Hidden Knowledge in the Grail Temple


The Holy Grail story is familiar to many in the western world; to some it is an icon of literature and to others a source of comical amusement thanks to Monty Python and the Holy Grail. It is absolutely true that the Holy Grail represents the divine knowledge gained at the end of an inward spiritual journey—knowledge that is gradually lost through the cyclical ages that Hesiod, Vedic and even Hermetic traditions speak of.

Traditionally, it is a legend commencing in late 12th century, created by French and German poets like Wolfram von Eschenbach in Parzival. The Holy Grail takes various forms: a plate or bowl containing the bread of Holy Communion for the Fisher King. It is also portrayed as a stone cast down from heaven on which the abstaining angels stood for sanctuary when Lucifer rebelled against God as mentioned in texts like Isaiah and Ezekiel. The gem was given to Adam when he lived in the Garden of Eden after the rebellion of the angels. When he and Eve were cast out, the Grail was lost to him as well. Seth, Adam’s progeny, was said to have gained re-entry into Eden and to have recovered the sacred vessel. Significantly, Seth remained in paradise for 40 years. The number 40 is itself a mystical motif; Moses wandered for 40 years in the desert, with Noah on the ark 40 days and nights, for Jesus was tempted for 40 days.

It is also a cup in which Joseph of Arimathea collected Christ’s blood on the cross. More modern interpretations include Mary Magdalene as the receptacle of Jesus’ seed as the foundation for the “Merovingian bloodline,” as the authors of Holy Blood Holy Grail have theorized. The chalice is most popular today, doubling as the same cup used by Jesus in the Last Supper. Joseph of Arimathea is said to have brought the Grail to England, which then became an important part of the Arthurian myths.

The Holy Grail myth also links to ideas of gnosis in its relationship to humanity and the world, especially the world of nature and its elements. In our upcoming book Baphomet: The Mystery of the Temple Unveiled by Tracy Twyman and Alex Rivera, we go into great explanation that the Holy Grail cup wasn’t just the vessel for the holy blood of Christ but was actually connected to the Krater of Hermes and the Ophite/Orphic Bowl of the coiled dragon-like serpent (please see our book for more details on this). It is also connected to the idol head that the Templars supposedly worshiped, being Baphomet. Author authors like Julius Evola, have argued for a non-Christian and even Hyperborean origin for the Grail legend, in his book The Mystery of the Grail, a possibility in which we will explore later in the second part of this post at a future point in time.

Julius Evola writes in the same book that there are certainly repeating patterns and archetypes that any student of Carl Jung would identify with clarity. It also ties into the mono-myth cycles of Joseph Campbell as we will see later:

When we isolate the texts that make up the Grail cycle, we find that they repeat a few essential themes, which are expressed through the symbolism of knightly figures and deeds. What we are dealing with, then, are essentially the themes of a mysterious center; of a quest and a spiritual test; of a regal succession or restoration, which sometimes assumes the character of a healing or avenging action. Percival, Gawain, Galahad, Ogier, Lancelot, and Peredur are essentially various names portraying the same human type; likewise, King Arthur, Joseph of Arimathea, Prester John, and the Fisher King are equivalent figures and variations on another theme. Also equivalent are images of various mysterious castles, islands, kingdoms, and inaccessible and adventurous lands, which in the narratives are described in a series that, on the one hand, creates a strange, surrealistic atmosphere but, on the other, often ends up becoming monotonous.

Like the authors of Holy Blood Holy Grail have identified, the “divine blood” is an important concept and is one that repeats in the Bible, in both the Old and the New Testament as we will see. Evola further writes about all the objects associated the Grail, especially that of the blood:

In the various texts, the Grail is essentially portrayed under three forms:

“1. As an immaterial, self-moving object, of an indefinite and enigmatic nature (“it was not made of wood, nor of some metal, nor of stone, horn, or bone”).

  1. As a stone-a “heavenly stone” and a “stone of light.”
  2. As a cup, bowl or tray, often of gold and sometimes adorned with precious stones.

Both in this form and in the previous one, we almost always find women carrying the Grail (another element totally extraneous to any Christian ritual, since no priests appear in it). A mixed form is that of a cup carved out of a stone (sometimes of an emerald). The Grail is sometimes qualified as “holy;’ sometimes as “rich”; “this is the richest thing that any man hath living.”l This text, like many others of the same period, uses the expression “Sangreal;’ which is susceptible to three interpretations: Holy Grail, Royal Blood, and Regal Blood.”

