Asterion Mage is a very talented artist and Renaissance magician, who currently resides in Romania. He is also by his words: “a student and teacher of the occult, specialized in traditional ceremonial magic. Very interested in talismans, amulets, evocation, demonology, angelology, Qabbalah, seals and sigils, alchemy and the like.” What attracted me to his work was this dazzling seal called the Seven Heavens published in the most recent issue of Platonism at the JWMT, which in my own estimation, naturally corresponds to the “Seven Heavens of Chaos” along with the Seven Angels or Archons in Gnostic cosmology. And naturally, I extended an invitation to Asterion to be interviewed. Be sure to visit both of his blogs: Practical Solomonic Magic and Asterion’s Occult Art for more information about his work. His artwork alone is worth every penny and second of your attention. On with the interview!
When did you first start your journey into Renaissance and Solomonic magic?
I have been interested in magic since I was a child, at about 9 or 10, but my reading into this subject and other familiar ones began at about age 13. My maternal aunt was deeply interested in the occult and practiced certain rituals taken from a multitude of books, and later on those books fell into my hands. For a very young man interested in magic they were priceless, but looking back on them now they were merely occult-themed almanacs of superstition and astrology and traditions, when they were not bombastic booklets promising wealth, love and power through the practice of simple rituals with salt, honey or candles. Bit by bit, I started reading everything I could find, collecting newspaper clippings and books and pieces of information from TV shows.
Later on, the internet made its way into my life, but I didn’t have my own PC or an internet connection. I would spend what little money I had on hours in the internet cafe, reading and downloading information from all kinds of websites. Another source of fascination was my maternal grandmother, who lived with us and who basically raised me. A very kind old woman, with a heart of gold and very humble manners, she would recite on rare occasions a chant against the evil eye when I was sick. She refused to tell it to me, as it was customary, but I could remember it because she mumbled it a lot and it rhymed.
Far before I would read about evocation and the summoning of spirits, she told me something that I would only later realize what was. She had a hard life, with many brothers and sisters, her mother died and her father remarried. The woman he remarried was a witch. And I don t mean small, petty spells or superstitions. She told me a story that her stepmother was known for “pulling out the devil from the water”. She always referred to the devil as the “Unclean One” and to demons as “Killers”, as was her country dialect. She told me her stepmother would go at night to watery places like rivers or lake or ponds, and take a branch or rod and strike the water while chanting. Then a killer (demon) would show up and ask her what she wanted. Then she would strike him and the water and say: “Not you, the one above you!” and he would submerge and soon a bigger one would come.
And she would do the same until the biggest demon would come and then ask for what she wanted. She never practiced this as she thought her stepmother had sold her soul to the Devil or something similar. She was quite a pious woman that made me love prayer and God since I was a child, but by example, not by inducing it to me or forcing it down my throat.
You say you were baptized as an Eastern Orthodox Christian. How do you reconcile your Christianity with your practices since modern Christianity has a tendency to shun magic and the occult as simply vices of the Devil?
Well, that’s an easy one. I call myself a mage, since it’s the most accurate description of what I consider myself to be and profess. I’m not a sorcerer or a warlock because these terms often have negative components to them, and I’m not a magician either in that sense that people expect me to do magic in front of them and dazzle when they hear that term. When I’m asked this question by people, I always remember to tell them that among the first people to worship Christ in Bethlehem were, according to the story in Matthew, the three Magi from the East. They certainly were not evil necromancers that were meant to be stoned in the Old Law, and even if they were, they were pretty decent for necromancers. The magic I practice is deeply rooted in faith, as many traditions are. Without one’s faith in the central being or concept of one’s cosmology, little is accomplished in magic in any tradition.
Yes, from a priest’s point of view, magic is wrong. But then again, a lot of what priests do is wrong from a moral point of view, so I cannot listen to the fixed ideology of somebody that practices against his teaching. I prefer to practice magic like my faith: quietly and devoutly. People often huff and puff at the mere mentioning of Christian teachings, but we have to keep in mind that the vast majority of what we have today in grimoiric magic was penned down not only by Christian magicians, but also priests. We are not talking about wizards in strange hats sacrificing goats, but priests dressed in white garments that as soon as were free of their priestly duties would immerse themselves in ancient wisdom, forbidden books and illicit experiments, blessing and aspiring in the name of God all the way.
