to a truer vision.
This was a problem for Plotinus, who thought these Platonizing Sethians or Gnostics were mucking-up his philosophical circles with their static dualism, world-hatred, and defamation of the creator. Plotinus pretty much caricatures the Sethians as rubes for practicing magic. Needless to say, Neoplatonists didn’t like Gnostics very much. The Sethian Gnostics themselves weren’t a unified movement, but rather a diverse set of small cult communities — like the Borborites, Archontics, Ophites, etc. According to the Apocryphon of John, it says that everyone will have the opportunity to be saved, so that could mean that one essentially becomes part of the seed of Seth by undergoing Sethian conversion rituals.
Yet, perhaps still in these instances neither Plotinus nor Irenaeus were lying about the Gnostics’ ritual magic tendencies since even their choice texts indicates this as a reality. This all becomes rather apparent when one reads Ancient Christian Magic as a catalog for superstition. It is replete with magical spells including love, money, healing and spells for revenge. These Gnostic practitioners more than likely invoked the name of Abraxas among other barbarous, secret names of God for their rituals and prayers. Yet, interestingly enough, most people practicing magic in the middle ages and the Renaissance were Catholic priests and brothers, so magic is surprisingly close to Catholicism. The NHC text On the Origin of the World mentions a compendium of demons attributed to King Solomon, so it’s possible that some Gnostics practiced early Solomonic magic:
Then Death, being androgynous, mingled with his (own) nature and begot seven androgynous offspring. These are the names of the male ones: Jealousy, Wrath, Tears, Sighing, Suffering, Lamentation, Bitter Weeping. And these are the names of the female ones: Wrath, Pain, Lust, Sighing, Curse, Bitterness, Quarrelsomeness. They had intercourse with one another, and each one begot seven, so that they amount to forty-nine androgynous demons. Their names and their effects you will find in the Book of Solomon.
“Their effects” probably meant the abilities they could be compelled to use if summoned, something like the Goetia. Another example of spells and incantations that were employed by the Gnostics is provided and supported by Karen King in What is Gnosticism? who has argued that the demonic correspondences to human body parts (highlighting the inherent corruption of the human body) listed so thoroughly is the long recension of the Apocryphon of John which was intended for use in rituals to heal the sick or injured.
Some other of the Church Father’s (especially Epiphanius’ account in the Panarion, literally meaning “medicine chest” for poisonous heresies) accusations of the Gnostics was much more scandalous — much of it dealt with their alleged antinominan, lurid and pornographic-like accounts of secret Bacchic and Dionysian-like “swinging orgies” of their “agape feasts”. These orgiastic rites supposedly included the sacramental consumption of sexual fluids and even more unsavory practices that include the Eucharistic infanticide of an aborted embryo — not so dissimilar to the ones practiced in the higher degrees contained in the Ordo Templi Orientis (except for the cannibalism part). Epiphanius accusingly writes:
Their very liturgy they defile with the shame of promiscuity, consuming and con-taminating themselves with human and unclean flesh…. … [At their feasts:] They set out an abundance of meat and wine, even if they are poor. Having made their banquet from this and so to speak filled their veins to satiety, they proceed to arouse themselves. The man, moving away from the woman, says to his woman, “Arise, hold the love feast with your brother.” And the pitiful pair, having made love… then proceed to hold up their blas-phemy to heaven, the woman and the man taking the secretion from the male into their own hands and standing looking up to heaven. They hold in their hands the impurity and pray, … And then they consume it, partaking of their shamefulness, and they say, “This is the body of Christ and this is the Pasch for which our bodies suffer and are forced to confess the passion of Christ.” They do the same with what is of the woman, when she has the flow of blood: collecting the monthly blood of impurity from her, they take it and consume it together in the same way. Although they have sex with each other, they forbid the begetting of children. They are eager for the act of corruption not in order to engender children, but for the pleasure … But if … the woman becomes pregnant, then listen to something even more dreadful which they dare to do. Extracting the fetus at whatever time they choose to do the operation, they take the aborted infant and pound it up in a mortar with a pestle, and, mixing in honey and pepper and some other spices and sweet oils so as not to become nauseous, all the members of that herd of swine and dogs gather together and each partakes with his finger of the crushed up child … They dare to do other dreadful things as well. When they fall into a frenzy among themselves, they soil their hands with the shame of their secretion, and rising, with defiled hands pray stark naked. (86)
That’s a spicy meatball! Epiphanius’ lurid accusations against the Gnostics as practitioners of baby consumption and sacrifice is somewhat unique but not unlike those made against the Jews throughout the Middle-Ages as “blood libel”. Similarly, accusations of child sacrifice were made against Aleister Crowley because to his “Bloody Sacrifice” chapter in Magick in Theory and Practice due to the fact he plainly without symbolic gesture tells us that blood sacrifice is the most important and effective magickal technique available to the magician, and:
[a] male child of perfect innocence and high intelligence is the most satisfactory and suitable victim.