Jack Curtis writes in The Quest for the Holy Grail, is essentially:

“… a system of self transformation that can be reconciled with other similar systems in the Western esoteric tradition. It is a cosmological scheme that is comparable with Tarot, Kabala and Astrology. There are also hints of a connection with Alchemy. All of these systems or schemes follow a unifying principle that points to one underlying reality. The Holy Grail in its 5 Transformations, is one approach to that reality. To achieve the Grail, is to understand reality. To understand reality, is to be transformed and to be saved.”

How does any of this tie into the blood of Jesus Christ? For that answer, we must look beyond the natural and the flesh. The blood is obviously symbolic in its spiritual meaning. It is the spiritual power behind the blood of Jesus in which the believer partakes in, and is eternally saved to be allowed to enter a place that is so radically different than the manifest world—being the “Kingdom of God.”

The Holy Blood

In Jesus’ death on the cross, we read that in John 19:32-38, especially verse 34:

32 So the soldiers came, and broke the legs of the first man and of the other who was crucified with Him; 33 but coming to Jesus, when they saw that He was already dead, they did not break His legs. 34 But one of the soldiers pierced His side with a spear, and immediately blood and water came out. 35 And he who has seen has testified, and his testimony is true; and he knows that he is telling the truth, so that you also may believe. 36 For these things came to pass to fulfill the Scripture, “Not a bone of Him shall be [a]broken.” “They shall look on Him whom they pierced.” 38 After these things Joseph of Arimathea, being a disciple of Jesus, but a secret one for fear of the Jews, asked Pilate that he might take away the body of Jesus; and Pilate granted permission. So he came and took away His body.

Note the extraordinary hiatus John introduces into the narrative at this point. Clearly he wants us to note something of supreme importance: the legend is that Joseph caught some of this blood and water in the chalice used for the last supper.

Eric Wargo in The Passion of Einstein: Light, Spacetime, and the Holy Grail, rightly points out:

I think we can really see the Grail as both objects simultaneously, and that its atemporal “absurdity” is essential to the salvific nature of Christ’s blood: How could the blood shed on the Cross have gotten into the cup of the Last Supper other than by having traveled back in time? Christ’s blood is either made of tachyons (hypothetical faster-than-light particles that most physicists currently reject) or is, in effect,outside of linear Time altogether. Only if Christ’s blood is outside of Time and Cause does it make sense that the cup that once ever held it must have always held it and will keep holding it eternally—and there is just one thing known to physics that has those properties: The blood of Christ is, in effect, light.

Blood symbolism is extremely important in the Grail mythos: In the Old Testament, it is the substance of life. Jewish temple worship revolved around outpouring of blood, and sprinkling of blood via animal sacrifice. It is taken into the Holy of Holies and sprinkled on the mercy seat on Day of Atonement (Leviticus 16). Blood atones for sin and makes everything holy again. It is the seat of the spirit within the body, but it is also the animated life-force, of the body. It that which contains, as it were, the soul of the body.


Jesus, as the Heavenly Priest of Melchizedek, also wearing the breastplate of Aaron. Also known as the “Urim and Thummim.” It is clear that Jesus is the “initiator” for the “Mysteries” of God in the Heavenly Temple.

Over at Temple Secrets, Tony Badillo explains that the animal sacrifice and its sacrificial blood represented a separation between the sins and a person’s spirit/soul:

On Ezekiel 44:6, 7 the Lord rebukes “rebellious” Israel for profaning his temple by offering him food in an unacceptable manner. What is his food? According to v. 7, “the fat and the blood;” similarly in  v. 15 where only the Zadok priests may ”offer me the fat and the blood, says the Lord God”. There you have it! His “food” is blood and fat! Should we accept this literally? Yes, in the sense that blood and fat were literally offered to him. But No because he did not consume either. Why does he say this, then? Because the blood, actually poured outside into a Temple drain, symbolizes the spirit’s separation/expiation from sin; while the fat, when turned into smoke, symbolizes the spirit’s ascension to him for acceptance. God’s “food,” then, is simply the language of symbol, and it means that separation/expiation from sin (by the blood) and ascension of purified souls (the rising smoke) are the things he desires from people.

In John 6:53-56, Jesus says to his disciples:

Most assuredly, I say to you, unless you eat the flesh of the Son of Man and drink His blood, you have no life in you. Whoever eats My flesh and drinks My blood has eternal life, and I will raise him up at the last day. For My flesh is food indeed, and My blood is drink indeed. He who eats My flesh and drinks My blood abides in Me, and I in him.