How would you differentiate your work from other magical avenues located in Thelema, Wicca, chaos magic and even the highly influential Golden Dawn system?
At one point in my magical career, I was quite eclectic and believe solidly in my eclectic rites. That was what convinced me that some methods work and some are just BS and fluff. Although I believed with all my might in the seals I was constructing and in the visualization trances I went into, the results were either null or inferior. And all exercises done after the Old Fashion, described in grimoires, or experiments composed by myself using those analogies, work perfectly. I know that each current has its own ideals and adherents and it is not for me to judge them, as it is not for them to judge mine. I have seen way to many Wiccans and Thelemites bashing Christianity without reading a single verse of the Gospels. I really would not like to bash their faiths, although I have read theirs. At the same time, I have also seen Christians preaching the superiority of our faith without having read the Gospels as well, so there are bad apples in every batch.
Wicca is a new religion claiming to be old and I dislike that about it, but I like the fact it teaches respect for one another and living things. Thelema is an equally new religion that advocates the use of one’s true will and the importance of love, a thing I most definitely enjoy, but it has become an excuse for doing whatever the hell you want, in contrast with what Crowley actually meant.
Each of these faiths is good for its adherents as Orthodox Christianity is for me, and I would not dare to say otherwise or try to bring people to my truth. Chaos magic is for me a very interesting experiment in which 99% of the young occult community practices and even teaches and less than 1% actually obtain results. Golden Dawn is in my view a great tool of learning and a great initiatory system, but I believe in using its rituals only if one commits to that path. Doing LBPR’s and SIRP’s along other rituals and not studying through the grades materials or going through the actual initiations seems very idiotic to me—however strongly others might disagree. I am not an adept of this particular order and I prefer the Old School magical tradition of the grimoires: you do not need to mix Wicca, Thelema and Golden Dawn in to obtain great results, just go back to their origins. If you study these honestly you will find that their source is good-old medieval European Solomonic Magic.
How would you describe your work in theurgy and Solomonic magic in relationship to Gnosticism and Gnostic cosmology? Do they bear any similarities to the magical systems of the ancient Gnostics and Hermeticists?
This is the question that would require me to go in an academic dispute and ramble on for a few hundred pages. For the sake of our readers, I believe I should not be encouraged. Gnosticism is a very broad term that defines a whole class of heterodox views upon religion and spirituality in the first half of the first millennium primarily, with echoes well beyond that. I know full well that magic manuals of the Middle Ages are heavily indebted to such works as Sefer ha-Razim, Shiur Qomah and the Heikhaloth literature, they in turn having Gnostic roots, but that would not be adopting Gnostic ideals directly, only incorporating the operating system of the rituals employed and acknowledging their roots. I am aware of the many Gnostic faiths and beliefs but I honestly cannot say I was particularly influenced by one. In my youth, I could say I was taught in the Neo-Gnostic spirit of Rosicrucianism, Theosophy and Anthroposophy, but that was accomplished with so much bias by one of my teachers that I later became stupefied of how much I was being indoctrinated with pseudo-Gnosticism and New Age and how little I actually learned.
I am, after my own assertion, an orthodox Christian, but an orthodox priest would find me a heretic or a Gnostic. I love the Orthodox Ritual, the humbleness and the light of the monks and saints of our church, the smell of frankincense rising from the brazier in an old church filled up to the ceiling in century-old paintings and I love the uplifting chants and psalms echoing in a chorus. However, I almost always pray to God in private, with honesty and humility, not at Church. I also do believe in reincarnation and the evolution of the soul, which is not only a Buddhist/Eastern ideas, but also found in Gnostic and Kabbalistic thought. I also do not wish to be married and start a family like most people in our faith do and last but not least, I practice magic.
If the claims of the Goetia and other medieval grimoires are true, then the spirits should manifest to physical appearance. Has your personal experience in invocation allowed this to happen?
First of all, I have never worked with the spirits of the Goetia, and I hope there will never be a need to. There are some grimoires that use the same equipment as Goetia, like its sister book, Theurgia-Goetia, grimoires that have many things in common and being used as complementary, like the Fourth book and the Heptameron and some isolated spirits that can be compelled with the same rituals, without using the spirits listed in the Goetia itself. I have worked with other spirits, and the matter has been debated quite a few times. The spirits do not always become visible, unless they are conjured to do so.