It is often said that Crowley’s references to “child sacrifice” were ghastly euphemisms to masturbation in a magical ritual. If this is the case then, this is indeed a “symbolic” failure on Crowley’s part. Later on Epiphanius describes and recounts the myth of the lewd Sophia or “Prounikos” (it seems like Epiphanius got it mad-confused with Sophia and Barbelo’s roles here) where she sets out to “reabsorb” and collect her living sparks of power that was stolen from her retarded son, Ialdabaoth and his legion of archons. She appeared to the archons in a beautiful and lustful form, seduced and quite literally, fucked the “living daylights” out of them, and when they had an emission she took their sperm, which contained the power originally belonging to her. Epiphanius repeats this in further detail:
For these angels went to war over the power from on high—they call her Prunicus, but she is called Barbero or Barbelo by other sects—because she displayed her beauty < and > drove them wild, and was sent for this purpose, to despoil the archons who had made this world. She has suffered no harm, but she brought them to the point of slaughtering each other from the lust for her that she aroused in them. And detaining her so that she should not go back up, they all had relations with her in each of her womanly and female bodies—for she kept migrating from female bodies into various bodies of human beings, cattle and the rest—so that, by the deeds they were doing in killing and being killed, they would cause their own diminution through the shedding of blood. Then, by gathering the power again, she would be able to ascend to heaven once more.
But others honor one “Prunicus” and like these, when they consummate their own passions with this kind of disgusting behavior, they say in mythological language of this interpretation of their disgusting behavior, “We are gathering the power of Prunicus from our bodies, and through their emissions.” That is, < they suppose they are gathering > the power of semen and menses.
For if they say, “Prunicus,” this is just a belch of lustfulness and incontinence. Anything called “prunicus” suggests a thing named for copulation, and the enterprise of seduction. (2) For there is a Greek expression which is used of men who deflower slave women, “He seduced so-and-so.” And the Greek swindlers who compose erotica also record the word in myths by saying that beauty is “seductive.”
Despite the strong erotic and sexual symbolism used in Gnostic myth, for the most part, the accusations were often made without merit since many texts such as the Pistis Sophia (of the Bruce Codex) explicitly condemns the literal practices described above in the strongest terms. The caricature the Apostolic Fathers would draw up as slander against the Gnostics isn’t exactly an original phenomena that started with them as certain antinomian libertine currents have always existed alongside mainstream religion so it is probable that a few of these cults embraced these practices through sexual ritual and initiation, yet were lumped in the Gnostic milieu by their enemies. These rituals of sexual magic were embraced by the Barbelite practitioners (identified by Epiphanius) while condemned by outsiders, both Gnostic and orthodox. S
ince some libertine Gnostic groups such as the Barbelites would consider the desirable “light-seed” inherent in the sperm and menstrual blood to be ingested in obscene rites, in a similar manner like Crowley did, then it would make perfect sense to engage in sexual ritual because it corresponded to their mythologies. Their “light” contained in their sexual emissions would be released back to the Supreme God in order to bypass the reproductive systems that perpetuated the materia by adding more bodies and souls under the wrath and authority of Jehovah, the blind and insane fallen angel and slave-master of the world.