Jesus implores his followers to consume his divine flesh and blood made up of of spiritual light to regenerate their own fallen meat sacks degenerated as a result of Adam and Eve’s exile from Eden and from the consumption of the fruit of the knowledge of good and evil. Hence, the Holy Grail cup is said to contain the Christ’s saving blood of the Lamb—the remnant or leftover spiritual substance dripping from a primal trauma of a divine being, who is crucified by the rulers and authorities of the lower heavens, dies and resurrects so that his followers can follow his example, so that they might be salvaged from the sinfulness of the lower world/cosmos of the devil, which is destined to be overthrown, cast out and destroyed at the end of the apocalypse. The saved and elect are transferred into a new kingdom or reality of God while the rest who rejected the Gospel are destroyed. 

Many of the Cathars believed what the mythicist scholar Earl Doherty theorizes was the earliest form of docetic Christology: that Christ was never incarnate on earth. Most of the radical dualist Cathars believed that the whole Jesus narrative, from the beginning of his ministry to his crucifixion, occurred in heavenly world of the good god and in the astral realm of the demonic rulers.


In the Parzival romance, the impotency of the Fisher King being his maimed, never-healing state (all thanks to Klingsor’s Spear) reflects the sterility of his land. It also reflects the nature of matter itself. In the studies of pagan practices by such scholars as Sir James G. Frazer in The Golden Bough: A Study in Magic and Religion, the recurring themes of the killing of the previous high priest or king to be replaced by a new avatar (much like John the Baptist and Jesus) and the marriage of fruitfulness of this new avatar with a female deity/queen is essential to the vegetative and natural fertility and prosperity of the land. The mirroring effect between the human enactment of natural prosperity and vice versa is apparent enough in the Priest-king of the Grail, Anfortas or the Fisher King’s “Waste Land” is to appropriate this mythic pagan belief into a solid representation that the barrenness of the soul/mind and body reflects upon the surroundings/ environment and nature. This, one might say is the objective co-relative function where the emotions, experiences of the subject becomes objective reality, hence the idea that the imaginal/spirit/ideal realm controls the realm of matter and the manifest world.

It is said that the blood of Christ at Holy Communion in Catholic ritual gives new life and deifies. But that blood is wine transfigured by the descending Holy Spirit in the form of a dove. However, this ritual does seem to have strong vampiric, witchcraft cannibalistic undertones, if placed in a literal context as the Catholic Church has done for hundreds, if not thousands of years. The Cathars were infamous for being hard, uncompromising opponents of the Catholic Sacrament as well as its icons and its worship of the Virgin Mary as devilish trickery to commit idolatry. Various Gnostic groups like the Phibionites, Barbelites, Bororites, Simonians, etc. as well as the Jews (and their rituals as magic in the form of “blood libel”) were accused of human and infant sacrifice in the form of ritually consuming fetuses, in the case that women became pregnant in their infamous orgies. In these ritual orgies, semen and menses were said to be also ritually consumed as a Eucharistic sacrament to Christ as Epiphanius claims in the Panarion. All of this seems to originate in Pliney the Elder in Natural History 30.11, when he writes as a matter-of-fact, that certain magical rites of the Magi (and the Emperor Nero) involve ritually killing and eating men (e.g. cannibalism):

The Magi have certain means of evasion; for example that the gods neither obey those with freckles nor are seen by them. Was this perhaps their objection to Nero? But his body was without blemish; he was free to choose the fixed days, could easily obtain perfectly black sheep, and as for human sacrifice, he took the greatest delight in it. 

So, in other words, could the Catholic Eucharist be just a Christianized magical ritual? We certainly see Romans who viewed the Christians as simply a diabolical secret society addicted to sorcery and the conjuring of daimons, as seen in Celsus in the True Doctrine and Suetonius in Nero 16.2. All of this seems to be a precursor for the Medieval and modern gossip and rumors of witch covens and Satanic elite secret societies, like the “Illuminati” who engage in human sacrifice and Faustian pacts with demons. The drinking of wine in Dionysian rituals involved ritually imbibing the spirit of Dionysus, which is like drinking the Elixir of Life, or “being baptized in wisdom.” The wine is the blood of the earth, “fruit of the vine and work of human hands.” This wine is used as a commemoration of ritually consuming the blood of Jesus. The Gospel of John chapter 2, where Jesus transmutes water into wine certainly plays on this distinctly Dionysian idea. So the outpouring of Christ’s blood on the cross is the outpouring of his very life—the spirit of the Son of God.


The Book of Hebrews (9:22-24) tells us that the blood of Jesus (and all the Old Testament sacrifices) were necessary in order to cleanse things in the heavens–the same place in which the angelic rebellion was said to have occurred as recorded in Revelation.

“And almost all things are by the law purged with blood; and without shedding of blood is no remission. It was therefore necessary that the patterns of things in the heavens should be cleansed with these; but the heavenly things themselves with better sacrifices than these. For Christ is not entered into the holy places made with hands, which are the figures of the true; but into heaven itself, now to appear in the presence of God for us.”