When the conjuration clearly states that the spirit is to come visibly, and it does not, I consider it a failed evocation. I have had failed evocations as well as successful ones, and yes, when it is meant that they are to be visible, we are not talking about opening your astral senses or training your third eye. Those are crutches on which I relied myself and now I am sorry there was no one to correct me but only people that encouraged me in my self-delusions. In my eclectic magic years, I was encouraged to believe that every little sign and omen was true and significant and that I only had to believe that my magic worked in order for it to work. This is highly hazardous for any beginning magician and even if I’m often contradicted, blamed and fired upon in public forums for bringing people down to Earth, I feel it’s necessary. If everything happens as the conjuration of the spirit states, the evocation is a success. No amount of explaining and philosophizing about small signs in the room and furniture cracking can make a failed attempt a successful one.
One essential component that the medieval grimoires are unanimous on is sexual purity. And I know for a fact that the majority of modern would-be magicians do not make any attempts to remain celibate. Because celibacy, according to the grimoires, is a prerequisite to command the spirits. You can’t render them obedient unless you’re free from sexual contact. Modern magicians say that’s just medieval Catholic superstition, but considering that none of them seem to get any visible effects from their magic, how would they know? Any comments on this?
Sexual abstinence is a prerequisite in sacred rites throughout the world; it is not a Catholic superstition. I find this to be quite true. Since the grimoires actually state that you shall abstain from sexual relations for three or nine days prior to some operations, we can obviously conclude that the magician was not asked to be celibate his whole life. Some were priests, other were married noblemen, others were ladies men like the famous Casanova, which possessed a number of magical manuscripts and even attempted a ritual, and a great number were small scholars, artists, magistrates and other professions that were quite active sexually, married or not.
Abstinence and fasting does indeed make the conjurer more in tune with the celestial worlds and renders him more powerful in a magical sense. Since sexuality is perceived as part of man’s animalistic nature and the sublimation of our instincts is perceived as a triumph over that very nature—this is quite natural to be asked of the magician. Also bear in mind that from the Sirian sorcerers to the Renaissance magus, children were often employed as seers because they were sexually inactive and thus pure, making it easier for them to interact with the spirits. I myself am a very sexual individual and have a healthy, diverse and fulfilling sex-life, but when dealing with magic the situation changes: I avoid all sex acts prior to the operations, including divination, I bathe ritually and after having sex I do not touch my ritual implements for at least 24 hours, if not more.
What are your thoughts on the Faustus legends? Do you think stories like Faustus are propaganda to deter the poor and the downtrodden from attempting to usurp the status quo?
Last time I checked, Faust was not that poor, but then again, magic has been successfully employed by kings and poor people and has many times failed both poor people and kings. The root of the Faust legend would most likely be Georgius Sabellicus or Georg Sabel, of which the good Abbe Trithemius writes in disapproving words. But he was not the only case. If you read stories from the Church Fathers and other Christian traditions, you would find an abundance of unknown Faust’s. Saint Basil, one of the most revered saints of the Orthodox Church, is known to have saved and rescued from the demon’s grasp a young slave who sold his soul to the Devil in exchange for the love of a young Christian girl. Saint Cyprian was a famous sorcerer until his conversion, and according to legend he sat in the demon’s council and was revered by them as a friend, and so is the case with Pope Sylvester II, to mention but a few. These were maybe propaganda, but the truth is that many books of magic are strictly demonic and prescribe rituals where birds are sacrificed to demons and where people make binding contract with the heads of the netherworld, so the story I believe is very likely to be inspired by real events.
This leads into my next question—do you think Simon Magus is an influential figure in the murky world of magic and the occult? I ask this, because the Faustus legends are modeled after Simon Magus.
