Holy Grail

The Megas Aeon Podcast #7 – Dr. Kyle Fraser – Zosimos & the Alchemical Tradition

In this episode, I interview an actual academic! I speak with Dr. Kyle Fraser of University of King’s College, History of Science and Technology. He is a professor and scholar specializing in Hellenistic and Late Antique esoteric currents such as Greco-Egyptian alchemy, magical papyri, Hermetism, Gnosticism, and how they relate to Western occultism, the history of science and Platonic philosophy. In other words, he’s a genius. We discuss the Gnostic-Hermetist Zosimos and his work in spiritual alchemy and his take on Gnosticism, Jesus Christ as the Savior, the Corpus Hermeticum, the Book of Enoch, and much, much more!

Outro music: Sepultura – Angel.

The Secrets of Saturn

In recent memory, several conspiracy theories focused on the occult have noticed that the bad guys of the Satanic New World Order conspiracy worship Saturn. There’s of course, the vague assertion between Saturn and Satan. Many have talked about this–including the likes of David Icke, Jordan Maxwell, Tracy Twyman, among others. This makes sense, and yet there is so much more to be said.

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Saturn was usually pictured as an aged man holding a sickle, from which we undoubtedly get our representation of Death–the old man with a sickle. The Planet Saturn revolves around the sun in approximately 29 years, therefore the human lifespan would be two or three revolutions of this planet. This could be the reason Saturn is connected with Death and the Grim Reaper, which is the skeleton dressed in a black hood holding sickle that reaps human beings at their death. This same Roman deity is used to denote the end of year, and a newborn baby symbolizes the New Year, i.e. it denotes time. Another name for Saturn is Kronos, which also means time. Indeed, this is what Ecclesiastes 3: 1-8 might be getting at:

3 To every thing there is a season, and a time to every purpose under the heaven:

2 A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted;

3 A time to kill, and a time to heal; a time to break down, and a time to build up;

4 A time to weep, and a time to laugh; a time to mourn, and a time to dance;

5 A time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing;

6 A time to get, and a time to lose; a time to keep, and a time to cast away;

7 A time to rend, and a time to sew; a time to keep silence, and a time to speak;

8 A time to love, and a time to hate; a time of war, and a time of peace.

In Talismanic Magic: Saturn: The Occult Signification of His Square, Seal, and Sigils by Samuel Liddell MacGrethor Mathers, he sums up what Saturn rules over:

Saturn rules over the color Black; over Saturday in the week; over the period from the middle of December to the middle of February in the year over Capricorn and Aquarius in the Zodiac, which are called his houses, and has power in Libra, wherein he receives his Exaltation; over the dragon, the ass, the lapwing, the cuttlefish, the mole over the metal lead, the precious stone onyx, ; he is the under the power of the number three in arithmetic, and the geometrical figure of the equilateral triangle.

The actions of Saturn are associated with binding, chastening, crystallizing, hardening, hindering, limiting, magnetism, obstruction, retarding and suppression. If the forces of Saturn seek to constrain, break down and later harden, then it would follow that this process relates to the the descend and crystallization of spirit into matter, or consciousness into the organic material of the body. This is perhaps the Holy Grail secret of Saturn, in which we will explore later on. Saturn, so active in the cosmic changes, was regarded by all mankind as the supreme god. Seneca says that Epigenes, who studied astronomy among the Chaldeans:

“…estimates that the planet Saturn exerts the greatest influence upon all the movements of celestial bodies.” – Naturales Quaestiones VII. 4. 2.

An astrological treatise ascribed to Manetho (Manethonis Apotelesmaticorum libri sex) states that:

“In the beginning Kronos the Titan ruled the entire ether; his star the far-seeing gods called ‘the shining one.’”

The ancient Greek poets and historians like Ovid and Tacitus remembered the early tragedies enacted in the sky by the heavenly bodies asserted that Jupiter drove Saturn away from its place in the sky. Before Jupiter (Zeus) became the chief god, Saturn (Kronos) occupied the celestial throne. In all ancient religions the dominion passes from Saturn to Jupiter. In Greek mythology, Kronos is presented as the father and Zeus as his son who dethrones him. Kronos devours some of his children. After this act Zeus overpowers his father, puts him in chains in Tartarus, and drives him from his royal station in the sky.

In Saturn’s association with the Old Testament, we see in Numbers 22:21-39, we see Satan first appears as an angel that stops a guy named Balaam from going forward. Satan is an angel, which his donkey can see, but Balaam cannot. The donkey refuses to move. He beats the donkey in punishment until after the third time the donkey speaks to him. We read in Deuteronomy 23:4 that Balaam the son of Beor of Pathor of Mesopotamia was hired to curse Israel. We read in Numbers 22:4, 5 and 7, that Balak the son of Zippor, king of the Moabites, sent messengers to Balaam the son of Beor to Pethor and “the elders of Moab … departed with the rewards of divination in their hand.”

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Both Islam and Judaism have strong Saturnian elements in them. In Islam, its revealed book of the Quran has all sorts of rules and limitations for its adherents, especially for women. Women must dress up in black, Saturnine robes, cannot show their faces, cannot drive, are subject to “honor killings”, rapes, etc. Men aren’t allowed to drink alcohol, they have to pray to Mecca five times a day, etc. In Judaism, we have the Old Covenant in which Jehovah made with various patriarchs which gave us the Law and strict Kosher laws on what they can and cannot eat. They cannot work on the Shabbat (Saturn’s day) and must get circumcised. Both religions are very restrictive and binding. They are not inherently evil or sinister but excessively obstructive and controlling. Perhaps this is why the Apostle Paul describes the Jewish Law in terms of being a “curse” in his letters. The Hexagram or the six pointed star is the Seal of Solomon, or nowadays known as the Star of David. It’s also known as the talisman of Saturn in Kabbalistic sources. In modern strands of Satanism, including Thelema, black robes are often worn in magical rituals and initiation ceremonies. Indeed, there are various Satanic/Luciferian spells and rituals with strong Saturnian elements in them.

In the Testament of Solomon, King Solomon used the seal or ring of Sabaoth (given by Michael the Archangel) to command demons or djinn to do his bidding and even torture them. If the seal is imbued with Saturnian powers it makes sense it can be used to bind spirits in some manner. In many sources, the chief symbol of Saturn is the cube. This relates to the Kaaba stone of Islam as well as the Foundation Stone in Jewish creation myths, which in turn relates to the myths associated with the Holy Grail and the Philosopher’s Stone. The Nazi Otto Rahn supposedly claimed he had found the Holy Grail that once belonged to the Cathars. According to Tarotica, the cube’s edges also forms the Hexagon, associated with the Hexagram, being a stable symbol in Solomonic ritual magic as well as Israel’s Star of David. It reminds us all to well of Hellraiser’s puzzle-box, where the person who solves it, effectively summons Cenobites from Hell and drags the unfortunate soul down with them to be tortured with chains.

The cube is the “base” of the platonic solids, and when turned and viewed from the right angle, it’s edges form a Hexagon. This is where the idea of someone being “hexed” comes from. We can take hex to basically mean “bind” or “bound.” When one puts a “hex” on someone else, all they are really doing is putting them in a box. You may positively “hex” someone by wishing them health and abundance, but negative hexing is done through things like gossip where one defines another persons space as having only certain negative and obstructive qualities. One essentially builds this box of “reality” around the targeted individual, and celebrities are all too aware of this form of binding magick as certain trivialities of their personal lives become endlessly repeated and turned back in on themselves in cacophonous “chamber of secrets” style reporting that is spread as far and wide as possible. This meaningless white noise has served to obstruct and drown out the utter Holiness of the Saturn’s Cube, itself being the chamber of prayer and sacred immanence.

Mesopotamia was the very home of Babylonian mysteries and the birthplace of astrology. The name Balaam in Semitic language means “Conqueror of the People” and definitely links us with “Nimrod the mighty hunter before the Lord (Genesis 10:9).” We read in verse 8 that this Nimrod, the son of Cush, began to be a mighty one in the earth. He was the great grandson of Noah and “the beginning of his kingdom was Babel.” He built other cities like Ashur and Nineveh, which later became the capital of the Assyrian Empire. Nimrod is styled “the mighty hunter before the Lord,” or as Strong renders it, “against the Lord.” He shows that the Hebrew word paniym is more correctly translated “against” rather than “before”. Like many in Babylon, Nimrod had a tendency of changing:

“…the glory of the incorruptible God into an image liken to corruptible man, and to birds and fourfooted beasts and creeping things.” (Romans 1:23).

Nimrod was certainly “against” the Lord in all he planned and did. “The mighty hunter against the Lord” led multitudes away from the creator god and laid plans for a world-wide conspiracy against Yahweh, as the story goes. That was the reason behind the Babylonian Mystery cults. Many of the cults were dedicated to the worship of Saturn, as the House of Judah (i.e. the Jews) were dedicated to also worshiping in the Tabernacle of Saturn. Saturday is named after the star god Saturn. As it follows, Saturday is not only the seventh day of creation. It is the day set aside to the glory and honor of Saturn/Nimrod. It was Nimrod who proclaimed himself to have resurrected and ascended to the planet “Saturn” in the Babylonian Mysteries. According to the ancients, planets were called wandering stars. And yet, there are many parallels with Yahweh and Saturn as well.

Matthew Henry’s Commentary states they were worshiping the planet Saturn and the Sacred Hebdomad.

You have had the images of your Moloch-your king (probably representing the sun, that sits king among the heavenly bodies), “and Chiun, or Remphan” (as Stephen calls it, Acts vii.43, after the LXX), which, it is supposed, represented Saturn, the highest of the seven planets. The worship of the sun, moon, and stars, was the most ancient, most general, and most plausible idolatry. They made to themselves the star of their God, some particular star which they took to be their god, or the name of which they gave to their god. This idolatry (Deut. iv. 19); and those that retain an affection for false gods cannot expect the favour of the true God.

The prophet Ezekiel in the Babylonian exile had a vision—the likeness of a man, but made of fire and amber who brought him to some darkened chamber where the ancients of the house of Israel with censers in their hands were worshiping idols portrayed upon the wall round about. Then the angel of the vision told him: “Thou shalt see greater abominations that they do”—and he brought the prophet to the door of the gate of the Lord’s house—”and, behold, there sat women weeping for Tammuz.” Next he showed him also Jews in the inner court of the Lord’s house “with their back toward the temple of the Lord and their faces toward the east; and they worshiped the sun toward the east.” It is in this instance we find that despite Yahweh’s deep connections with other heathen gods, he is always seeking to usurp their local authority in favor of his own.

The traditional Orthodox explanation of the Genesis creation account in which God or “the gods” (the Elohim) creates man in “our image” implies the trinity–the Father, Son, and Holy Spirit. I’ve never bought that explanation, though. I think the earliest strands of Judaism were polytheistic, and the religion became more and more monotheistic as time progressed. The scholastic evidence suggest that the Pentateuch developed out of two separate Israelite groups: Yahwist and Elohist. They base that theory on the vocabulary used in the Pentateuch: certain portions refer to the Israelite deity as Yahweh, others Elohim. The two were eventually merged into one god, but there is evidence to suggest that Elohim represented an entire pantheon of Canaanite deities, and Yahweh was one of those gods. In that case, Judaism developed as a cult that began to worship Yahweh exclusively and gradually usurped competing regional cults. This is much like how Jupiter betrays his father Saturn/Chronos as well as as fellow Olympians.

For example, El, a Semitic word used by Jews for Yahweh, was also used by Canaanites as another name for Baal. It’s a clear case for the Israelite adoption of names found in preexisting religions. Baal was merely one of these Elohim, which also represented Saturn. The bull was also symbolic of El and his son Baal Hadad and both wore bull horns on their headdress. In other words, the horned god archetype is deeply connected to Saturn and the cosmocrators. El is also the Demiurge and the Freemasonic “Great Architect of the Universe” that is obviously a reference to Ialdabaoth (the “child of chaos”) of the Ophites and the Apocryphon of John. In a way, Ialdabaoth is a mixture of Baal, Kronos, and Yahweh. El is simply another name for Saturn.

This is made evident in Eusebius of Caesarea’s Praeparatio Evangelica (Preparation for the Gospel) (X), as he quotes Sanchuniathon’s History of the Jews:

And soon after he says:

‘It was a custom of the ancients in great crises of danger for the rulers of a city or nation, in order to avert the common ruin, to give up the most beloved of their children for sacrifice as a ransom to the avenging daemons; and those who were thus given up were sacrificed with mystic rites. Kronos then, whom the Phoenicians call Elus, who was king of the country and subsequently, after his decease, was deified as the star Saturn…

Incidentally, the ach-heretic Christian, Marcion’s primary goal was to distance Christianity from other religions (especially Judaism), that is, to distinguish the Christian god from all other gods before it, so that Christianity was something entirely new and unique. That was the way Christianity could be entirely independent from competing religions while also coexisting with them, i.e., pluralism. It’s a shame that none of his writings have survived, so we can only glean whatever information is retained by anti-Marcionite apologists like Tertullian.

I have found the use of the term “Elohim” deliberately obscured as Judaism moved from henotheism to monotheism. Despite Michael S. Heiser’s contentions, the Elohim was a council of gods (Elohin in Ugarit). These were the sky gods as opposed to the Shaddim/n, who were the earth gods. In other words, they are demons. The Shaddim is related to El Shaddai. Judaic (indeed all ancient near eastern) beliefs are a jumble of different ideas with some of them being discarded as time goes on and others mutating and merging with other ideas.