Colossians 1:20 says something very similar:

“And, having made peace through the blood of his cross, by him to reconcile all things unto himself; by him, I say, whether they be things in earth, or things in heaven.

Notice how in Hebrews, it says that the tabernacle, and all its services, were “patterns of things in the heavens.” The physical objects associated with the earthly sanctuary were “figures of the true” — the “shadow of heavenly things” (Hebrews 8:5). As it follows, each physical item had its spiritual counterpart in heaven. So, as long as there was a tabernacle or temple on earth, there was a material reflection of God’s heavenly palace for mankind to see and take part in. This all sounds strangely reminiscent of certain Hermetic writings pertaining to “as above, so below.”


Also, in a way, when Jesus Christ was nailed to the Cross, he was essentially nailed to a circular “Leviathan” which is the same as the Ouroboros of the Gnostic alchemists like Mary the Jewess, Zosimos and the Ophites. The atheistic German philosopher Friedrich Nietzsche uses this symbolism to build his own theory of “eternal recurrence.” This is what the Gnostics called the “fall of spirit into matter.” Hence, we have various alchemical images of the crucified serpent, and perhaps even the same tempting serpent from Eden. According to the Apocryphon of John, there are a few archons which seem to have strong serpentine and dragon-like features, including Iao and Ialdabaoth, the chief archon and Gnostic parody of Jehovah. All of this seems to have a Pauline basis, in Colossians 2:13-15

…When you were dead in your transgressions and the uncircumcision of your flesh, He made you alive together with Him, having forgiven us all our transgressions, having canceled out the certificate of debt consisting of decrees against us, which was hostile to us; and He has taken it out of the way, having nailed it to the cross. When He had disarmed the rulers and authorities, He made a public display of them, having triumphed over them through Him.…

In the Gospel of Matthew (20:20-23), we read that a mother of Zebedee was asking Jesus to have her sons sit at his right and the other at his left hand in the Kingdom of God. Jesus asks her sons if they can drink what he is going to drink and they answer in the affirmative. Here is what Jesus says as a reply:

20 Then the mother of Zebedee’s sons came to Jesus with her sons and, kneeling down, asked a favor of him. 21 “What is it you want?” he asked. She said, “Grant that one of these two sons of mine may sit at your right and the other at your left in your kingdom.” 22 “You don’t know what you are asking,” Jesus said to them. “Can you drink the cup I am going to drink?” “We can,” they answered. 23 Jesus said to them, “You will indeed drink from my cup, but to sit at my right or left is not for me to grant. These places belong to those for whom they have been prepared by my Father.”

The Baptism of Blood and Water

In Genesis 1, the Spirit hovers over the face of the deep at the onset of creation. Water signifies the chaotic, untamed and unformed material of creation. It is the proto-element out of which all creation, the whole cosmos, including humanity, is ultimately made (Gen 1:2, 6; Ps 29:3) So crossing the waters of the great Flood, the waters of the Red Sea, the waters of the Jordan, and the waters of baptism are the recreating and renewing waters of creation. This water baptism acts like a conduit that transports the believer from one world (the old man of sin)  to another (the newness in Christ). Likewise priests must bathe in water before entering Holy of Holies of the Temple of Solomon on day of Atonement. 


Similarly with the Sea of Glass in Revelation 15:2, beside which those who have defeated the beast are standing, singing the song of Moses. This is a reflection of the “Molten Sea” which was a large basin in the Temple in Jerusalem made by Solomon for ablution of the priests. It is described in 1 Kings 7 and 2 Chronicles 4. It stood in the south-eastern corner of the inner court.

Water in essence is a unifying and yet all dissolving element of the earth and the cosmos. Blood and water together therefore signify the fullness of saved humanity: material body and animating soul and spirit as well as the sacrificed body and blood of the Lord Jesus Christ. In the Gospel of John 3:5, we have Jesus saying to Nicodemus “you must be born of water and the Spirit.” In 1 John 5:6, it says, “This is he who came by water and blood – Jesus Christ…there are three that testify: the Spirit and the water and the blood.”

We need to pause for a moment to reflect on this: the incarnated Son of God took on the likeness of humanity upon himself, meaning that this was not his original nature: this humanity, united to the Second Person of the Trinity, is literally poured out from his side upon the cross. This body and blood is NOT the same as the body and blood of communion, although they are clearly related. The bread and wine of Holy Communion are the substance and blood of the earth, transfigured by the Spirit of God to become our spiritual food and drink as the Eucharist.