Many religious sects have been accused of perversity by their opponents yet it is more than likely sexual rites similar to the one described above probably happened more or less. The biggest difference however between the ancient Gnostic’s and the neo-gnostic, occultists of today, is their rejection of the material world as a product of corruption and evil which cannot be saved. This point of view also distinguished them from Christians, Jews and pagans alike. Yet, many neo-gnostics who have undertaken the label also attempt to psychologize the Demiurge, because a central tenet of New Age is that material existence is inherently good, so the idea that creation is the product of a lesser, flawed being is repugnant to them.
Carl Jung in his seminal, The Seven Sermons of the Dead refers the figure as an “emergence” of form from the hidden depth of the Godhead as opposing and ultimately complimentary powers that become one in a sort of ying/yang tandem emobdied in Abraxas:
Abraxas is the god whom it is difficult to know. His power is the very greatest, because man does not perceive it at all. Man sees the supreme good of the sun, and also the endless evil of the devil, but Abraxas, he does not see, for he is undefinable life itself, which is the mother of good and evil alike…Abraxas is the sun and also the eternally gaping abyss of emptiness, of the diminisher and dissembler, the devil. The power of Abraxas is twofold. You can not see it, because in your eyes the opposition of this power seems to cancel it out. That which is spoken by God-the-Sun is life; that which is spoken by the Devil is death. Abraxas, however, speaks the venerable and also accursed word, which is life and death at once. Abraxas generates truth and falsehood, good and evil, light and darkness with the same word and in the same deed. Therefore Abraxas is truly the terrible one. He is magnificent even as the lion at the very moment when he strikes his prey down. His beauty is like the beauty of a spring morn.
Abraxas in this sense was seen as one of the many symbols Jung would use as the ancient doctrine of of “Coincidentia oppositorum” or the “unity of opposites”. Jung’s gnostic vision of 1916 with his bipolar Abraxas, which is written in the persona of Basilides, has virtually nothing to the actual teachings of the historical Basilides. Jung erroneously claimed that Abraxas was the embodiment of the Monad, where as the ancient heretics viewed Abraxas as a lower aeon or even an archon. Abraxas, like Baphomet, becomes a “syzygy” of an alchemical pair conjoined of good and evil, darkness and light, Christ and Anti-Christ, God and the Devil to the point where the figure transcended such dualities. Aleister Crowley also invokes the immensely complex and contradictory deity in the Gnostic Mass, evoking a certain ancient aura in the barbarous names of the god-forms he lists:
IO IO IO IAO SABAO KURIE ABRASAX KURIE MEITHRAS KURIE PHALLE. IO PAN, IO PAN PAN IO ISCHUROS, IO ATHANATOS IO ABROTOS IO IAO. KAIRE PHALLE KAIRE PAMPHAGE KAIRE PANGENETOR. HAGIOS, HAGIOS, HAGIOS IAO.
Here, Crowley perpetuates the magical tradition of orally icanting the “voces magicae” and “nomina barbara” in a simliar fashion that the ancient Gnostics would concieve in their secret rites. Abraxas in ancient, classical Gnosticism was more or less a positive aeonic figure (minus Basilides’ version of the astral lord) while Abraxas in the romantic occult world was a synthesis of dualities — of good and evil. This is symbolic of the considerable discrepancy between the western esotericism and occultism that seek a union of opposites versus “Gnostic” systems that seek to separate light from darkness. This issue is muddied even further by the likes of Carl Jung, who erroneously creates an association between Gnosticism through his doctrine of “Coniunctio Oppositorum”.