If El was a sky god, then how could he be thought of as an earth god? My suspicion is that this is tied into the concept of the “throne of God”. There has always been an uneasy tension between the idea of the celestial gods (stars) living in the sky and guiding human existence and the idea of the gods living on a solid surface (such as a mountain, the Axis Mundi). The central idea of a Mountain of God (also found in the Book of Enoch where the Garden of Eden is found on the same mountain) was mostly discarded in favor for an alternate universe called Heaven. To the Ancient Jews, however, this dichotomy of a celestial heavens and mountain of God constantly played back and forth (we see this very strongly in the Ezekiel Throne / Chariot description). Thus, El was the sky god that ruled the heavens but he also ruled from the world mountain. This made him both a sky god and an earth god.

I favor the notion (as do some other scholars) that the Moloch that the later prophets railed against so vociferously, was, originally, Melech (“King”) which was the nice way of speaking of El when he was in a bad mood. He was the older, deeper god whom one appeased in the background to appeasing the reigning sky god, YHWH (also known to the Greeks and Romans as i.e. Zeus / Jupiter). In the case of El Shaddai, I suspect that the title referred to El on the Throne of God without any particular chthonic implications but that the constant associations with the Shaddim kept the title from being more popular in later days. Christians, today, have no problem with “God, the Rock” as translation has removed any relationship between Shaddai (“rock”) and shaddim (eventually mutated to “Satans”).

Some equate the Garden of Eden with the Golden Age of Saturn. Some even postulate that Eden was actually some sort of “Sacred Mountain” or the World Axis, like the climbing of Dante’s Mountain of Purgatory that represents the pilgrim’s progress, through the sphere. Eden was blocked off from Adam and Eve because of their transgression of Divine Law. This sacred mountain, upon whose summit stood the temple of the gods, gave rise to the stories of Olympus, Meru, and Asgard. The City of the Golden gates—the capital of Atlantis—is the one now preserved among the numerous religions as the City of the Gods, the Holy City, and even the New Jerusalem of Revelation, with its streets paved with gold and its twelve gates shining with precious stones.

Atlantis was said to have been a naval power that took over parts of Western Europe and Africa in 9400 B.C. before an explosion sank the island beneath the ocean. Like Eden, it was said to have been centered at the source of four rivers—which also comes from Sumerian myth of Ziusudra and the Zoroastrian legend of pairideaza, from which we get the word “paradise”. The Garden of Eden is called gannah in Hebrew, which means a hidden place. It’s an Avestan term from Old Persia, which was also used as a term to refer to enclosed parks, matching with Plato’s description of Atlantis being a highly advanced society, walled off from the rest of the barbaric world, in his writings. The author of Mystery Babylon writes about the “hidden” nature of Saturn:

Saturn was, and is, probably one of the most important figures behind the development of Mystery Babylon. Interestingly enough, Saturn was also known to be a “god of hidden counsels,” a “concealer of secrets,” and a “god of ‘mysteries.’ In fact, one of the major subtitles of this god was, “the Hidden One” or the “Hidden God.” Now, what was so mysterious about this god; that he had to be hidden?

According to some ancient thought, Saturn might have originally been equated to Noah – at least at first; and the reason he was known as “The Hidden One” was simple: Noah was “hidden” in the ark for an extended period of time! Because of this, Noah could have been considered “the first of the Hidden Ones” – but, not the last!

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Saturn is also a staple in ritual magic and alchemy. In Zosimos’ Visions, the author indicates that the main purpose of the transformation process featured in his dream vision is the spiritualization of the sacrificing priest to become spirit or pneuma. We are told that he would “change the bodies into blood, make the eyes to see and the dead to rise again.” Later in the visions, he appears in glorified form, shining like the midday sun, much like the risen Christ. Throughout the text, it is clear that the sacrificer and sacrificed are one and the same. It goes back too the old alchemical idea of what redeems and that which is to be redeemed are also one and the same. Let us revisit Zosimos’s Visions, quickly.

The composition of the waters, and the movement, and the growth, and the removal and restitution of bodily nature, and the splitting off of the spirit from the body, and the fixation of the spirit on the body are not operations with natures alien one from the other, but, like the hard bodies of metals and the moist fluids of plants, are One Thing, of One Nature, acting upon itself. And in this system, of one kind but many colours, is preserved a research of all things, multiple and various, subject to lunar influence and measure of time, which regulates the cessation and growth by which the One Nature transforms itself.

And saying these things, I slept, and I saw a certain sacrificing priest standing before me and over and altar which had the form of a bowl. And that altar had fifteen steps going up to it.

Then the priest stood up and I heard from above a voice say to me, “I have completed the descent of the fifteen steps and the ascent of the steps of light. And it is the sacrificing priest who renews me, casting off the body’s coarseness, and, consecrated by necessity, I have become a spirit.”

And when I had heard the voice of him who stood in the altar formed like a bowl, I questioned him, desiring to understand who he was.

He answered me in a weak voice saying, “I am Ion, Priest of the Adytum, and I have borne an intolerable force. For someone came at me headlong in the morning and dismembered me with a sword and tore me apart, according to the rigor of harmony. And, having cut my head off with the sword, he mashed my flesh with my bones and burned them in the fire of the treatment, until, my body transformed, I should learn to become a spirit. And I sustained the same intolerable force.”

And even as he said these things to me and I forced him to speak, it was as if his eyes turned to blood and he vomited up all his flesh. And I saw him as a mutilated image of a little man and he was tearing at his flesh and falling away.

A little later in this vision account, Zosimos, speaks to what appears to be a spirit of metal or a planetary demon:

As he was saying these things to me and the boiling increased and the people wailed, I saw a copper man holding a lead tablet in his hand. He spoke aloud, looking at the tablet, “I counsel all those in mortification to become calm and that each take in his hand a lead tablet and write with his own hand and that each bear his eyes upward and open his mouth until his grapes be grown.”

Saturn is also associated with the alchemical element of lead and in gnosis is a planetary demon. The parallel between the Hebrew god and Saturn is of considerable importance as in regards to the alchemical idea of the transformation of the God of the Old Testament into the God of the New. The alchemists of old were naturally attracted to the great significance of Saturn, for besides being the outermost planet, the supreme archon and demiurge Ialdabaoth, he was also the spiritus niger who lies captive in the darkness of matter, the deity or that part of the deity that is swallowed up in his own creation. It is this dark god who steals a portion of his mother Sophia’s divine power in which Sophia seeks to recover through Ialdabaoth’s/Jehovah’s creations of Adam and Eve as we see in Irenaeus’ account of the Ophite myth in Against Heresies (1.30.6):

But as he could merely writhe along the ground, they carried him to their father; Sophia so labouring in this matter, that she might empty him (Ialdabaoth) of the light with which he had been sprinkled, so that he might no longer, though still powerful, be able to lift up himself against the powers above. They declare, then, that by breathing into man the spirit of life, he was secretly emptied of his power; that hence man became a possessor of nous (intelligence) and enthymesis (thought); and they affirm that these are the faculties which partake in salvation. He [they further assert] at once gave thanks to the first Anthropos (man), forsaking those who had created him.

In Hippolytus’ Refutation of All Heresies (V, 11), he mentions a Gnostic group called Peratics, they specifically name Cronus as the demiurge and lord of mortal generation.

For Cronus is a cause to every generation, in regard of succumbing under destruction, and there could not exist (an instance of) generation in which Cronus does not interfere.

They also say that this god is identified with the midheaven cardinal point, or the summer tropic, which is the very force that turns the wheel of fate over the world (V, 10).

Since, then, astrologers are acquainted with the horoscope, and meridian, and setting, and the point opposite the meridian; and since these stars occupy at different times different positions in space, on account of the perpetual revolution of the universe, there are (necessarily) at different periods different declinations towards a centre, and (different) ascensions to centres. (Now the Peratic here-ties), affixing an allegorical import to this arrangement of the astrologers, delineate the centre, as it were, a god and monad and lord over universal generation, whereas the declination (is regarded by them as a power) on the left, and ascension on the right. When any one, therefore, falling in with the treatises of these (heretics), finds mention among them of right or left power, let him recur to the centre, and the declination, and the ascension (of the Chaldean sages, and) he will clearly observe that the entire system of these (Peratae) consists of the astrological doctrine.

It is this god that the initiate seeking to return to the source in the Pleroma must overcome by “giving up” different aspects of himself to each astral gatekeeper. This is explained very well in the Hermetica. The Freemason Albert Pike in Morals & Dogma summarizes the Celsus’ description of the Mithriac Mysteries of ascension.

We learn this from Celsus, in Origen; who says that the symbolical image of this passage among the stars, used in the Mithriac Mysteries, was a ladder, reaching from earth to Heaven, divided into seven steps or stages, to each of which was a gate, and at the summit an eighth, that of the fixed stars. The first gate, says Celsus, was that of Saturn, and of lead, by the heavy nature whereof his dull slow progress was symbolized. The second, of tin, was that of Venus, symbolizing her soft splendor and easy flexibility. The third, of brass, was that of Jupiter, emblem of his solidity and dry nature. The fourth, of iron, was that of Mercury, expressing his indefatigable activity and sagacity. The ,fifth, of copper, was that of Mars, expressive of his inequalities and variable nature. The sixth, of silver, was that of the Moon: and the seventh, of gold, that of the Sun. This order is not the real order ,of these Planet’s but a mysterious one, like that of the days of the Week consecrated to them, commencing with Saturday, and retrograding to Sunday. It was dictated, Celsus says, by certain harmonic relations, those of the fourth.

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Perhaps in the myth of St. George slaying the dragon lies an old alchemical idea of the crucified serpent or the tail-eating dragon, Ouroboros, where the poisonous element of matter or Saturnian dross is destroyed on the alchemical cross to reveal and create the elixir of Mercury (symbolizing spirit). We already saw that the Sethians and Manichaeans viewed the serpent as representing the Logos or Jesus, which relates to Jesus himself identifying with the bronze serpent of Moses (John 3:14). This identification troubles many fundamentalist Christians, but is real, nonetheless. If this line of study is pursued, it leads to a great many “troubling” ideas and correspondences. If pursued, it will lead to many (unpopular) enlightening principles. Just as the alchemical serpent is crucified, Jesus became sin on the Cross for mankind, taking our punishment upon Him and shedding His blood on the cross in our place, as a ransom for many and steals souls from Hell when he descends there. This is similar to the idea of Prometheus stealing fire from Mount Olympus or Hari Krishna stealing souls from Yama or Indra, the god of death and the underworld. And like Jesus, Mercurius (the spirit behind the planet Mercury) or Hermes was a god of revelation, who discloses the secret of the art to the adepts.

The last part of Zosimos’ Visions (quoted above) recalls the saying of St. John Chrysostom’s saying that in the Eucharist, Christ drinks his own blood and perhaps eats his own flesh. It also reminds us of the orgiastic meals of the cult of Dionysus, where animals were sacrificed, torn into pieces and eaten. They represent Dionysus Zagreus who was also torn into pieces by the Titans (including their leader Chronos/Saturn). The composition of the waters in which the spirit splits off from the body is a clear reference to the heavenly baptism of John the Baptist, where the sins of the repentant are washed away in the spiritual waters of grace and truth (the Holy Spirit/comforter) flowing from Christ’s sacrifice on the cross.

Speaking of John the Baptist, on January 6, the date is famous for the instance when Jesus was baptized by John celebrated on Epiphany. This date falls under Capricorn, the goat fish or Aegipan. According to Zlatko Pletze in Fate, Providence and Astrology in Gnosticism (1): The Apocryphon of John, he connects Capricorn with Saturn and Adoni as well as Sabaoth. He’s referencing the archons and authorities from the Apocryphon of John and the Zodiac (obviously). According to John 19:34, the stabbing or piercing of holy lance or “spear of destiny” into Jesus’ side by the Roman Centurion named in extra-Biblical tradition (the Gospel of Nicodemus) as Caius Cassius Longinus, resulted in the pouring of blood and water. This reminds us of Jesus’ saying in Matthew 10:34:

“Do not suppose that I have come to bring peace to the earth. I did not come to bring peace, but a sword.”

Killing with the sword is a recurring theme in alchemy. The “philosophical egg” is divided with the sword, and with it the “King is transfixed” and the dragon or “corpus” is mutilated. The alchemical sword, like the cross brings about the separation of the elements (flesh and spirit), so that a new more perfect body can be processed. It is this sword that “kills and vivifies,” and dipped and anointed with the waters of life. Mercurius is the giver of life as well as the destroyer of the old form. It is the sword that comes of the mouth of the Son of Man in Revelation of St. John, and according to Hebrews 4:12, the Logos, the Word of God, and hence Christ himself is that sword.

For the word of God is quick, and powerful, and sharper than any two edged sword, piercing even to the dividing asunder of soul and spirit, and of the joints and marrow, and is a discerner of the thoughts and intents of the heart.

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Christ is the mediator and savior, the solver and separator, who is a sword, for he is the “penetrating spirit” “more piercing than a two-edged sword”. And so, the spirit of Christ pierces the veil that covers over the blinded soul, in which the believer is said to cross over from the Saturnian/Satanic hyper-cube of time, space and flesh (symbolized as the old man in Pauline literature) and into the realm of spirit, being the Kingdom of God (the new man in which the fleshy deeds of the old man are mortified). The divisive and separate function of the sword in alchemy is prefigured in the flaming sword of the angel or cherub that separated Adam and Eve from paradise. Separation by a sword is a theme that can be found in the Ophite diagram: the earthly cosmos is surrounded by a ring of fire which at the same time encloses paradise. But paradise and the ring of fire are separated by the “flaming sword.” An important interpretation of the cherub’s flaming sword is given by Simon Magus as reported by Hippolytus in Refutation of All Heresies (VI.12):

This, he says, is the flaming sword, which turned to guard the way of the tree of life. For the blood is converted into seed and milk, and this power becomes mother and father— father of those things that are in process of generation, and the augmentation of those things that are being nourished; (and this power is) without further want, (and) self-sufficient. And, he says, the tree of life is guarded, as we have stated, by the brandished flaming sword.