The chalice in itself is not the real Holy Grail—that is simply romantic myth. The real Holy Grail is the very ground onto which this blood and water is sprinkled upon. The earth itself received the body and soul of Christ in his death. This is the blood and water of his sacrifice, rather than the blood and body of communion, although again, clearly the two are related. The bread and wine of communion—Christ’s body and blood—rather than being consumed by us to become part of our body, performs a spiritual function, transforming us into the body of Christ. “Though we are many, we are one body because we all share in the one bread.” Thus consuming Christ’s body and blood transforms us into itself. Likewise with Christ’s blood and body out poured on the cross—it transforms the whole of creation into Christ’s body. Christ’s physical presence, although hidden, still abides throughout the very fabric of the universe. His humanity, which is our humanity, abides in creation, even today, transforming it and making it holy. In a sense, this relates to the infamous Baptism of Wisdom ritual of the Knights Templar in which we discuss in the book, at length. 

Christ’s crucifixion and the Harrowing of Hell, in effect, unseated and usurped the power and possession of the authorities, archons and their demonic possession of the world and perhaps even the “Wasteland” of the Fisher King, a reflection of the inner state of the sinner. The quest for the holy grail to heal the wounded king and to restore the land to its original, pristine, Edenic state. Many see this as related to Matthew 4:19 in which Christ said, “Follow me, and I will make you fishers of men.” This reference would later become crucial to the Christian version of the Fisher King of the Arthurian Grail romances. 

As one can see, the Parzival/Arthurian Grail stories, like the story of the Temple of Solomon is simply a retelling of Genesis (as well as a intricate visual depiction of the “Divine Man” or “Son of Man”), which in itself is a reflection of the war in heaven, and the fall of the angels. The Titanomachy of the Greeks as well as Hesiod’s Works (126) also speaks of similar tales of Olympian gods struggling against the titans and their terrible giant children, which no doubt mirror the infamous Nephilim of Genesis 6 and Enochian literature. Hesiod in the same text describes these Nephilim as being Heroes of the “Silver Race,” as a gigantic, brutal and ferocious giants:

Then, a second race, far inferior Was created, of Silver, by the gods…

Being reared by their mothers.

And when they reached adolescence,

They died a painful death,

On account of their stupidity,

For they could not contain their foolish pride and refused to worship the gods above and to sacrifice to them upon the altars.

Hesiod calls them “big children” (mega nepios) and tells how, disgusted with their impiety and arrogance, Zeus decided to wipe them off with a cataclysm, burying them in Tartarus, much like how Jehovah sends a flood to wipe the giant children of the Watchers and condemns the fallen angels in the abyss-like underworld in chains. Essentially all mythologies speak of similar wars between Blacks and Whites or between Angels and Devils, Devas and Asuras, Daevas and Ahuras, the Sons of Light and the Sons of Darkness, Gods and Titans, etc., etc. This all seems to influence the story of Klingsor who injures the Fisher King with a spear. Klingsor also happens to be directly related with Faustus as we will see in Part 2.

Once again, we cannot ignore Tony Badillo’s thoughtful explanation of Eden with those who are baptized in the Holy Spirit being the Spirit of God, which have strong Gnostic undertones:

…in Isaiah 58:11 and Jeremiah 31:12 the people themselves are a “well watered garden,”  implying that Paradise on earth consists of an ideal relationship between God and humans. This is a key reason why the Divine spirit is not given solely or primarily for uttering profound prophecies, performing marvelous miracles, or making doomsday declarations, but for subduing the Sinful Inclination and renewing God’s “image and likeness” within each of us, and in so doing we become like a well watered garden, Genesis 2:10,  bearing good fruit for the one who did the planting. This is the true Paradise, the true Garden of Eden while we are here on earth. And that which waters one’s personal garden is the Divine spirit.

The sprinkling of his blood on the earth, prefigured in the Old Testament by the sprinkling of the blood of the sacrificial bull and goat in the Holy of Holies, has made the world the Holy of Holies, the dwelling place of God, signified by the rending of the veil in the Temple. Yet it remains hidden, invisible and unknown, until the day that the new heaven and new earth are revealed when Christ return again in glory as discussed in Matthew and Revelation. Just like the hiddenness of the glory of God, momentarily revealed in the burning bush, or on the Mount of Transfiguration. In that day we will see that “in him we live and move and have our being.” The sacrificial bull concept, however is an ancient Rome and eventually later from Mithraic sacrificial rites. The Gospel of John tells us that after the death and resurrection of Jesus, the Baptism of the Holy Spirit is made manifest to the believer, and the Body of Christ.

According to the Excerpts of Theodotus, the Valentinian teacher Theodotus said that the baptism releases the believer from the clutches of passions, Fate, destiny and demonic powers that infest the lower world in which mankind finds himself exiled in.