Although to be fair, there weren’t very many available “Gnostic” texts during his time in order to properly develop his views. This union of opposites when viewed from a classical dualist mystical lens becomes in actuality a tragedy that gives rise to human suffering and all the world’s horrors. The Classical Gnostics by several estimates (by judging choice texts) were “mitigated” or less severe in their view of duality with spirit being the original unity while matter being a shallow imitation of the higher forms. In this estimation, the light is seen as the only eternal principle while the world of matter is simply a passing shadow, a temporary set-back or foul-up in the scheme of infinity that will eventually be rectified. A more radical interpretation of dualism would be that light and darkness existing as co-eternal yet independent principles with their own domain in a constant dueling of powers found in the Manichean religion.
The light-dark opposite is for the most part rejected by western occultists due to its association with mainstream Judeo-Christian traditions which they consider deficient (e.g. the designation of ancient dualist religions and all previous religions in past civilizations, since they follow the supposed “LVX formula” as belonging to the troglodytes or cave-dwellers of “Old Aeon” in Thelema, for example). But the fact remains that the ancient Gnostics and many other groups (the Medieval Cathars, Manicheans, etc), considered themselves to be foremost as Christians and concerned with contrasts of sin and righteousness. To embrace the classical Gnostic tradition means to embrace their dualistic perspectives. It’s simply impossible separate such perspectives from Gnosticism with distain as many occult and new age practitioners do.
Aleister Crowley in Liber XC expresses the same sentiment as Jung’s “Coniunctio Oppositorum”, stating:
Many have arisen, being wise. They have said ‘Seek out the glittering Image in the place ever golden, and unite yourselves with it.’ Many have arisen, being foolish. They have said, ‘Stoop down into the darkly splendid world and be wedded to that Blind Creature of the Slime.’ I who am beyond Wisdom and Folly, arise and say unto you: achieve both weddings! Unite yourselves with both! Beware, beware, I say lest you seek after the one and lose the other! My adepts stand upright; their head above the heavens, their feet below the hells. But since one is naturally attracted to the Angel, another to the Demon, let the first strengthen the lower link, the last attach more firmly to the higher. Thus shall equilibrium become perfect. I will aid my disciples; as fast as they acquire this balanced power and joy so faster will I push them.
Baphomet carries a great deal of occult significance — from its original inception in the romantic era and even into this day, yet the origins of the enigmatic figure stem from deficient and sensationalist misunderstandings and demonic imagery which hardly deserves any adoration or praise. Abraxas likewise too sinks back into this occult sensationalist mire despite its nuanced inception. Occultism is a “hidden practice” or “craft” that only those who are initiated deserve to study in all its glory, intently. Neither occultism nor its views on the “unity of the opposites” are necessarily “bad”, as it is simply another way of experiencing an altered state of consciousness. The Chimeric figures of Baphomet and Abraxas both represent these “altered states” of occult consciousness to varying degrees. Everything from the astral body, the working of aeonic angels and archonic demons, to the “balance of genders” as symbolized through the “Androgyne”, these two symbols carry a great degree of esoteric importance.
Occultism does however contain a very dark, elitist undercurrent that cannot be ignored, fostered in the bourgeoisie halls of the privileged elite.
Master everything, but give generously to your servants, once they have unconditionally submitted. (Crowley, Magic: Book 4, 278)
Ritual magic has long since been associated with learned elites, especially with its origins in Europe. This is especially true during the medieval era where the occult became synonymous with unsavory and often repulsive practices involved with “black magic”, which goes without saying with its verbose flowery language that makes up many of their ego-fueled rituals. Modern, “watered-down” occult magic also seems to give people a sense of empowerment in a world in which they are powerless. That is not to say that all forms of magic are in itself useless and authored by the Devil as many ancient theurgists and Gnostics would profess otherwise since what is termed “high magic” is aimed at recovering a perfect knowledge of the transcendent signature left within the deepest layer of being — the Spiritual Seed.