For Simon, the sword represents the fiery force of generation which turns and spurns the spirit from escaping out of the realm of matter and into the Simonian fiery tree of life, which represents the aeons and the Godhead. This teaching prefigures the Kabbalah by several hundred years, at least. And yet the flaming sword represents the very fiery force that “turns” something small and into something great. It is the means of transformation of the vital spirit in man into the Divine or the true arcane substance of alchemy symbolized as seed and milk in Simon Magus’s doctrine.

If, however, these be converted into seed and milk, the principle that resides in these potentially, and is in possession of a proper position, in which is evolved a principle of souls, (such a principle,) beginning, as it were, from a very small spark, will be altogether magnified, and will increase and become a power indefinite (and) unalterable, (equal and similar) to an unalterable age, which no longer passes into the indefinite age.

How does any of this relate to Saturn? In the quest for the Holy Grail, the answer is revealed. Tracy Twyman in Regnum in Potentia, Part 1: Saturn’s Kingdom Transformed Into the Golden Age, writes about a particular Holy Grail romance:

In Wolfram von Eschenbach’s Parzival, the knight Gawain is sent on a mission by a hermit who looks young, although he is 75 years old. The mission is to find the sword that John the Baptist was beheaded with, which he will need to enter the lands of the Fisher King. The sword belongs to a pagan king named Gurguran, who promises Gawain that he can have it if he will rescue the king’s son from a giant who has kidnapped him. Gawain kills the giant, but the boy is strangled to death in the process. Then, in a strange rite, Gurguran chops his sons body into pieces and distributes them to his subjects to eat. Gawain then receives the sword and is led to the Grail banquet at the Fisher King’s court, where 12 knights who are hundreds of years old (reminiscent of the 12 Olympian gods) sit around a banquet hall, all looking youthful except for their grey hair.

Indeed, we see Wolfram revel in providing us a number of deep mystical truths in his poem. At one point of the story, in Parzival, Wolfram tells us that the cycles of Saturn governs the intensity of Grail King Amfortas’s perpetual wound.

Then answered the host, * Far sorer than before was the monarch’s pain, In this wise did he learn the tidings that Saturn drew near again, And the star with a sharp frost cometh, and it helpeth no whit to lay. The spear on the sore as aforetime, tn the wound must it lunge alway. When that star standeth high in heaven the wound shall its coming know Afore, tho’ the earth shall heed not, nor token of frost shall show. But the cold it came, and the snow-flakes fell thick in the following night…

To be “saturnine” means to be slow, gloomy, and depressed. The Gospel of Truth calls the universe of matter in terms of being a nightmare filled with violence:

Since it was terror and disturbance and instability and doubt and division, there were many illusions at work by means of these, and (many) empty fictions, as if they were sunk in sleep, and found themselves in disturbing dreams. Either (there is) a place to which they are fleeing, or without strength they come (from) having chased after others, or they are involved in striking blows, or they are receiving blows themselves, or they have fallen from high places, or they take off into the air, though they do not even have wings. Again, sometimes (it is as) if people were murdering them, though there is no one even pursuing them, or they themselves are killing their neighbors, for they have been stained with their blood.

This is not so dissimilar to how Plutarch describes the perpetual dreams of Saturn. Parzival at one point in his story sits next to his host, the Grail King Anfortas (possibly symbolizing the crucified Christ), amidst the Grail, the holiest of holies, surrounded by the celestial hierarchies. He has witnessed the bleeding spear and the suffering it has caused the King and is court. He has seen the mysterious destroying power of Saturn and the sickness, old age and death in its wake. Yet he has not connected them with the glorious regenerative power of the Grail that overcame the Saturnine decay. Later, Parzival is forced to demonstrate his fitness for Grail membership. A squire steps forward and hands Anfortas a sword made of ruby. The King presents Parzival with the sword saying:

“This sword often came to my aid in the greatest need, that is before God’s will I receive so sore a wound. Now I give it to you. May it bring to you what you can never acquire by simple gazing at what is taking place here.”

The sword is unique, yet Parzival could not recognize this fact. If he had but known, he would have seen the full harmony of wisdom, love and strength from this weapon (representing the Logos). Parzival should have seen how the pitiful suffering of the king and realize that the power the King once had in his sword now belongs to him. As Parzival reveals, the path of initiation is long and weary, full of doubt, sorrow, pain that pierces the veil into the Holy of Holies of the spirit where regeneration occurs with the Logos. It is the “narrow gate” that Jesus in Matthew and Luke once advocated and commanded his followers to walk through, out of Saturn’s/Satan’s Kingdom, to be saved. It is the second journey towards the Grail Castle that will teach him the necessary wisdom that he must not only ask but also provide the answer himself. He will be armed with the wisdom that he will translate thus:

” I myself am guilty for the suffering of humanity; only if I reach the highest goal, and then not for myself, but in service of the word, can I bring forth healing.”

It is the Grail King who understands how the great cosmic forces operating in the macrocosm rule in the microcosm of the human body. This is the secret of the Hermetical axiom: “As above, so below.” As we’ve seen, Saturn’s power primarily works in obstructing and inhibiting, just as how the control system mankind is currently in bondage to, behaves. The controllers (in their various guises) prevent their slaves from seeing certain truths, from forcing us to live their way of reality. Perhaps this is why the term “royalty” is tied with the word “reality.” The excess Saturnian energy may be why so many people are unwilling to change their minds even when confronted by evidence.

The conspiracy author David Icke has often said that consciousness is like a ball under water. It rises to the surface by itself unless there is someone pushing it down. Perhaps this is why Saturn is so important to the controllers and “secret societies”. However, they too, like everyone else, are prisoners in this continuum of Saturn and with various machinations are seeking to break out from. Here are a few more videos worthy of your consideration.

The Faustian Grail

Since the early 16th century, a tragic and sinister story has weaved its way through western culture and even today in pop culture and science—the legend of a man who makes a pact with the devil and then has to come to terms with the contract he signed. It’s the legend of Johannes Faustus. Faustus makes a deal with the devil to gain more intellectual enlightenment even though he is at the top of his intellectual studies in society’s standards but for some reason, it did not satisfy him. The main logistics of the deal was that the devil would serve Faust while he is alive to help him find this enlightenment and in return Faust would have to give up his soul and be the devil’s servant in hell.

And yet, both versions of Faustus present us with a highly unconventional representation of both the sinner/sorcerer (Faust) and the devil in the figure of Mephistopheles. He is a malevolent force, yet brings about good despite himself. Aware of this, he still performs his duty in Faust’s corruption, and in his eventual salvation (or damnation in later accounts). This devil-as-savior motif is perplexing from the standpoint of traditional Christian doctrine, though it did correspond with contemporary but radical ideas expressed in the writings of William Blake (1757-1827) and Lord Byron (1788-1824). Unsurprisingly, Faustus has a lot of crypto-gnostic underpinnings.

Yet to truly understand the role that Mephistopheles plays in Faust we must look deeper still, into the shadowy light of the alchemical and Gnostic sources that were so influential in the crafting of these legends. Mephistopheles is inextricably connected to the Ouroboros serpent, the alchemical motif of a snake devouring its own tail. We find this in Cleopatra the Alchemist’s Chrysopoeia as well as the Ophite cabalistic-like diagram described by Celsus and Origen. This interpretation not only helps us to understand Mephistopheles’ individual role in the drama of Faust but can shed new light on the entire structure of the Faustian narrative.

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But before we explore Mephistopheles, we must examine Faustus himself. Since Faustus has already exhausted the known sciences, he wishes to obtain, with the assistance of Mephistopheles, a complete knowledge of the universe. It is in the black arts that he finds what he believes will satisfy his search for the ultimate gnosis, as well as the power that he believes will accompany it:

These metaphysics of magicians And necromantic books are heavenly; Lines, circles, letters, characters- Ay, these are those that Faustus most desires. O, what a world of profit and delight, Of power, of honor, and omnipotence Is promised to the studious artisan!

Faustus was apparently a historical character who lived in Germany during the early 16th century. A student of divinity, Faustus claimed to have extraordinary powers. In his imagination, he was a necromancer (someone who communicates with the dead) and a practitioner of black magic and sorcery. Although this version of Faustus was nothing more than a braggart and a charlatan, his legend flourished.

The earliest collection of the tales of Faust came in 1587 in an anonymous work titled the Historie of the Damnable Life and Deserved Death of Dr. John Faustus. The legend was soon picked up by English playwright Christopher Marlowe, a contemporary of Shakespeare and Queen Elizabeth. According to rumor, Marlowe was an agent of Her Majesty’s Secret Service—much like John Dee, the pious and famous Renassiance man who would engage in various occult operations in channeling “angels”. Marlowe’s version of Faust’s story, the play The Tragicall History of D. Faustus (1604), soon became the model for the many versions of Faust’s story that followed. It is the story of a man who trades his soul to the devil in exchange for a period of ultimate knowledge and power.

The original story of Johannes Faust, was first translated into English by an unknown author in 1592. As it is known that the author of Faustus, Christopher Marlowe studied with English Catholics at Rheims (possibly spying on them), as references are to the Latin Vulgate (also called St. Jerome, after its original translator in the fifth century) and the Catholic Douay-Rheims version. It is also possible that he used the Protestant Geneva Bible, but all the references he makes are to Jerome.

Marlowe’s Faust is not simply a charlatan. He is a tragic hero, a superman, the archetype of the Renaissance man. Where did Marlowe get the idea to depict Faust as a powerful sorcerer whose willingness to do anything for knowledge and power leads him to the dark side? Perhaps from the apocryphal legends of Simon Magus, the first-century magician who challenged God (like Lucifer) and clashed with Peter in magical feats of sorcery. This connection may derive from Simon’s use of the Latin sir-name Faustus, meaning the “favored one,” meaning that he was the “chosen one” to continue John the Baptist’s tradition, according to the Clementine’s.

There were many sources available to Marlowe concerning the life of Simon Magus. Probably the most important was The Golden Legend (Legende Aurea), a popular collection of tales of the saints by the 13th-century archbishop of Genoa, Jacobus de Voragine.

Simon, of course, is portrayed as a sorcerer who fooled Samaria into believing his divine powers and at one point even claimed he was the holy trinity, being the Father, Son and Holy Spirit. We already saw in a previous post that, according to Justin Martyr’s Apologia, he went to Rome in the time of Claudius (who was the fourth Emperor of the Roman Empire and ruled between 41 and 54 BCE) and was so convincing at being a God, the nebulous “they” erected a statue to him, under the god “Semo Sancus” being the equivalent to Mithra, Apollo or Helios. He follows Phillip around for a bit before running into Peter and John for trying to bribe them for Holy Spirit power and apostleship (Simony) but those two chastise Simon rather severely before heading back to Jerusalem. But as we’ve already saw in Johnny Mercury, this story seems suspect and reads more like a parody of a Simonian anointing ritual than a genuine account. But, if what Irenaeus says is true about Simon feigning to be the Holy Trinity then this is probably tantamount to blasphemy.

As literary critic Beatrice Daw Brown in Marlow, Faustus, and Simon Magus writes, the careers of the two magicians, Simon Magus and Marlowe’s Faust, follow the same pattern, and their lives have many parallels. Both are extremely powerful sorcerers able to withstand fire, to move objects without touching them and, most importantly, to evoke the spirits of the dead. Both defy God in their own way, Faust with his pact with the Devil and Simon with his arch-heresy of proclaiming himself the Christ and the Standing One. Both travel to Rome, both perform their miracles before the emperor and both have demons at their beck and call. Simon Magus has demons who aid and carry him (shown licking and tormenting him in a relief from the St. Sernin Cathedral in Toulouse, France).

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Faust has Mephistopheles, a servant of Lucifer, who gives him the power to do his magical acts. Simon Magus and Faust both attempt to fly, Faust in Venice and Simon at Rome, and both fail.

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(Mephistopheles peers menacingly over Faust’s shoulder in the statue from the Villa Borghese in Rome, celebrating Johann Wolfgang von Goethe, who penned his own version of the Faust legend.)

Faust like Simon, has a semidivine female companion, who is also named Helen. According to many church fathers, Helena is a reincarnation of Helen of Troy. In the Faust legends, she is also Helen of Troy. In Marlowe’s Doctor Faustus and in the famed poetic drama of Goethe, Mephistopheles employs the most beautiful woman in antiquity to seduce Dr. Faust into the occult realms in Faust’s search for wisdom. Thus Marlowe writes:

“Was this the face that launched a thousand ships / And burnt the topless towers of Ilium?”

And finally Simon Magus and Faust both meet an inglorious and violent death. Simon Magus tries to fly but crashes to the ground with broken limbs. Faust’s body is found the morning after his pact ends, mangled and torn to pieces.

In Marlowe’s play, Faust’s final soliloquy, the most moving of the entire work, evokes the fall of Simon Magus. In the last hour before his payment comes due, Faust laments:

“The starres move still, time runs, the clocke wil strike, / The deuil wil come, and Faustus must be damned / O Ile leape up to my God: who pulles me downe?”

Faust is also reminiscent of the fall of Adam and Eve in Paradise Lost by John Milton. In a way, Eve’s mistake of eating the fruit of the Tree of knowledge of good and evil to gain more knowledge is somewhat similar to the Faustian Bargain. First, in both cases, the serpent initialized the interactions with the humans. In later traditions, as in Revelation of St. John the Divine and the Books of Adam and Eve, Satan manifests a form of a snake with Eve and in a dog and a nobleman for Faust. In Paradise Lost, it was more to tempt God’s precious recreations to sin for vengeance. By offering the fruit from the Tree of Knowledge, Eve did gain knowledge (cabbalists would say sexual knowledge which led to birth and death in the world), but in return, she and Adam were also banished from Garden of Eden for her disobedience to God, in which they were no longer under the rulership of Jehovah and his gods.