76 As, therefore, the birth of the Saviour released us from “becoming” and from Fate, so also his baptism rescued us from fire, and his Passion rescued us from passion in order that we might in all things follow him. For he who was baptised unto God advanced toward God and has received “power to walk upon scorpions and snakes,” the evil powers. And he commands the disciples “When ye go about, preach and them that believe baptise in the name of the Father, and of the Son and of the Holy Spirit,” in whom we are born again, becoming higher than all the other powers.

77 Therefore baptism is called death and an end of the old life when we take leave of the evil principalities, but it is also called life according to Christ, of which he is sole Lord. But the power of the transformation of him who is baptised does not concern the body but the soul, for he who comes up [out of the water] is unchanged. From the moment when he comes up from baptism he is called a servant of God even by the unclean spirits and they now “tremble” at him whom shortly before they obsessed.

78 Until baptism, they say, Fate is real, but after it the astrologists are no longer right. But it is not only the washing that is liberating, but the knowledge of/who we were, and what we have become, where we were or where we were placed, whither we hasten, from what we are redeemed, what birth is and what rebirth.

The Foundation Stone of Fallen Angels

The holy grail also has a strong Hermetic ring to it as Tracy and I have explored in depth in our book. We point out that the word “grail” itself has been derived from crater, the Greco-Latin term for a vessel, meaning a shallow vessel or plate where sacrifices were offered to the gods in ancient Greece. We also explore in depth how the Holy Grail concept is directly tied with the Corpus Hermeticum, as well as Wolfram’s Parzival, which is in itself almost a paraphrase of the Hermetica- a collection of ancient Egyptian texts that also reflect the Gnosticizing tendencies of Alexandria, Egypt. Wolfram rewrote it to match it with thirteenth century German sensibility. The Holy Grail themes seem to greatly match with the Krater of the Hermetica which directly mirror with Parzival’s spiritual journey. In fact, as the above link quotes a book called The Krater and the Grail: Hermetic Sources of the Parzival by Henry and Renee Kahane as towards the end of Parzival, they compare a precision of knights in the Grail Castle to the universe and the Holy Grail itself to the Monad as I.M. Oderberg writes:

A procession comprising the knights and the twenty-four maidens attending the Grail entered the hall, only Repanse de Schoie being permitted by the sacred object to be its bearer. These attendants were grouped in numbers, first four, then eight, then twelve divided into two sixes. Each group carried corresponding numbers of lights. Last came the “princess” of the Grail carrying one. This sequence has baffled many commentators, but Kahane and Kahane point out the marked similarity with the Hermetica, where the groups in the same order “represent the twenty-four stations of the journey of the soul: 4 elements + 8 spheres + 12 signs of the zodiac + 1, the Monad. . . . The Grail procession, in other words, is a representation of the mystic journey of the soul towards the Monad, itself symbolized by the Grail” (op. cit., pp. 105-6).

The end of the Grail quest is the return to the source of life and rebirth into it as divinely self-conscious entities purified by involvement in earthly experiences and having also contributed to the ongoing process of cosmic evolution by refining the substance they have used. The great lesson for Parzival — for all of us because he is our prototype — was the interconnected relationship of all earth entities. The bonds of a universal brotherhood make us all kin. The suffering of one hurts all, and compassion in our heart obliges us to ask forever: What ails our brother?

What could be the most interesting aspect of this story, involves looking at the second clue of what the Holy Grail represents, provided by Wolfram in the form of “a precious stone, lapsit exillis (i.e. lapis or lapsi ex caelis) of special purity, possessing miraculous powers conferred upon it and sustained by a consecrated Host”, which is indeed the blood of Christ, with holy powers to act as the Elixir of Life. This precious stone fallen from heaven is both the emerald fallen from Lucifer’s crown.

Wolfram von Eschenbach identified the Holy Grail as a Stone of Heaven, he knew he was alluding to a Holy Grail tradition that had extended far back into the mists of time. Many traditions tell so primitive man, who experienced a physical and or emotional change just by being in the proximity to certain stones. Even the term “magic,” associated with the title of “Magus” or “magician” has its etymological roots in the force of magnets or magnetism, which plays into the idea of “greatness,” or “magnifying” one’s spirit or essential self under the light of God. Perhaps this is why Simon was called “Megas” Greek for “Great” which sounds virtually the same as “Magus.” The Persians thought of the their priests as “magos” as well.