Unlikely so, in my opinion. There have been so many magicians in history with similar traits that it s impossible to put our finger only on Simon. Upon reading The Lives of Saints it became quite clear to me that this was just part of a traditional debate: the cliché is the story of conversion. Saint A deals with the magician B, he upstages his illusions and trickery and upon that the magician either dies (like Simon) or converts to Christianity (like the wizard Theonas). The story of the magical battle between pagan sorcerers and the men of God, such as the case with Simon the Magus and Simon the Christian (Peter) in the Book of Acts, also appears in Exodus, when Moses amazes Pharaoh, the people and even himself facing the two Egyptian sorcerers, whom the apocryphal tradition calls Yannes and Mamres. This is out of the need to prove Christianity superior to the forces of magic, in most cases based upon the works of demons.
Jesus himself was thought to be a magician using the help of the demon Beelzebub, according the Jewish priests of his time. We can ascertain that his miracles were not that miraculous for the crowds at the time, only the fact that he did not employ demonic enchantments and charge money. The most influential figure in the occult tradition would be King Solomon, as he has over one hundred manuscripts of pseudo-epigrahic works of magic attributed to him, while our dear Samaritan heresiarch has none. Even his magnum opus and corner stone of the Simonians, the Apophasis Megale, remains unknown save for a few fragments quoted by the Church Fathers.
There is a part in Marlowe’s Faust where Faust asks Mephistopheles how it is possible that a demon can manifest itself on earth, since demons have been condemned to hell, and Mephistopheles explains that earth is merely an extension of hell. This somewhat ties into how some (not all) ancient Gnostics and early Christian heretics (the Encratites, especially—which aren’t exactly “Gnostic” anyway) viewed material life as at best—corruptible and flawed—at worst: a hellish prison for the divine spark. What’s your opinion on this?
Well, I’m not that gloomy when it comes to viewing the world. The Christian story holds that the demons were let loose to test man until Judgment Day, so nothing wrong with that here. In the Book of Job, Satan acts as a divine agent of testing the faithful, much like he does in the temptation of Christ in the Gospel. Earth is an extension of Hell as much as Heaven is an extension of the same. I do not believe in strict delineations between metaphysical topoi. I do not trust strict boundaries between the Fifth Heaven and Sixth Heaven, between Hell and the Abyss and between Earth and the Kingdom of God. It would be like arguing what we breathe: oxygen, nitrogen or carbon dioxide? The air we breathe is composed of all three gases, but we choose to concentrate on the oxygen. Our body cannot filter out the other two, and cannot breathe just one of them, it s the inseparable nature of the mixed air we breathe.
There are actually two versions of Marlow’s Faust. The earlier version was modified because it was considered too fatalistic and had a lot of crypto-gnostic underpinnings. In the earlier draft, it’s ambiguous whether Faust really has a choice in salvation or damnation, thus portraying Faust and the devil in a somewhat sympathetic light. In the modified version, it’s made clear that Faust chooses damnation for himself and is therefore justified in being condemned to hell. My question from this is, is there such thing as pre-determinism and fate or does humanity have the free will to forge their own destinies?
About the first draft of Marlowe’s Faust—I must admit I am ignorant and cannot comment upon it. Many people choose to comment things they read nothing about and just end up confusing the discussion partner or making fools of themselves, I prefer admitting my ignorance in these matters. Predetermined destinies are a thing to be thought of, but we cannot pass judgment on a thing like this while being under the spell of the physical realm. I find that we have a destiny and free will at the same time, but each has a different amount of them. There are people who by their own actions strive and purify themselves to the level of choosing their own destiny and people that slave away in this life content with their bliss and destiny. I recently became stupefied by the power of one’s predestination: five or six years ago I predicted a very harmful disease to a woman in a birth chart at the age of 62, and should she survive it she would live up to her mid 70’s. Her daughter phoned me a few months ago and told me her sickness kicked in, specifically cancer. The suffering was very acute and within a month or two she passed away, at age 62. I believe that this was not a coincidence or an active suggestion of mine. If I could do that I’d be hired by every government to kill people with my natal charts.
I have to ask—what’s your opinion of Aleister Crowley and his mystic system of Thelema and even modern Thelemites in general? Is he in your estimation, truly a Satanist? And does he bear any influence on you and your work?