In Baphomet: The Temple Mystery Unveiled, we wrote:

In Genesis 3:22, Jehovah declares, clearly to other gods (or Elohim divine council found in Psalms 82:1), that “The man has now become like one of us, knowing good and evil.” Jehovah expresses fear, “lest he reach out his hand and take also from the tree of life and eat, and live forever.” The creator seems concerned that, with the wisdom they gained from the Tree of Knowledge, Adam and Eve will realize that he’s not the only god, and also that, if they gain immortality by eating from the Tree of Life, they will become gods as well, no longer under his control.

In another chapter, we also note:

In mythology, there is an archetypal scenario in which a person travels from one realm to another, and becomes stuck there upon eating the food of the other realm. This happened to the Greek figure of Persephone when she ate the food of the underworld. Eve ate from the Tree of Knowledge and it changed the universe, or perhaps it created a new universe, and she became trapped in it. Jesus told us to eat his flesh and drink his blood to live forever in the New Jerusalem (the “Kingdom of God”) after death. In the New Jerusalem everyone drinks of the waters of life from the rivers of Paradise and becomes immortal. So perhaps there are other recipes involving similar ingredients that likewise could affect the universe around you upon consumption.

Satan, according to some interpretations, is God’s firstborn son, who came before Adam. But Adam was his favorite, and when his firstborn son refused to honor his younger brother, God sacrificed or expelled him. Satan embodied the forbidden wisdom that Adam was not allowed to have, and God told him not to eat of that “tree.” Was this “fruit” the product of sexual union? The carnal knowledge that Eve was endowed with, according to the cabalistic legends, came from her having carnal knowledge of the Serpent, which bred Cain (and perhaps others, according to some stories). What happens when a human and a spirit of the chaos realm mate? Better yet, what happens when you eat the child that was born of such a union?

And so, Adam and Eve were sent away and their children would be born with, according to Catholic tradition, the “original sin”. In this sense, the serpent gave Eve what he promised her: knowledge, but Eve did not know that in the end she would become a person under the authority of the Serpent or Satan and entered in a new universe of sex, birth and death (which is symbolized as the Ouroboros) because of her disobedience to God or the Elohim, the angels of order and creation. In Genesis (1:28), it is Adam who originaly has managerial authority over the world and perhaps even the universe:

And God blessed them, and God said unto them, Be fruitful, and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth.

John Milton would write in Paradise Lost:

“Of Man’s first disobedience and the fruit / of that forbidden tree whose mortal taste / Brought death into the world, and all our woe” (1.1-5).

As Sherman Hawkins in The Education of Faust points out, “Faustus’s sin is that of Adam – he seeks by knowledge to be as God.” In fact, the Bad Angel that tempts Faustus to pursue the dark arts says:

“Go forward Faustus, in that famous art Wherein all nature’s treasure is contained. Be thou on earth as Jove is in the sky, Lord and commander of these elements!” (Marlowe).

This statement is a parallel for the serpent who tempts Eve by telling her, “God knows that your eyes will be opened when you eat it. You will become just like God, knowing everything both evil and good” (Genesis 3:4-5). Eve and Adam became the followers of the Serpent and yet their relationship is wholly antagonistic as history flows from their deed. This is personified as the “Seed of the Serpent.”

In Gnostic parody accounts, the Serpent was sent by Sophia to awaken Adam and Eve, and in Manichaean accounts, the Serpent was actually an incarnation of Jesus, the Splendor (this is probably connected to John 3:14). According to Hippolytus in Refutation of All Heresies (V. 14), the Sethians equated the Serpent with the Logos in which it entered the virgin womb and produced the perfect man of Jesus Christ:

The perfect Word of supernal light being therefore assimilated (inform) to the beast, (that is,) the serpent, entered into the defiled womb, having deceived (the womb) through the similitude of the beast itself, in order that (the Word) may loose the chains that encircle the perfect mind which has been begotten amidst impurity of womb by the primal offspring of water, (namely,) serpent, wind, (and) beast. This, he says, is the form of the servant, and this the necessity of the Word of God coming down into the womb of a virgin. But he says it is not sufficient that the Perfect Man, the Word, has entered into the womb of a virgin, and loosed the pangs which were in that darkness.

In Paradise Lost, Adam and Eve was the representation of humanity as they were the first to be created by God. They committed a sin and that is why every infant, according to Orthodox tradition is said have that original stain of sin and have to be baptized because under the laws of God, we are their descendants.

The Faustus story much like Paradise Lost, is about the “temptation” and desire, which is not different from any other human cravings of being more than human. His sinful wish is not different from that of Adam and Eve, only his channels are dissimilar. Faustus conjures up the Devil himself, that is why it is quite doubtful to speak about a real temptation in his situation. We can risk saying that Faustus is already a “fallen angel” or rather a “fallen man” at the beginning of the drama.

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“A Fairy under Starry Skies” by Luis Ricardo Falero

The main difference between a sinful human being and a “fallen angel” is in the later one’s incapacity to regret. Both Dr. Faustus (and even Shakespeare’s Macbeth) are in a situation where repentance is almost impossible. Faustus for example is unable to step further to the next station of penitence, namely humiliation. Consequently, he commits the sin of hardening of heart, which is gradually followed by the futile agony of despair. Faustus’ lack of belief in his salvation, his incapacity to regret, which makes him similar to “fallen angels.” Faustus’ free will plays an important role in the tragedy, since if he was predestined to be damned, we would not have any right to speak about tragedy at all.

Mephistopheles makes a vow with the Lord that he himself as the Devil can win the soul of Faust. Many have dealt with the Faust legend dating from Marlowe to Berliez. Faustus was a man who like Shakespeare and Emanuel Swedenborg was well versed in almost every art and science. This story more than likely originates in Job of the Old Testament where Satan challenges Jehovah he can steal the soul of Job.

The Old Testament also condemns the pagan gods of competing religions in the surrounding areas of the Mediterranean. It condemns sacrifice to them, divination and prophecy through those gods, worshiping them, etc. But if you closely scrutinize Yahweh/Jehovah, he operates virtually identically to the pagan gods. He makes pacts with Abraham, Issac, Jacob, and Moses: they worship Yahweh in exchange for material blessings on themselves and their descendants. He demands animal sacrifices and burnt sacrifices. He demands submission. He wants temples and altars erected in his honor. And if the descendants of those who originally made the pacts, i.e., the Jews, renege on those pacts, he takes away everything that he has blessed them with and curses them. Sounds an awful lot the Faustian Devil, doesn’t it? Jehovah really isn’t that much different than Faust’s Mephistopheles.

In a sense, Christ’s death on the cross can be considered a “contract” between the Father (according to Marcion is above Jehovah) and Satan for the souls of mankind, signed with Christ’s own blood. This is very much like how Faustus signs his own contract with blood, a contract in which Dr. Faustus is in fact promising his soul to Satan. Mephistopheles tells Faustus that he “must bequeath it solemnly And write a deed of gift with thine own blood, For that security craves Lucifer.”

Marlowe makes the connection between Faustus and Christ again when Faustus says, “Consummatum est!” Here Faustus quotes Christ’s dying words, “It is finished!” (John 19:30) when he has signed his own contract with Satan, and in doing so, his contact is compared to Christ’s shed blood on the cross. Images of the alchemical crucified serpent also come to mind. Edmund Siderius in Faust and Alchemy, specifically connects Mephistopheles with the alchemical serpent of the Ophite Gnostics:

In the first part of Faust, Mephistopheles is twice directly connected with the serpent, in the Prolog im Himmel and then in Wald und Höhle. In the Prolog im Himmel he brags that he will quickly return to heaven and declare his victory. No doubt; it’s a short journey anyway.

“/ I’ll win my wager without much delay. / And when I do, then, if I may, / I’ll come back here and boast of my success. / I’ll make him greedy fort he dust, the way / The serpent was, my famous ancestress!”

For Alice Raphael, author of “Goethe and the Philosophers’ Stone”, this is the first indication that we should see Mephistopheles’ role as something other than that of the traditional devil, but rather as that of the Ouroboros in both its destructive as well as constructive qualities. According to her, Goethe knew of the Gnostic Naassenes, or Ophites, probably through Geschichte der Schlangenbrüder by J.L. von Mosheim. As she says, they worshiped the Naas, which in Hebrew was Nachash (serpent) and was the numerological equivalent of Messiah. The serpent as savior motif comes from texts like On the Origin of the World and assorted Manichaean texts. In this regard the Naas was:

“…in primitive times a cult object, later a matriarchal power, and finally a symbol of wisdom. [There is a hidden reference to the Serpent in Faust, Part I] not as the traditional temptress of Genesis, but as ‘Frau Muhme,’ Goethe’s allusion to the female divinity of the Ophites.”

In this scene Mephistopheles describes his motion as circular (from heaven to earth to heaven), and his serpent ancestor’s hunger for dust. On the one hand this could be seen as referring to the bible, yet given his later confession that he seeks to specifically destroy all matter it could instead be interpreted in terms of the Ouroboros’ symbolic role of breaking down matter in the alchemical vessel into prime matter, so that it may be purified.

The next time Mephistopheles makes an appearance alongside a serpent he does so in his role as instigator and agitator of yet more circular action in the play. Faust, after a moment of calm reflection, is yet again driven by the “fire” of desire to pursue the maiden Gretchen for his pleasure. Before he does so, however, he curses Mephistopheles for disturbing his quietude with the insult: “Snake! Snake!”

This in and of itself will come as no surprise, for even in orthodox Christianity the serpent is seen as being a sign of the devil. What is perhaps more telling in this scene is its thematic circularity, a circularity which, when seen in light of the whole work, is a fundamental component of Faust’s redemption. It occurs almost immediately after Faust, in a high point of spiritual reflection, muses to the Erdgeist, the earth spirit:

“You added a companion, who already / Is indispensable to me, although / With one cold mocking breath he can degrade me / In my own eyes, and turn your gifts to nothing.”

The image of the serpent as savior, in the most blatant of alchemical formulations, had already appeared in Goethe’s Das Märchen, published in 1795, thirteen years before the publication of Faust: One. According to Ronald Gray in his text Goethe the Alchemist, Goethe encountered the destructive-creative principle of the Ouroboros in numerous forms. As he says:

“The self-destruction implicit in the rotating serpent was identical with the ‘putrefaction’, or death to self, spoken of elsewhere. Only when man’s lust had completely consumed itself ‘by revolution’ […] could he appear again in his former angelic splendor […]. It was necessary to yield all personal desires and become one with the universe.”

Seen in this light, the excesses that Mephistopheles leads Faust to on Walpurgisnacht can be made sense of in terms of the logic of the Ouroboros, for only when Faust’s lust has consumed itself will he able to become “one with the universe” or “Mr. Microcosm”, his soul purified like alchemical matter through a successive series of decompositions and reconstitution.

We must stop here to comment. In the Hymn of the Pearl, it presents things like the serpent, the sea and Egypt as symbols of worldly bondage. The serpent for the Ophites was a pneumatic symbol, but to the authors of Hymn of the Pearl and the Pistis Sophia, the serpent is presented as an earth-encircling dragon from the original chaos, the ruler or evil principle of this world. This is the same as the Babylonian Tiamat, the chaos-monster slain by Marduk in the history of creation. Hans Jonas in The Gnostic Religion, quotes a little known text called The Acts of Kyriakos and Julita and comments on this situation:

The closest gnostic parallel to our tale is to be found in the Jewish apocryphal Acts of Kyriakos and Julitta (see Reitzenstein, Das iranische Erlosungsmysterium, p. 77), where the prayer of Kyriakos relates, also in the first person, how the hero, sent out by his Mother into the foreign land, the “city of darkness,” after long wandering and passing through the waters of the abyss meets the dragon, the “king of the worms of the earth, whose tail lies in his mouth. This is the serpent that led astray through passions the angels from on high; this is the serpent that led astray the first Adam and expelled him from Paradise. . . .” There too a mystical letter saves him from the serpent and causes him to fulfill his mission.

Egypt as a symbol for the material world is very common in Gnosticism (and beyond it). The biblical story of Israel’s bondage and liberation lent itself admirably to spiritual interpretation of the type the Gnostics liked. But the biblical story is not the only association which qualified Egypt for its allegorical role. From ancient times Egypt had been regarded as the home of the cult of the dead, and therefore the kingdom of Death; this and other features of Egyptian religion, such as its beast-headed gods and the great role of sorcery, inspired the Hebrews and later the Persians with a particular abhorrence and made them see in “Egypt” the embodiment of a demonic principle. The Gnostics then turned this evaluation into their use of Egypt as a symbol for “this world,’* that is, the world of matter, of ignorance, and of perverse religion: “A11 ignorant ones [i.e, those lacking gnosis] are ‘Egyptians,'” states a Peratic dictum quoted by Hippolytus (V. 16. 5).

And so Egypt, being the well-spring and source for Alexandrian mysticism that greatly inspired many Gnostic sects is also (ironically) symbolic of the dark world that all lost souls inhabit. It is this serpent’s circle that we find ourselves entrapped in, as a sort of Eternal Reoccurrence, as the atheist philosopher Nietzsche often wrote about. Again, Edmund Siderius successfully connects the Encircling Serpent with Mephistopheles:

…it is possible to gain a better grasp of Mephistopheles’ role, and where it may have come from. If we see Mephistopheles as the Ouroboros of the Alchemists and Gnostics (and not merely as the Christian Satan) he maintains the traditional associations of the devil, such as destruction, the obsession with the material, fire and the serpent, but gains all the other roles he plays in Faust. The destruction he brings is inextricably bound with creation, which is purified through cycles of fire, be they physical or metaphorical. These cycles tend to be brought about either directly though his catalyzing acts or through pharmakon which share in his inherent ambiguity. It is in this way that Mephistopheles as the Oroborus can serve Faust as Vergil did Dante, allowing him to explore the whole circle of creation: “And with swift steps, yet wise and slow. [Go] [f]rom heaven, through the world, right down to hell”!