Alchemists told of transforming a base metal into gold and a human into a god or goddess. Many texts were cataloged of the Muslim Empire by the Sufis, who added their own alchemical data before transmitting it to their students, the Knights Templar, who took the wisdom into Europe and supposedly carried in tradition through Freemasonry. Those indoctrinated were of the Holy grail Mysteries and eventually given the wisdom of the Alchemical or Philosophers Stone. Some tell of it being a platter or bowl full of precious stones. The Stone of Heaven is a Latin translation of the term Lapsit Exillus, closely related to Lapis Elixir, an appellation used by the Sufis that denoted, “Philosopher’s Stone.” Lapsit derived from “stone” and related to the Latin lapsus, meaning fallen, thus denoting “fallen stone.” Since the term Exillus is related to exillis stellis, meaning : “from the stars,” the entire moniker Lapsit Exillus literally translates as “The Stone of the Heavens” or “The Stone which came down from the Stars.”

The name Stone of Heaven can also be derived from the word Grail. The term Grail derived from the French gres or Persian gohr, both denoting a stone. Grail of Greal could also be related to the French grele, meaning hailstone, which is a “stone” from heaven. According to Arthur Edward Waite, the term Lapsit Exillus is “Exiles Stone.” This surprisingly affiliates the Stone of heaven with Heaven’s most notorious exile, Lucifer. A poem of a German heritage called, Wartburgkrieg, the “Wartburg War,” summarizes the heavenly battle between Lucifer and St. Michael, and identifies the Stone of Heaven as a large emerald that became dislodged from Lucifer’s crown and descended to Earth:

“Shall I then bring the crown

That was made by 60,000 angels?ill

Who wished to force GOD out of the Kingdom of Heaven.

See! Lucifer, there he is!

If there are master-priests,

Then you know well that I am singing the truth.

Saint Michael saw GOD’s anger, plagued by His insolence.

He took (Lucifer’s) crown from his head,

In such a way that a stone jumped out of it.

Which on Earth became Parsifal’s stone.

The stone which sprang out of it,

He found it, he who struggled for honor at such a high cost.”

Lucifer’s fall that is incorporated into this poem first popularized by the Prophet Isaiah during his harangue against the King of Babylon. When describing the decline and all of the King of Babylon, Isaiah used the metaphor of the Morning star’s “fall” or descent below the horizon at sunrise, an image subsequently became linked to Lucifer when translated into Latin was Luz-I-fer or Lucifer, the Light Bringer. Morning Star then became known as Shahar or Helel, which were the names of Venus’ dawn appearance. Thus, Lucifer is associated with both Venus and Helel, a name that evolved into Hell, Lucifer’s underworld home.

In the Book of Ezekiel, he expanded upon the meaning of Lucifer’s infamous fall. While comparing the King of Tyre with Lucifer, Ezekiel identifies Lucifer as the anointed cherub and forever-young boy who once walked in the Garden of Eden while covered in precious stones, including the emerald, and was perfect in his ways and from that day he was created until iniquity was found in him. Thus Ezekiel perpetuated the tradition of Isaiah by making  Lucifer’s fall the product of pride.

Ezekiel 28:13 tells us:

You were in Eden, the garden of God; every precious stone adorned you: carnelian, chrysolite and emerald, topaz, onyx and jasper, lapis lazuli, turquoise and beryl. Your settings and mountings were made of gold; on the day you were created they were prepared.

Lucifer then resolves to rule in Heaven and this culminated in his expulsion from Paradise. When St. Michael and his angels fought with Lucifer/Samael over his right to rule, states John the Revelator, “that old serpent, called the devil, and Satan which deceiveth the whole world…was cast out (of heaven) into the earth, and his angels were cast with him.”

The remainder of Lucifer’s legend in the poem states that during the battle with Michael an emerald became dislodged from Lucifer’s crown and fell to Earth. This is based on Ezekiel’s description of the gems-especially the emerald-that adorned Lucifer’s regalia in the Garden of Eden. It is also influenced by the Knights Templar. But of course this predates the Templar’s by many thousand of years. Before their time the emerald had been recognized as the esteemed Stone of Venus, the “fallen star” of Lucifer.

Strangely enough, however, Lucifer does seem to embody the twin archetype we see over and over in world mythologies. In a way, Michael the archangel could also very well be his angelic twin, just as Metatron is said to have an angelic twin soul in the form of Sandalphon. Both of these angels’ lower selves exist in the forms of both Enoch and Elijah, both of which are intimately connect with Hermes Trismegistus. In Roman myths, we have Romulus and Remus, in Genesis, Cain and Abel, Ariman and Angra Manyu in Persia, the Ashvin Twins, or Mitra and Varuna in India; Zeus and Poseidon, Castor and Pollux, Apollo and Dionysus and Hercules and Atlas in Greece; Set-Typhon and Horus in Egypt, etc. In a way, Lucifer is simply a reflection of the Supreme Heavenly Father, who is the spiritual sun of Heaven.