To call Crowley a Satanist is to call the Pope a pedophile: if you are an ignorant superficial individual that relies on gossip and conspiracy theories to base his statements upon, then of course, that’s fine and dandy, but no self-respecting student of the occult would consider him a Satanist. I’m personally neutral when it comes to Crowley. Not a big fan but not an opponent either. I find some works of his to be quite useful and insightful, but if I were to take up study of all his books and decipher all his metaphors, I’d have to quit my job and do just that for about two years. He’s a colorful individual, and his grasp on the Kabbala was superior to Eliphas Levi and Gerard Encausse dit Papus. He was admirable in many ways (his knowledge of the Bible, chess playing abilities and yogic inclinations) and a bad example in many ways (drugs, manipulation, financial dependability, et alia).
I do not want to get into endless arguments with Thelemites as to how great and original and daring Crowley was nor do I wish to engage in his apology with Christian fundamentalists that consider him a Satanist or the Antichrist. I have done that so many times that I am honestly sick of it, like trying to explain gravity to a child that constantly asks the same question. He had good and bad things and I am not that fascinated with him. Franz Bardon, Wilhelm Quintscher, Omraam Aivanhov and Cagliostro were equally important and insightful, but I do not push them down anybody’s throat.
What are you favorite occult-themed films/movies and why?
Oh, yes. I enjoy movies and series just like your average Joe, but when you throw in the occult in the mix, it gets that much better. My favorite is Roman Polanski’s The Ninth Gate. It has old books and demonology, two of my favorite things in the whole world, wrapped into one detective story. What s not to like? Some other titles include: The Exorcist, The Rite, Eyes Wide Shut, Devil’s Advocate, Angel Heart, and even awkward or goofy things like The Sorcerer’s Apprentice and Season of the Witch. I love to see how much research was put into each one and how much BS is left. A good occult series would be Supernatural, but it has one major drawback: a lot of people think it’s all real and argue with me about devil traps and fictitious demons. It’s well researched and introduces a few accurate things, like a few demons and angels, seals and especially the use of the Enochian chants, but it is very creative in its fictional account, nonetheless.
What is your advice to those who are new to your system of magic and are interested in practicing with it? What are the ultimate benefits to practicing magic?
I would not encourage anyone to take up study of magic. Saying anyone can do magic is as correct as saying anyone can do nuclear fusion. I say anyone, not everyone. There’s a difference. Anyone can do magic means that the few people who can actually obtain great results can come from any part of the world, from any social, cultural and religious background and with any motivation, not every single Joe and Jane can pick up a spell book and work wonders with no prior effort. I took up magic because I had an innate need of it and a fascination that was awakened in me from my early childhood, much like my love of God.
It was not taught to me; I was not guided and indoctrinated. Without a born fascination for this, one merely relies on the fact that it’s fascinating or useful. The first category often gives up when they see just how much study and actual work goes into it, and the other category gives up when they put as little effort as possible and expect as much power and great results, and do not obtain them. Magic would be like driving a car: people see Fast and Furious and want that, and they jump behind the wheel, not knowing anything about driving, about roads, rules or mechanics, and when they find out that you have to learn all that and after that, you can t exactly fly around in mafia chases all over town, they get discouraged.
Magic is not for people that think it’s cool. I would urge people like that to take up any other hobby that is much more rewording when it comes to impressing people, like break-dancing, Kung-fu or bodybuilding. Or who knows a combination of all three! Also, if you know you have a low attention span and get bored with things quickly, this is the least fit thing to learn. It took me over 14 years of avid daily study to get to where I am today, and when I think of how much I still have to learn and do, I’m half afraid and half exhilarated! However, if some are truly inclined to study Solomonic magic, I only have two words of advice.
One: Study more than you are studying now, ignorance and laziness has no place in serious magic. And two: Ask first, and then do. Do not jump into practice before having the whole operation under the belt. Its way easier to learn how to do something good then ask someone to fix what you broke. I’m so often faced with people who ask for my advice and when granted, they ignore it, and ask me to fix their problems after making them worst, that if they only follow this advice, I’ll consider myself a happy man.
Yes, you must try things, yes, you must experiment, but do not jump into practice with enthusiasm and ignorance all at once. Think of magic as a garden or a forest full of fruits berries: before putting everything brightly-colored and fancy-looking in your mouth, try asking someone who knows his stuff. Poisoned berries and mushrooms can be the most fascinating fruits there, while nutritious roots, leaves and fruits can hide under more humble guises.