So, if Faustus is simply modeled after the Simon Magus myth, then it is Simon, who makes a deal with the Ouroboros for knowledge and occult powers (like Eve and Adam), much like how Paul makes a deal with Satan in 1 Corinthians 5. And as Amanda Myers writes in Biblical Parallels in Marlow’s Faustus, there are parallels between St. Paul and Faustus and even Mephistopheles:

Mephistophilis is first summoned by Dr. Faustus, he quotes St. Paul’s query upon converting to Christianity: “What wouldst thou have me do?” (Holy Acts 4:9). By putting the words of a venerated saint into the mouth of a devil, Marlowe contrasts Paul’s decision to accept Salvation with Faustus’ decision to reject it (O’Brien 4). Later, when Marlowe has Faustus ask, “When Mephistophilis shall stand by me What power can hurt me?” (Marlowe 19), which is an adaptation of Romans 8:31’s “…If God is for us, who can ever be against us?”, he points out the grave error in Faustus’ thinking. By replacing “God” with “Mephistophilis,” Faustus deludes himself into thinking that through a minor devil he could access the omnipotence of God.

The Clementine Homilies (XXXII) also presents many of Simon Magus’ magical abilities which includes shape-shifting into a serpent as well as a goat, reminding us the imagery associated with Baphomet. (Please see our book for more surprising connections between Simon Magus and Baphomet). Simon also has the ability to cast illusory banquets. According to Celsus, Christ could summon banquets and in the medieval grimoires, one can do exactly this by the aid of demons.

Aquila having thus spoken, I Clement inquired: “What, then, are the prodigies that he works?” And they told me that he makes statues walk, and that he rolls himself on the fire, and is not burnt; and sometimes he flies; and he makes loaves of stones; he becomes a serpent; he transforms himself into a goat; he becomes two-faced; he changes himself into gold; he opens lockfast gates; he melts iron; at banquets he produces images of all manner of forms.

The name “Faustus” also belongs to the two twin brothers (Faustus and Faustinianus) as well as the father, of Pope Clement, the supposed author of the Clementines. The name Faustus also is given to a Manichaean Bishop who debates St. Augustine in Confessions  and Reply to Faustus the Manichaean over various theological issues, much like how Simon debates Peter in the Clementines.

Throughout the play, Dr. Faustus sins deliberately over and over again. And yet he also doubts his commitment to the devil, but always deliberately and systematically rejects God and reaffirms his contract with Satan:

“What boots it then to think on God or heaven? Away with such vain fancies, and despair Despair in God and trust in Belzebub!”

Faustus’ heart is so hardened that he rejects outright the guidance of the Good Angel, the wise and sympathetic Old Man, and even the warnings of Mephistopheles himself, who describes his own eternal damnation to Faustus:

“Why this is hell, nor am I out of it. Think’st thou that I who saw the face of God And tasted the eternal joys of heaven Am not tormented with ten thousand hells In being deprived of everlasting bliss?”

There is a part in Marlowe’s Faust where Faust asks Mephistopheles how it is possible that a demon can manifest itself on earth, since demons have been condemned to hell, and Mephistopheles explains that earth is merely an extension of hell. This is not so dissimilar to how the Gnostics viewed the world.

“We can say that Faustus makes a choice, and that he is responsible for his choice, but there is in the play a suggestion—sometimes explicit, sometimes only dimly implicit—that Faustus comes to destruction not merely through his own actions but through the actions of a hostile cosmos that entraps him. In this sense, too, there is something of Everyman in Faustus. The story of Adam, for instance, insists on Adam’s culpability; Adam, like Faustus, made himself, rather than God, the center of his existence. And yet, despite the traditional expositions, one cannot entirely suppress the commonsense response that if the Creator knew Adam would fall, the Creator rather than Adam is responsible for the fall; Adam ought to have been created of better stuff.”

But as Amanda Myers reveals, Faustus, in the end, is actually saved—at least in Marlowe’s version:

And just as Jesus forgave the thief on the cross, telling him, “I assure you, today you will be with me in paradise,” Marlowe provides subtle evidence that Dr. Faustus, too, is saved. Many would find it hard to believe that Faustus could obtain salvation after consciously selling his own soul to the devil, but despite his previous transgressions, “what Faustus has dared or done, seems now irrelevant, because, according to doctrine, he need only repent and have faith to be saved” (Ornstein 1380). And that is exactly what he does. Upon a hasty reading of the play, it would appear that this is not so. The final scene is most commonly interpreted as describing the fulfillment of Faustus’ contract with Satan: as the clock strikes twelve, the devils enter and drag a screaming Faustus away. But a careful reading reveals several instances where Mephistophilis threatens “I’ll in piecemeal tear thy flesh” (Marlowe 73), and Dr. Faustus expresses his fears that the devil will in fact “tear me into pieces if I named God” (Marlowe 77).

What Amanda Myers does not acknowledge is that although Faustus’ final act of repentance nullified his contract with Satan, the Devil is forced to act on his threat to tear Faustus apart:

“His faith is great. I cannot touch his soul. But what I may afflict his body with I will attempt, which is but little worth.”

And so because Faustus finally repented at the 11th hour, such an act will guarantee entrance into paradise. This is very much like how St. Paul inflicts a magical death curse upon a member of his own congregation in 1 Corinthians 5, as we saw in the previous post. And so we come to the end to this sordid tale and realize that it doesn’t take a seminary student to realize Marlow’s Dr. Faustus is still a very powerful work and morality cum tragedy play that reminds its readers to consider their own convictions about the soul, eternity, and God.

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The occult legends of Faustus and similar tales associated with Cornelius Agrippa and the Knights Templars with Baphomet may also be compared to the sin of Sophia in the Gnostic Gospels, since occultism, in many ways (as demonstrated in the Faustus story), separates the occultist from God because they are dedicated to gratifying the self or self-worship instead of unifying with God by rendering yourself in obedience to his will. This also seems to the prevalent attitude in Western culture as of 2016, especially in the United States (in various forms)—which indicates to me it is on the verge of cultural collapse. We also see a wide variety of rumors associated with Hollywood celebrities, musicians and gangsta rappers who sell their souls for success to the “Illuminati” and sacrifice the non-compliant as well.

In the Gnostic myth, Sophia wanted to separate from the Monad and be her own goddess, and as a result, she was expunged from the pleroma and birthed the demiurge. Even most of the great Christian occultists throughout history, like Cornelius Agrippa, Eliphas Levi and John Dee, eventually realized this and disowned it. Agrippa makes a chilling renunciation of it all in the vanity of arts and sciencesBut fear not, there is still time to reflect on your spiritual life and see the Light. This is what the Holy Grail cycle is ultimately about. Here are some parting words taken from the Apocryphon of John:

And I said to the savior, “Lord, will all the souls then be brought safely into the pure light?”

He answered and said to me,”Great things have arisen in your mind, for it is difficult to explain them to others except to those who are from the immovable race. Those on whom the Spirit of life will descend and (with whom) he will be with the power, they will be saved and become perfect and be worthy of the greatness and be purified in that place from all wickedness and the involvements in evil. Then they have no other care than the incorruption alone, to which they direct their attention from here on, without anger or envy or jealousy or desire and greed of anything. They are not affected by anything except the state of being in the flesh alone, which they bear while looking expectantly for the time when they will be met by the receivers (of the body). Such then are worthy of the imperishable, eternal life and the calling. For they endure everything and bear up under everything, that they may finish the good fight and inherit eternal life.”

Hidden Knowledge in the Grail Temple

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The Holy Grail story is familiar to many in the western world; to some it is an icon of literature and to others a source of comical amusement thanks to Monty Python and the Holy Grail. It is absolutely true that the Holy Grail represents the divine knowledge gained at the end of an inward spiritual journey—knowledge that is gradually lost through the cyclical ages that Hesiod, Vedic and even Hermetic traditions speak of.

Traditionally, it is a legend commencing in late 12th century, created by French and German poets like Wolfram von Eschenbach in Parzival. The Holy Grail takes various forms: a plate or bowl containing the bread of Holy Communion for the Fisher King. It is also portrayed as a stone cast down from heaven on which the abstaining angels stood for sanctuary when Lucifer rebelled against God as mentioned in texts like Isaiah and Ezekiel. The gem was given to Adam when he lived in the Garden of Eden after the rebellion of the angels. When he and Eve were cast out, the Grail was lost to him as well. Seth, Adam’s progeny, was said to have gained re-entry into Eden and to have recovered the sacred vessel. Significantly, Seth remained in paradise for 40 years. The number 40 is itself a mystical motif; Moses wandered for 40 years in the desert, with Noah on the ark 40 days and nights, for Jesus was tempted for 40 days.

It is also a cup in which Joseph of Arimathea collected Christ’s blood on the cross. More modern interpretations include Mary Magdalene as the receptacle of Jesus’ seed as the foundation for the “Merovingian bloodline,” as the authors of Holy Blood Holy Grail have theorized. The chalice is most popular today, doubling as the same cup used by Jesus in the Last Supper. Joseph of Arimathea is said to have brought the Grail to England, which then became an important part of the Arthurian myths.

The Holy Grail myth also links to ideas of gnosis in its relationship to humanity and the world, especially the world of nature and its elements. In our upcoming book Baphomet: The Mystery of the Temple Unveiled by Tracy Twyman and Alex Rivera, we go into great explanation that the Holy Grail cup wasn’t just the vessel for the holy blood of Christ but was actually connected to the Krater of Hermes and the Ophite/Orphic Bowl of the coiled dragon-like serpent (please see our book for more details on this). It is also connected to the idol head that the Templars supposedly worshiped, being Baphomet. Author authors like Julius Evola, have argued for a non-Christian and even Hyperborean origin for the Grail legend, in his book The Mystery of the Grail, a possibility in which we will explore later in the second part of this post at a future point in time.

Julius Evola writes in the same book that there are certainly repeating patterns and archetypes that any student of Carl Jung would identify with clarity. It also ties into the mono-myth cycles of Joseph Campbell as we will see later:

When we isolate the texts that make up the Grail cycle, we find that they repeat a few essential themes, which are expressed through the symbolism of knightly figures and deeds. What we are dealing with, then, are essentially the themes of a mysterious center; of a quest and a spiritual test; of a regal succession or restoration, which sometimes assumes the character of a healing or avenging action. Percival, Gawain, Galahad, Ogier, Lancelot, and Peredur are essentially various names portraying the same human type; likewise, King Arthur, Joseph of Arimathea, Prester John, and the Fisher King are equivalent figures and variations on another theme. Also equivalent are images of various mysterious castles, islands, kingdoms, and inaccessible and adventurous lands, which in the narratives are described in a series that, on the one hand, creates a strange, surrealistic atmosphere but, on the other, often ends up becoming monotonous.

Like the authors of Holy Blood Holy Grail have identified, the “divine blood” is an important concept and is one that repeats in the Bible, in both the Old and the New Testament as we will see. Evola further writes about all the objects associated the Grail, especially that of the blood:

In the various texts, the Grail is essentially portrayed under three forms:

“1. As an immaterial, self-moving object, of an indefinite and enigmatic nature (“it was not made of wood, nor of some metal, nor of stone, horn, or bone”).

  1. As a stone-a “heavenly stone” and a “stone of light.”
  2. As a cup, bowl or tray, often of gold and sometimes adorned with precious stones.

Both in this form and in the previous one, we almost always find women carrying the Grail (another element totally extraneous to any Christian ritual, since no priests appear in it). A mixed form is that of a cup carved out of a stone (sometimes of an emerald). The Grail is sometimes qualified as “holy;’ sometimes as “rich”; “this is the richest thing that any man hath living.”l This text, like many others of the same period, uses the expression “Sangreal;’ which is susceptible to three interpretations: Holy Grail, Royal Blood, and Regal Blood.”

Jack Curtis writes in The Quest for the Holy Grail, is essentially:

“… a system of self transformation that can be reconciled with other similar systems in the Western esoteric tradition. It is a cosmological scheme that is comparable with Tarot, Kabala and Astrology. There are also hints of a connection with Alchemy. All of these systems or schemes follow a unifying principle that points to one underlying reality. The Holy Grail in its 5 Transformations, is one approach to that reality. To achieve the Grail, is to understand reality. To understand reality, is to be transformed and to be saved.”

How does any of this tie into the blood of Jesus Christ? For that answer, we must look beyond the natural and the flesh. The blood is obviously symbolic in its spiritual meaning. It is the spiritual power behind the blood of Jesus in which the believer partakes in, and is eternally saved to be allowed to enter a place that is so radically different than the manifest world—being the “Kingdom of God.”

The Holy Blood

In Jesus’ death on the cross, we read that in John 19:32-38, especially verse 34:

32 So the soldiers came, and broke the legs of the first man and of the other who was crucified with Him; 33 but coming to Jesus, when they saw that He was already dead, they did not break His legs. 34 But one of the soldiers pierced His side with a spear, and immediately blood and water came out. 35 And he who has seen has testified, and his testimony is true; and he knows that he is telling the truth, so that you also may believe. 36 For these things came to pass to fulfill the Scripture, “Not a bone of Him shall be [a]broken.” “They shall look on Him whom they pierced.” 38 After these things Joseph of Arimathea, being a disciple of Jesus, but a secret one for fear of the Jews, asked Pilate that he might take away the body of Jesus; and Pilate granted permission. So he came and took away His body.

Note the extraordinary hiatus John introduces into the narrative at this point. Clearly he wants us to note something of supreme importance: the legend is that Joseph caught some of this blood and water in the chalice used for the last supper.

Eric Wargo in The Passion of Einstein: Light, Spacetime, and the Holy Grail, rightly points out:

I think we can really see the Grail as both objects simultaneously, and that its atemporal “absurdity” is essential to the salvific nature of Christ’s blood: How could the blood shed on the Cross have gotten into the cup of the Last Supper other than by having traveled back in time? Christ’s blood is either made of tachyons (hypothetical faster-than-light particles that most physicists currently reject) or is, in effect,outside of linear Time altogether. Only if Christ’s blood is outside of Time and Cause does it make sense that the cup that once ever held it must have always held it and will keep holding it eternally—and there is just one thing known to physics that has those properties: The blood of Christ is, in effect, light.

Blood symbolism is extremely important in the Grail mythos: In the Old Testament, it is the substance of life. Jewish temple worship revolved around outpouring of blood, and sprinkling of blood via animal sacrifice. It is taken into the Holy of Holies and sprinkled on the mercy seat on Day of Atonement (Leviticus 16). Blood atones for sin and makes everything holy again. It is the seat of the spirit within the body, but it is also the animated life-force, of the body. It that which contains, as it were, the soul of the body.

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Jesus, as the Heavenly Priest of Melchizedek, also wearing the breastplate of Aaron. Also known as the “Urim and Thummim.” It is clear that Jesus is the “initiator” for the “Mysteries” of God in the Heavenly Temple.

Over at Temple Secrets, Tony Badillo explains that the animal sacrifice and its sacrificial blood represented a separation between the sins and a person’s spirit/soul:

On Ezekiel 44:6, 7 the Lord rebukes “rebellious” Israel for profaning his temple by offering him food in an unacceptable manner. What is his food? According to v. 7, “the fat and the blood;” similarly in  v. 15 where only the Zadok priests may ”offer me the fat and the blood, says the Lord God”. There you have it! His “food” is blood and fat! Should we accept this literally? Yes, in the sense that blood and fat were literally offered to him. But No because he did not consume either. Why does he say this, then? Because the blood, actually poured outside into a Temple drain, symbolizes the spirit’s separation/expiation from sin; while the fat, when turned into smoke, symbolizes the spirit’s ascension to him for acceptance. God’s “food,” then, is simply the language of symbol, and it means that separation/expiation from sin (by the blood) and ascension of purified souls (the rising smoke) are the things he desires from people.

In John 6:53-56, Jesus says to his disciples:

Most assuredly, I say to you, unless you eat the flesh of the Son of Man and drink His blood, you have no life in you. Whoever eats My flesh and drinks My blood has eternal life, and I will raise him up at the last day. For My flesh is food indeed, and My blood is drink indeed. He who eats My flesh and drinks My blood abides in Me, and I in him.

Jesus implores his followers to consume his divine flesh and blood made up of of spiritual light to regenerate their own fallen meat sacks degenerated as a result of Adam and Eve’s exile from Eden and from the consumption of the fruit of the knowledge of good and evil. Hence, the Holy Grail cup is said to contain the Christ’s saving blood of the Lamb—the remnant or leftover spiritual substance dripping from a primal trauma of a divine being, who is crucified by the rulers and authorities of the lower heavens, dies and resurrects so that his followers can follow his example, so that they might be salvaged from the sinfulness of the lower world/cosmos of the devil, which is destined to be overthrown, cast out and destroyed at the end of the apocalypse. The saved and elect are transferred into a new kingdom or reality of God while the rest who rejected the Gospel are destroyed. 

Many of the Cathars believed what the mythicist scholar Earl Doherty theorizes was the earliest form of docetic Christology: that Christ was never incarnate on earth. Most of the radical dualist Cathars believed that the whole Jesus narrative, from the beginning of his ministry to his crucifixion, occurred in heavenly world of the good god and in the astral realm of the demonic rulers.

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In the Parzival romance, the impotency of the Fisher King being his maimed, never-healing state (all thanks to Klingsor’s Spear) reflects the sterility of his land. It also reflects the nature of matter itself. In the studies of pagan practices by such scholars as Sir James G. Frazer in The Golden Bough: A Study in Magic and Religion, the recurring themes of the killing of the previous high priest or king to be replaced by a new avatar (much like John the Baptist and Jesus) and the marriage of fruitfulness of this new avatar with a female deity/queen is essential to the vegetative and natural fertility and prosperity of the land. The mirroring effect between the human enactment of natural prosperity and vice versa is apparent enough in the Priest-king of the Grail, Anfortas or the Fisher King’s “Waste Land” is to appropriate this mythic pagan belief into a solid representation that the barrenness of the soul/mind and body reflects upon the surroundings/ environment and nature. This, one might say is the objective co-relative function where the emotions, experiences of the subject becomes objective reality, hence the idea that the imaginal/spirit/ideal realm controls the realm of matter and the manifest world.

It is said that the blood of Christ at Holy Communion in Catholic ritual gives new life and deifies. But that blood is wine transfigured by the descending Holy Spirit in the form of a dove. However, this ritual does seem to have strong vampiric, witchcraft cannibalistic undertones, if placed in a literal context as the Catholic Church has done for hundreds, if not thousands of years. The Cathars were infamous for being hard, uncompromising opponents of the Catholic Sacrament as well as its icons and its worship of the Virgin Mary as devilish trickery to commit idolatry. Various Gnostic groups like the Phibionites, Barbelites, Bororites, Simonians, etc. as well as the Jews (and their rituals as magic in the form of “blood libel”) were accused of human and infant sacrifice in the form of ritually consuming fetuses, in the case that women became pregnant in their infamous orgies. In these ritual orgies, semen and menses were said to be also ritually consumed as a Eucharistic sacrament to Christ as Epiphanius claims in the Panarion. All of this seems to originate in Pliney the Elder in Natural History 30.11, when he writes as a matter-of-fact, that certain magical rites of the Magi (and the Emperor Nero) involve ritually killing and eating men (e.g. cannibalism):

The Magi have certain means of evasion; for example that the gods neither obey those with freckles nor are seen by them. Was this perhaps their objection to Nero? But his body was without blemish; he was free to choose the fixed days, could easily obtain perfectly black sheep, and as for human sacrifice, he took the greatest delight in it. 

So, in other words, could the Catholic Eucharist be just a Christianized magical ritual? We certainly see Romans who viewed the Christians as simply a diabolical secret society addicted to sorcery and the conjuring of daimons, as seen in Celsus in the True Doctrine and Suetonius in Nero 16.2. All of this seems to be a precursor for the Medieval and modern gossip and rumors of witch covens and Satanic elite secret societies, like the “Illuminati” who engage in human sacrifice and Faustian pacts with demons. The drinking of wine in Dionysian rituals involved ritually imbibing the spirit of Dionysus, which is like drinking the Elixir of Life, or “being baptized in wisdom.” The wine is the blood of the earth, “fruit of the vine and work of human hands.” This wine is used as a commemoration of ritually consuming the blood of Jesus. The Gospel of John chapter 2, where Jesus transmutes water into wine certainly plays on this distinctly Dionysian idea. So the outpouring of Christ’s blood on the cross is the outpouring of his very life—the spirit of the Son of God.

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The Book of Hebrews (9:22-24) tells us that the blood of Jesus (and all the Old Testament sacrifices) were necessary in order to cleanse things in the heavens–the same place in which the angelic rebellion was said to have occurred as recorded in Revelation.

“And almost all things are by the law purged with blood; and without shedding of blood is no remission. It was therefore necessary that the patterns of things in the heavens should be cleansed with these; but the heavenly things themselves with better sacrifices than these. For Christ is not entered into the holy places made with hands, which are the figures of the true; but into heaven itself, now to appear in the presence of God for us.”

Colossians 1:20 says something very similar:

“And, having made peace through the blood of his cross, by him to reconcile all things unto himself; by him, I say, whether they be things in earth, or things in heaven.

Notice how in Hebrews, it says that the tabernacle, and all its services, were “patterns of things in the heavens.” The physical objects associated with the earthly sanctuary were “figures of the true” — the “shadow of heavenly things” (Hebrews 8:5). As it follows, each physical item had its spiritual counterpart in heaven. So, as long as there was a tabernacle or temple on earth, there was a material reflection of God’s heavenly palace for mankind to see and take part in. This all sounds strangely reminiscent of certain Hermetic writings pertaining to “as above, so below.”

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Also, in a way, when Jesus Christ was nailed to the Cross, he was essentially nailed to a circular “Leviathan” which is the same as the Ouroboros of the Gnostic alchemists like Mary the Jewess, Zosimos and the Ophites. The atheistic German philosopher Friedrich Nietzsche uses this symbolism to build his own theory of “eternal recurrence.” This is what the Gnostics called the “fall of spirit into matter.” Hence, we have various alchemical images of the crucified serpent, and perhaps even the same tempting serpent from Eden. According to the Apocryphon of John, there are a few archons which seem to have strong serpentine and dragon-like features, including Iao and Ialdabaoth, the chief archon and Gnostic parody of Jehovah. All of this seems to have a Pauline basis, in Colossians 2:13-15

…When you were dead in your transgressions and the uncircumcision of your flesh, He made you alive together with Him, having forgiven us all our transgressions, having canceled out the certificate of debt consisting of decrees against us, which was hostile to us; and He has taken it out of the way, having nailed it to the cross. When He had disarmed the rulers and authorities, He made a public display of them, having triumphed over them through Him.…

In the Gospel of Matthew (20:20-23), we read that a mother of Zebedee was asking Jesus to have her sons sit at his right and the other at his left hand in the Kingdom of God. Jesus asks her sons if they can drink what he is going to drink and they answer in the affirmative. Here is what Jesus says as a reply:

20 Then the mother of Zebedee’s sons came to Jesus with her sons and, kneeling down, asked a favor of him. 21 “What is it you want?” he asked. She said, “Grant that one of these two sons of mine may sit at your right and the other at your left in your kingdom.” 22 “You don’t know what you are asking,” Jesus said to them. “Can you drink the cup I am going to drink?” “We can,” they answered. 23 Jesus said to them, “You will indeed drink from my cup, but to sit at my right or left is not for me to grant. These places belong to those for whom they have been prepared by my Father.”

The Baptism of Blood and Water

In Genesis 1, the Spirit hovers over the face of the deep at the onset of creation. Water signifies the chaotic, untamed and unformed material of creation. It is the proto-element out of which all creation, the whole cosmos, including humanity, is ultimately made (Gen 1:2, 6; Ps 29:3) So crossing the waters of the great Flood, the waters of the Red Sea, the waters of the Jordan, and the waters of baptism are the recreating and renewing waters of creation. This water baptism acts like a conduit that transports the believer from one world (the old man of sin)  to another (the newness in Christ). Likewise priests must bathe in water before entering Holy of Holies of the Temple of Solomon on day of Atonement. 

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Similarly with the Sea of Glass in Revelation 15:2, beside which those who have defeated the beast are standing, singing the song of Moses. This is a reflection of the “Molten Sea” which was a large basin in the Temple in Jerusalem made by Solomon for ablution of the priests. It is described in 1 Kings 7 and 2 Chronicles 4. It stood in the south-eastern corner of the inner court.

Water in essence is a unifying and yet all dissolving element of the earth and the cosmos. Blood and water together therefore signify the fullness of saved humanity: material body and animating soul and spirit as well as the sacrificed body and blood of the Lord Jesus Christ. In the Gospel of John 3:5, we have Jesus saying to Nicodemus “you must be born of water and the Spirit.” In 1 John 5:6, it says, “This is he who came by water and blood – Jesus Christ…there are three that testify: the Spirit and the water and the blood.”

We need to pause for a moment to reflect on this: the incarnated Son of God took on the likeness of humanity upon himself, meaning that this was not his original nature: this humanity, united to the Second Person of the Trinity, is literally poured out from his side upon the cross. This body and blood is NOT the same as the body and blood of communion, although they are clearly related. The bread and wine of Holy Communion are the substance and blood of the earth, transfigured by the Spirit of God to become our spiritual food and drink as the Eucharist.

The chalice in itself is not the real Holy Grail—that is simply romantic myth. The real Holy Grail is the very ground onto which this blood and water is sprinkled upon. The earth itself received the body and soul of Christ in his death. This is the blood and water of his sacrifice, rather than the blood and body of communion, although again, clearly the two are related. The bread and wine of communion—Christ’s body and blood—rather than being consumed by us to become part of our body, performs a spiritual function, transforming us into the body of Christ. “Though we are many, we are one body because we all share in the one bread.” Thus consuming Christ’s body and blood transforms us into itself. Likewise with Christ’s blood and body out poured on the cross—it transforms the whole of creation into Christ’s body. Christ’s physical presence, although hidden, still abides throughout the very fabric of the universe. His humanity, which is our humanity, abides in creation, even today, transforming it and making it holy. In a sense, this relates to the infamous Baptism of Wisdom ritual of the Knights Templar in which we discuss in the book, at length. 

Christ’s crucifixion and the Harrowing of Hell, in effect, unseated and usurped the power and possession of the authorities, archons and their demonic possession of the world and perhaps even the “Wasteland” of the Fisher King, a reflection of the inner state of the sinner. The quest for the holy grail to heal the wounded king and to restore the land to its original, pristine, Edenic state. Many see this as related to Matthew 4:19 in which Christ said, “Follow me, and I will make you fishers of men.” This reference would later become crucial to the Christian version of the Fisher King of the Arthurian Grail romances. 

As one can see, the Parzival/Arthurian Grail stories, like the story of the Temple of Solomon is simply a retelling of Genesis (as well as a intricate visual depiction of the “Divine Man” or “Son of Man”), which in itself is a reflection of the war in heaven, and the fall of the angels. The Titanomachy of the Greeks as well as Hesiod’s Works (126) also speaks of similar tales of Olympian gods struggling against the titans and their terrible giant children, which no doubt mirror the infamous Nephilim of Genesis 6 and Enochian literature. Hesiod in the same text describes these Nephilim as being Heroes of the “Silver Race,” as a gigantic, brutal and ferocious giants:

Then, a second race, far inferior Was created, of Silver, by the gods…

Being reared by their mothers.

And when they reached adolescence,

They died a painful death,

On account of their stupidity,

For they could not contain their foolish pride and refused to worship the gods above and to sacrifice to them upon the altars.

Hesiod calls them “big children” (mega nepios) and tells how, disgusted with their impiety and arrogance, Zeus decided to wipe them off with a cataclysm, burying them in Tartarus, much like how Jehovah sends a flood to wipe the giant children of the Watchers and condemns the fallen angels in the abyss-like underworld in chains. Essentially all mythologies speak of similar wars between Blacks and Whites or between Angels and Devils, Devas and Asuras, Daevas and Ahuras, the Sons of Light and the Sons of Darkness, Gods and Titans, etc., etc. This all seems to influence the story of Klingsor who injures the Fisher King with a spear. Klingsor also happens to be directly related with Faustus as we will see in Part 2.

Once again, we cannot ignore Tony Badillo’s thoughtful explanation of Eden with those who are baptized in the Holy Spirit being the Spirit of God, which have strong Gnostic undertones:

…in Isaiah 58:11 and Jeremiah 31:12 the people themselves are a “well watered garden,”  implying that Paradise on earth consists of an ideal relationship between God and humans. This is a key reason why the Divine spirit is not given solely or primarily for uttering profound prophecies, performing marvelous miracles, or making doomsday declarations, but for subduing the Sinful Inclination and renewing God’s “image and likeness” within each of us, and in so doing we become like a well watered garden, Genesis 2:10,  bearing good fruit for the one who did the planting. This is the true Paradise, the true Garden of Eden while we are here on earth. And that which waters one’s personal garden is the Divine spirit.

The sprinkling of his blood on the earth, prefigured in the Old Testament by the sprinkling of the blood of the sacrificial bull and goat in the Holy of Holies, has made the world the Holy of Holies, the dwelling place of God, signified by the rending of the veil in the Temple. Yet it remains hidden, invisible and unknown, until the day that the new heaven and new earth are revealed when Christ return again in glory as discussed in Matthew and Revelation. Just like the hiddenness of the glory of God, momentarily revealed in the burning bush, or on the Mount of Transfiguration. In that day we will see that “in him we live and move and have our being.” The sacrificial bull concept, however is an ancient Rome and eventually later from Mithraic sacrificial rites. The Gospel of John tells us that after the death and resurrection of Jesus, the Baptism of the Holy Spirit is made manifest to the believer, and the Body of Christ.

According to the Excerpts of Theodotus, the Valentinian teacher Theodotus said that the baptism releases the believer from the clutches of passions, Fate, destiny and demonic powers that infest the lower world in which mankind finds himself exiled in.

76 As, therefore, the birth of the Saviour released us from “becoming” and from Fate, so also his baptism rescued us from fire, and his Passion rescued us from passion in order that we might in all things follow him. For he who was baptised unto God advanced toward God and has received “power to walk upon scorpions and snakes,” the evil powers. And he commands the disciples “When ye go about, preach and them that believe baptise in the name of the Father, and of the Son and of the Holy Spirit,” in whom we are born again, becoming higher than all the other powers.

77 Therefore baptism is called death and an end of the old life when we take leave of the evil principalities, but it is also called life according to Christ, of which he is sole Lord. But the power of the transformation of him who is baptised does not concern the body but the soul, for he who comes up [out of the water] is unchanged. From the moment when he comes up from baptism he is called a servant of God even by the unclean spirits and they now “tremble” at him whom shortly before they obsessed.

78 Until baptism, they say, Fate is real, but after it the astrologists are no longer right. But it is not only the washing that is liberating, but the knowledge of/who we were, and what we have become, where we were or where we were placed, whither we hasten, from what we are redeemed, what birth is and what rebirth.

The Foundation Stone of Fallen Angels

The holy grail also has a strong Hermetic ring to it as Tracy and I have explored in depth in our book. We point out that the word “grail” itself has been derived from crater, the Greco-Latin term for a vessel, meaning a shallow vessel or plate where sacrifices were offered to the gods in ancient Greece. We also explore in depth how the Holy Grail concept is directly tied with the Corpus Hermeticum, as well as Wolfram’s Parzival, which is in itself almost a paraphrase of the Hermetica- a collection of ancient Egyptian texts that also reflect the Gnosticizing tendencies of Alexandria, Egypt. Wolfram rewrote it to match it with thirteenth century German sensibility. The Holy Grail themes seem to greatly match with the Krater of the Hermetica which directly mirror with Parzival’s spiritual journey. In fact, as the above link quotes a book called The Krater and the Grail: Hermetic Sources of the Parzival by Henry and Renee Kahane as towards the end of Parzival, they compare a precision of knights in the Grail Castle to the universe and the Holy Grail itself to the Monad as I.M. Oderberg writes:

A procession comprising the knights and the twenty-four maidens attending the Grail entered the hall, only Repanse de Schoie being permitted by the sacred object to be its bearer. These attendants were grouped in numbers, first four, then eight, then twelve divided into two sixes. Each group carried corresponding numbers of lights. Last came the “princess” of the Grail carrying one. This sequence has baffled many commentators, but Kahane and Kahane point out the marked similarity with the Hermetica, where the groups in the same order “represent the twenty-four stations of the journey of the soul: 4 elements + 8 spheres + 12 signs of the zodiac + 1, the Monad. . . . The Grail procession, in other words, is a representation of the mystic journey of the soul towards the Monad, itself symbolized by the Grail” (op. cit., pp. 105-6).

The end of the Grail quest is the return to the source of life and rebirth into it as divinely self-conscious entities purified by involvement in earthly experiences and having also contributed to the ongoing process of cosmic evolution by refining the substance they have used. The great lesson for Parzival — for all of us because he is our prototype — was the interconnected relationship of all earth entities. The bonds of a universal brotherhood make us all kin. The suffering of one hurts all, and compassion in our heart obliges us to ask forever: What ails our brother?

What could be the most interesting aspect of this story, involves looking at the second clue of what the Holy Grail represents, provided by Wolfram in the form of “a precious stone, lapsit exillis (i.e. lapis or lapsi ex caelis) of special purity, possessing miraculous powers conferred upon it and sustained by a consecrated Host”, which is indeed the blood of Christ, with holy powers to act as the Elixir of Life. This precious stone fallen from heaven is both the emerald fallen from Lucifer’s crown.

Wolfram von Eschenbach identified the Holy Grail as a Stone of Heaven, he knew he was alluding to a Holy Grail tradition that had extended far back into the mists of time. Many traditions tell so primitive man, who experienced a physical and or emotional change just by being in the proximity to certain stones. Even the term “magic,” associated with the title of “Magus” or “magician” has its etymological roots in the force of magnets or magnetism, which plays into the idea of “greatness,” or “magnifying” one’s spirit or essential self under the light of God. Perhaps this is why Simon was called “Megas” Greek for “Great” which sounds virtually the same as “Magus.” The Persians thought of the their priests as “magos” as well.

Alchemists told of transforming a base metal into gold and a human into a god or goddess. Many texts were cataloged of the Muslim Empire by the Sufis, who added their own alchemical data before transmitting it to their students, the Knights Templar, who took the wisdom into Europe and supposedly carried in tradition through Freemasonry. Those indoctrinated were of the Holy grail Mysteries and eventually given the wisdom of the Alchemical or Philosophers Stone. Some tell of it being a platter or bowl full of precious stones. The Stone of Heaven is a Latin translation of the term Lapsit Exillus, closely related to Lapis Elixir, an appellation used by the Sufis that denoted, “Philosopher’s Stone.” Lapsit derived from “stone” and related to the Latin lapsus, meaning fallen, thus denoting “fallen stone.” Since the term Exillus is related to exillis stellis, meaning : “from the stars,” the entire moniker Lapsit Exillus literally translates as “The Stone of the Heavens” or “The Stone which came down from the Stars.”

The name Stone of Heaven can also be derived from the word Grail. The term Grail derived from the French gres or Persian gohr, both denoting a stone. Grail of Greal could also be related to the French grele, meaning hailstone, which is a “stone” from heaven. According to Arthur Edward Waite, the term Lapsit Exillus is “Exiles Stone.” This surprisingly affiliates the Stone of heaven with Heaven’s most notorious exile, Lucifer. A poem of a German heritage called, Wartburgkrieg, the “Wartburg War,” summarizes the heavenly battle between Lucifer and St. Michael, and identifies the Stone of Heaven as a large emerald that became dislodged from Lucifer’s crown and descended to Earth:

“Shall I then bring the crown

That was made by 60,000 angels?ill

Who wished to force GOD out of the Kingdom of Heaven.

See! Lucifer, there he is!

If there are master-priests,

Then you know well that I am singing the truth.

Saint Michael saw GOD’s anger, plagued by His insolence.

He took (Lucifer’s) crown from his head,

In such a way that a stone jumped out of it.

Which on Earth became Parsifal’s stone.

The stone which sprang out of it,

He found it, he who struggled for honor at such a high cost.”

Lucifer’s fall that is incorporated into this poem first popularized by the Prophet Isaiah during his harangue against the King of Babylon. When describing the decline and all of the King of Babylon, Isaiah used the metaphor of the Morning star’s “fall” or descent below the horizon at sunrise, an image subsequently became linked to Lucifer when translated into Latin was Luz-I-fer or Lucifer, the Light Bringer. Morning Star then became known as Shahar or Helel, which were the names of Venus’ dawn appearance. Thus, Lucifer is associated with both Venus and Helel, a name that evolved into Hell, Lucifer’s underworld home.

In the Book of Ezekiel, he expanded upon the meaning of Lucifer’s infamous fall. While comparing the King of Tyre with Lucifer, Ezekiel identifies Lucifer as the anointed cherub and forever-young boy who once walked in the Garden of Eden while covered in precious stones, including the emerald, and was perfect in his ways and from that day he was created until iniquity was found in him. Thus Ezekiel perpetuated the tradition of Isaiah by making  Lucifer’s fall the product of pride.

Ezekiel 28:13 tells us:

You were in Eden, the garden of God; every precious stone adorned you: carnelian, chrysolite and emerald, topaz, onyx and jasper, lapis lazuli, turquoise and beryl. Your settings and mountings were made of gold; on the day you were created they were prepared.

Lucifer then resolves to rule in Heaven and this culminated in his expulsion from Paradise. When St. Michael and his angels fought with Lucifer/Samael over his right to rule, states John the Revelator, “that old serpent, called the devil, and Satan which deceiveth the whole world…was cast out (of heaven) into the earth, and his angels were cast with him.”

The remainder of Lucifer’s legend in the poem states that during the battle with Michael an emerald became dislodged from Lucifer’s crown and fell to Earth. This is based on Ezekiel’s description of the gems-especially the emerald-that adorned Lucifer’s regalia in the Garden of Eden. It is also influenced by the Knights Templar. But of course this predates the Templar’s by many thousand of years. Before their time the emerald had been recognized as the esteemed Stone of Venus, the “fallen star” of Lucifer.

Strangely enough, however, Lucifer does seem to embody the twin archetype we see over and over in world mythologies. In a way, Michael the archangel could also very well be his angelic twin, just as Metatron is said to have an angelic twin soul in the form of Sandalphon. Both of these angels’ lower selves exist in the forms of both Enoch and Elijah, both of which are intimately connect with Hermes Trismegistus. In Roman myths, we have Romulus and Remus, in Genesis, Cain and Abel, Ariman and Angra Manyu in Persia, the Ashvin Twins, or Mitra and Varuna in India; Zeus and Poseidon, Castor and Pollux, Apollo and Dionysus and Hercules and Atlas in Greece; Set-Typhon and Horus in Egypt, etc. In a way, Lucifer is simply a reflection of the Supreme Heavenly Father, who is the spiritual sun of Heaven.

As the story goes, a number of angels having remained neutral and inactive during the battle of Lucifer and the rebel angels against God and the faithful heavenly hosts, after Lucifer’s fall they were condemned by God to support this stone, which had dropped from Lucifer’s crown, hovering between Heaven and Earth until the hour of redemption of sinful mankind and the “Day of Judgement” at the end of the apocalypse. Then they brought it to Earth, and, formed into a holy vessel, it served for the dish out of which the Jews ate the Paschal lamb in Exodus 12 on Passover, and in which Joseph of Arimathea received the Saviour’s blood, and perhaps even the receptacle for the severed head of John the Baptist.

By uniting the two objects, being the kraters and with meteoritic stones fallen from heaven, it becomes obvious. We see ancient worship of meteorites in the Kaaba Stone of Mecca in Saudia Arabia, which is associated with the worship of Venus/Lucifer and Saturn/Chronos, the pyramids of Mexico, the vajra thunderbolt of Hinduism, etc. So the Grail is indeed the meteorite crater opened up by a falling object from the heavens. It may also refer to volcanic activity and magma, associated with the conflagration spoken by the ancients that is said to have destroyed Atlantis-Eden.

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Rudolf Steiner, the Austrian philosopher and esotericist famously reimagined the grail, foundation stone as a, “dodecahedron fashioned in copper in 1913 to consecrate the building called the first Goetheanum, with twelve, pentagonal (five-sided) facets and called the “dodecahedron of man.” (Bill Trusiewicz, The Foundation Stone as The Golden Triangle, The Mystic Hammer, and The Lost Word)

Bill Trusiewiscz further asks:

Firstly, we should ask: What is a foundation stone? Also called a “cornerstone,” a foundation stone is a stone ceremoniously set in place at the start of the construction of a building. This is done to initiate certain defining principles or ideas in connection with the proposed building with the intention of consecrating it for a specific purpose. It is, if you will, a “mental” building to use modern terminology, to correspond to a physical building proposed. Students of spiritual science would likely be comfortable with the idea that the “soul and spirit” foundations of the building were being laid alongside of the sense perceptible building itself.

Indeed, the Foundation Stone concept can be found all throughout the Old Testament and in the Jewish apocrypha, especially in 2 Enoch (see my paper “The Gods of Imagination: Alchemy, Magic, and the Quintessence” found in The Gnostic 6 by Andrew Phillip Smith). It is the starting point or even the “heart” in which the world and even the whole breadth of the cosmos is founded upon. It is also the Holy of Holies, in which it becomes the “cornerstone” of the Temple of Solomon, which is just another form of the Grail Temple of Parzival. Perhaps this is where the Theosophists would claim that Shamballah of Tibet would be the “heart of the earth” and the “King of the Earth” being “Sanat Kumara,” the so-called “Lord of the Flame” came from Venus! This is undoubtedly connected to Lucifer, the equivalent of Rex Mundi of the Cathars, Melek Taus of the Yezidis, Satan “the god of this world/cosmos” to St. Paul and Ialdabaoth and his legions of archons to the Gnostics. As it follows, the foundation stone is currently owned by Lucifer on his crown, since he is essentially the “prince of the world,” as the Fourth Gospel puts it, when he fell into the depths of the sub-lunar realm after the War in Heaven.

Sacred-Topography-of-Eden-and-the-Temple

In The Creation and the Garden of Eden as Models for Temple Architecture by Jeffrey M. Bradshaw, he quotes from a not-so-easily identifiable source but it is worth quoting nonetheless:

The brightness of the Holy of Holies was the light of Day One, before the visible world had been created… Those who entered the Holy of Holies entered this place of light, beyond time and matter, which was the presence of “the King of kings and Lord of lords who alone has immortality and dwells in unapproachable light.” This was the place of glory to which Jesus knew he would return after the crucifixion, “the glory which I had with thee before the world was made.” In the Gospel of Thomas, Christians are described as the new high priesthood who enter the light, and Jesus instructed his disciples to say to the guardians (the cherub guardians of Eden?) “We came from the light, the place where the light came into being on its own accord and established [itself]…

Bradshaw rightly points out that the tabernacle of Moses is an earthly attempt to recapture the Edenic state that that man once held before the fall:

Carrying this idea forward to a later epoch, Exodus 40:33 describes how Moses completed the tabernacle. The Hebrew text exactly parallels the account of how God finished creation. Genesis Rabbah comments: “It is as if, on that day [i.e., the day the tabernacle was raised in the wilderness], I actually created the world.” With this idea in mind, Hugh Nibley has famously called the temple “a scale-model of the universe.” As a complement to the view of the Creation as a model for the temple, BYU Professor Donald W. Parry has argued that the Garden of Eden can be seen as a natural “temple,” where Adam and Eve lived in God’s presence for a time, and mirroring the configuration of the heavenly temple intended as their ultimate destination.

Bradshaw concludes that the temple symbolism of Revelation also carries on this Edenic/Solomonic tradition:

Fittingly, just as the first book of the Bible, Genesis, recounts the story of Adam and Eve being cast out from the Garden, its last book, Revelation, prophesies a permanent return to Eden for the sanctified.36 In that day, the veil that separates man and the rest of fallen creation from God will be swept away, and all shall be “done in earth, as it is in heaven.”37 In the original Garden of Eden, “there was no need for a temple—because Adam and Eve enjoyed the continual presence of God”—likewise, in John’s vision “there was no temple in the Holy City, ‘for its temple is the Lord God.’”38 To reenter the Garden at that happy day is to return to the original spiritual state of immortality and innocence through forgiveness of sin, and to know the oneness that existed at the dawn of Creation, before the creative processes of division and separation began. The premortal glory of the righteous shall then be “added upon” 39 as they receive a fullness of the blessings of sanctification, “coupled with eternal glory, which glory we do not now enjoy.”

What does any of this have to do with the lore and legends of Baphomet and the Knights Templar exactly? This is a very good question that is answered thoroughly in Baphomet: The Mystery of the Temple Unveiled. The Even ha’Shettiya, also known as the “Stone of Foundation,” which currently resides within the eight-sided Dome of the Rock in Jerusalem, the Holy City and center and heart of the earth as European mapmakers charted.

This is the same rock that supposedly was the same rocky site upon which Abraham was coerced into sacrificing his own son Isaac in the sight of Jehovah, to test his faith, as well as the place where Mohammed was lifted into Heaven by the archangel Gabriel. This is also the same site that the Knights Templar resided nearby when they founded modern day Jerusalem. So the Stone of Foundation for the Jews, Muslims, and the Catholic Crusaders was in fact, the Stone of Lucifer as part of the Axis Mundi or column that unites Heaven and Earth, and even the Underworld. King David, who purchased the rock of the Even ha’Shetityya from the Jebusites as the location of the Ark of the Covenant, was not overlooked by him. This sacred object primarily served as a vehicle for communication with Jehovah/Yahweh.

king-solomon-cc

King Solomon holding the Grail Temple and Royal Scepter.

David’s son, King Solomon, a famous alchemist, similarly thought that the stone’s alchemical properties as a mediator between Heaven and Earth, used the rock as a cornerstone or foundation for his famous Temple, which would draw upon the power and spirit of YHWH. We see the Testament of Solomon depicting Sabaoth as the god of Solomon, who gives him a magical ring through the archangel Michael to build the temple through the forced help of 72 goetic demon helpers. This is Sabaoth is probably the same deity as Abraxas. (This connection is fully explored further in depth in the book.)

Perhaps the pyramids of Egypt and Mexico were constructed by similar means though the use of demonic, supernatural power. Furthermore, perhaps this is what the Knights Templar were so drawn towards—the supernatural power behind the Temple of Solomon—the same power that would one day make them so rich that they would become a threat to French and Catholic nobility. It is this power that manifest itself in the form of a head of a man or even of a cat, and eventually from the Dionysian and Azazel-like goat head.

What is most fascinating as that the Freemasonic pontif Albert Pike in Morals & Dogma seems to spur and condemn the idea that the Templars also worshiped Baphomet when he writes:

“[It is absurd to suppose that men of intellect adored a monstrous idol called Baphomet, or recognized Mahomet as an inspired prophet. Their symbolism, invented ages before, to conceal what it was dangerous to avow, was of course misunderstood by those who were not adepts, and to their enemies seemed to be pantheistic. The calf of gold, made by Aaron for the Israelites, was but one of the oxen under the laver of bronze, and the Karobim on the Propitiatory, misunderstood. The symbols of the wise always become the idols of the ignorant multitude. What the Chiefs of the Order really believed and taught, is indicated to the Adepts by the hints contained in the high Degrees of Free-Masonry, and by the symbols which only the Adepts understand.

Pike is claiming that the symbolism associated with the Templars and Freemasonry is veiled and misunderstood by the masses also reflects the idea that the alchemical Philosopher’s Stone was simply a ruse created by alchemists to confuse the masses and mask their true and secret methods and sciences to create gold or something else completely. However, this doesn’t answer the general claim that a certain Templar possessed a severed idol head and turned to it to form their own Faustian pact with the spirit of Baphomet. We can gain more clarity on this subject from Sean Martin in The Knights Templar (p. 139):

Misunderstanding is almost certainly at the root of the allegation that the Templars worshipped an idol called Baphomet. Descriptions of it varied, but it was usually described as being a life-sized head, which was said to make the land fertile (as is said of the Grail). That the Templars did possess heads is without doubt. They possessed the head of St Euphemia of Chalcedon at their preceptory in Nicosia on Cyprus, and, more curiously, a silver head shaped reliquary was found after the arrests at the Paris Temple. This bore the inscription CAPUT LVIII, and inside it were parts of a woman’s skull (who was believed to have been one of the 11,000 virgins martyred at Cologne with St Ursula). The heads may have indeed been worshiped, in the way that the Celts revered the head.

The Assassins, during their initiation ceremonies, buried the initiate up to his neck in sand, leaving only the head visible, before disinterring him. Given their simulation of Saracen torture, the Templars may also have carried out this practice. A further possibility is that Baphomet, long thought to be a mistranslation of ‘Mahomet’ (the Prophet Muhammad), could well be a corruption of the Arabic word abufihamat, which means ‘Father of Understanding’, a reference to a spiritual seeker after realization or enlightenment has taken place: ‘The Baphomet is none other than the symbol of the completed man.’44 It is therefore possible that the supposed head the Templars worshipped was actually a metaphorical head. That Hugues de Payen’s shield carried three black heads suggests that certain elements within the Order – the upper echelons perhaps – were involved with esoteric disciplines learned from the Sufis from the very beginning of the Temple’s existence.

Could these “alchemical heads” be code words for a secret knowledge held by the minds of the initiated as well as literal severed heads who supposedly “prophesied”? The Templars were also said to have in their possession, ritual skulls made out of precious metals and human bone covered in gold and silver. These skulls may have been their own deceased brethren. There are testimonies taken from the Catholic inquisitions that purport of the Templars alluding to possess metallic skulls used in Templar ceremonies, especially in the legend of The Necromantic Skull Of Sidon.

Skulls tend to be used in ancestor worship and also happen to be the premiere emblem of Mexican commemoration of the Dia de los Muertos (“Day of the Dead” being a pre-Colombian tradition of ancestor worship and colonial Catholicism) and demonic deity of the drug cartels, Santa Muerte, a mixture of the Virgin Mary (who, herself is the Catholic version of Astarte and Ishtar/Lilith) and the Aztec god of death Mictlantecuhtli. The Yale Masonic secret society of the “Skull & Bones,” a Satanic club of which a string of U.S. Presidents belong to (John Kerry, the Bush family, etc.) via secret oaths and initiation rites into diabolism similar to the ones found in Templar Baphometic rites. These “Bonesmen” have their origins in the so-called “Bavarian Illuminati” who themselves come from the Jesuits, whose saints are often depicted next to skulls or holding skulls. There are paintings depicting Mary Magdalene holding a skull as well.

Georges_de_La_Tour_-_Magdalen_of_Night_Light_-_WGA12337

The famous skull and crossbones motif normally associated with pirates is often said to have originated with this skull from Sidon, but it was probably much older. This haunting motif, which we today associate with poison, was most likely a symbol related to the earlier alchemical rites of the Templar Knights. During these early rites, skulls were used representing “Caput Mortumm” or “Dead Head,” which refers to a stage in alchemy preceding creation of the “Philosophers Stone,” which is the Great Work of the alchemists, equated with spiritualized gold. This is the stage of “Nigredo” or the “blackening” in Hades/Hell. The Gnostic-Hermetist Zosimos depicts this stage in the most extreme and gruesome imagery in his alchemical work Visions.

The most important skull or head used in the rites of the Knights Templar was known within the Order as Baphomet. This most sacred of heads, which many of the Knights alluded to during their depositions preceding their French trial, may have been that of John the Baptist, whose head was acquired by the Templar’s as part of treasure they looted from Constantinople during the Fourth Crusade in the 11th century. Even stranger is the fact that this Baphomet skull could also be related to the head of Simon Magus! Be sure to check out our book for more details on all of this.

However, the idea that the Templars revered Baphomet in its Gnosticized form, seems to be a later additional detail that emerges during the French Revolution and later emphasized with the likes of Purgstall, Eliphas Levi, Aleister Crowley, etc. Whatever the case may be, it seems as though the Templar treasure is somehow tied with the symbolism of the head, the mind, as well as the Holy Grail cup which is associated with drinking the wisdom of various Hermetic and Gnostic deities and alchemists like Zosimos, as we explain in the book. Indeed, even the Holy Grail/Fisher King legends themselves have strong associations with Gnosticism, and it is this heresy that the Orthodoxy greatly desired to have stamped out of existence and absorbed into their own “universal” collective religion.

(In Part 2, we will re-examine the infamous Medieval legends of Faustus and Simon the Magician and his consort, Helena/Sophia and how it all relates to the Holy Grail legends.)

New Book: Baphomet: The Mystery of the Temple Unveiled

I realize it’s been a long while since I’ve posted an article on this blog. But be of good cheer! A new book I co-wrote with Tracy Twyman is set to come out either late October or early November as the date is currently tentative at the moment. The book is called Baphomet: The Temple Mystery Unveiled. I’ve been working on this book very intently for the last 6-7 months and all my hard work (along with Tracy’s) will finally be revealed for the public to read and carefully consider. Here is the press release for the book over on Tracy’s site. Be on the look out for a Kickstarter with some pertinent details for you beloved truth seekers, to consider supporting us while giving you lot’s of cool goodies, e-books and hardcover books in return. And finally, here is the cover that will be used for the book. I will be posting more details about the book as the weeks pass on. Spread the news far and wide!

Here is the blurb from the inside cover of the book jacket:

Can ye drink of the cup that I drink of? And be baptized with the baptism that I am baptized with?

For seven centuries, the enigma of Baphomet has mystified both scholars and the general public. Did the Knights Templar really worship a demonic idol of that name? If so, what does the word mean? What is the origin of this figure? What was the nature of the rituals that the Templars performed in secret? What were their covert beliefs? And why, if the Templars initially described their idol as a mummified severed head, is this figure now represented as a hermaphrodite human with the head of a goat?

Authors Tracy R. Twyman and Alexander Rivera have dived head-first into the bottomless abyss of mystery and returned with some astounding wisdom to share. Learn the genesis of these symbols and how they relate to the Witches’ Sabbath, traditions of Sufi Islam, alchemy, Gnosticism, cabalism, the teachings of Hermes Trismegistus, and so much more.

Learn why the Templars and their beloved severed head are frequently associated with John the Baptist, and how this connects to his student, Simon Magus. Discover the known facts about things like the Chinon Parchment, the Book of the Baptism of Fire, the Templar Abraxas seals, and newly-found documents which claim that the Templars discovered the real Temple of Solomon during a secret trip to Mecca.

Join Twyman and Rivera on this exciting adventure into the unknown. Immerse yourself in this knowledge, if your heart has the strength. It is certain that your mind will never be the same.

LVX and God Bless,

Alex.

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