As the story goes, a number of angels having remained neutral and inactive during the battle of Lucifer and the rebel angels against God and the faithful heavenly hosts, after Lucifer’s fall they were condemned by God to support this stone, which had dropped from Lucifer’s crown, hovering between Heaven and Earth until the hour of redemption of sinful mankind and the “Day of Judgement” at the end of the apocalypse. Then they brought it to Earth, and, formed into a holy vessel, it served for the dish out of which the Jews ate the Paschal lamb in Exodus 12 on Passover, and in which Joseph of Arimathea received the Saviour’s blood, and perhaps even the receptacle for the severed head of John the Baptist.

By uniting the two objects, being the kraters and with meteoritic stones fallen from heaven, it becomes obvious. We see ancient worship of meteorites in the Kaaba Stone of Mecca in Saudia Arabia, which is associated with the worship of Venus/Lucifer and Saturn/Chronos, the pyramids of Mexico, the vajra thunderbolt of Hinduism, etc. So the Grail is indeed the meteorite crater opened up by a falling object from the heavens. It may also refer to volcanic activity and magma, associated with the conflagration spoken by the ancients that is said to have destroyed Atlantis-Eden.


Rudolf Steiner, the Austrian philosopher and esotericist famously reimagined the grail, foundation stone as a, “dodecahedron fashioned in copper in 1913 to consecrate the building called the first Goetheanum, with twelve, pentagonal (five-sided) facets and called the “dodecahedron of man.” (Bill Trusiewicz, The Foundation Stone as The Golden Triangle, The Mystic Hammer, and The Lost Word)

Bill Trusiewiscz further asks:

Firstly, we should ask: What is a foundation stone? Also called a “cornerstone,” a foundation stone is a stone ceremoniously set in place at the start of the construction of a building. This is done to initiate certain defining principles or ideas in connection with the proposed building with the intention of consecrating it for a specific purpose. It is, if you will, a “mental” building to use modern terminology, to correspond to a physical building proposed. Students of spiritual science would likely be comfortable with the idea that the “soul and spirit” foundations of the building were being laid alongside of the sense perceptible building itself.

Indeed, the Foundation Stone concept can be found all throughout the Old Testament and in the Jewish apocrypha, especially in 2 Enoch (see my paper “The Gods of Imagination: Alchemy, Magic, and the Quintessence” found in The Gnostic 6 by Andrew Phillip Smith). It is the starting point or even the “heart” in which the world and even the whole breadth of the cosmos is founded upon. It is also the Holy of Holies, in which it becomes the “cornerstone” of the Temple of Solomon, which is just another form of the Grail Temple of Parzival. Perhaps this is where the Theosophists would claim that Shamballah of Tibet would be the “heart of the earth” and the “King of the Earth” being “Sanat Kumara,” the so-called “Lord of the Flame” came from Venus! This is undoubtedly connected to Lucifer, the equivalent of Rex Mundi of the Cathars, Melek Taus of the Yezidis, Satan “the god of this world/cosmos” to St. Paul and Ialdabaoth and his legions of archons to the Gnostics. As it follows, the foundation stone is currently owned by Lucifer on his crown, since he is essentially the “prince of the world,” as the Fourth Gospel puts it, when he fell into the depths of the sub-lunar realm after the War in Heaven.


In The Creation and the Garden of Eden as Models for Temple Architecture by Jeffrey M. Bradshaw, he quotes from a not-so-easily identifiable source but it is worth quoting nonetheless:

The brightness of the Holy of Holies was the light of Day One, before the visible world had been created… Those who entered the Holy of Holies entered this place of light, beyond time and matter, which was the presence of “the King of kings and Lord of lords who alone has immortality and dwells in unapproachable light.” This was the place of glory to which Jesus knew he would return after the crucifixion, “the glory which I had with thee before the world was made.” In the Gospel of Thomas, Christians are described as the new high priesthood who enter the light, and Jesus instructed his disciples to say to the guardians (the cherub guardians of Eden?) “We came from the light, the place where the light came into being on its own accord and established [itself]…

Bradshaw rightly points out that the tabernacle of Moses is an earthly attempt to recapture the Edenic state that that man once held before the fall:

Carrying this idea forward to a later epoch, Exodus 40:33 describes how Moses completed the tabernacle. The Hebrew text exactly parallels the account of how God finished creation. Genesis Rabbah comments: “It is as if, on that day [i.e., the day the tabernacle was raised in the wilderness], I actually created the world.” With this idea in mind, Hugh Nibley has famously called the temple “a scale-model of the universe.” As a complement to the view of the Creation as a model for the temple, BYU Professor Donald W. Parry has argued that the Garden of Eden can be seen as a natural “temple,” where Adam and Eve lived in God’s presence for a time, and mirroring the configuration of the heavenly temple intended as their ultimate destination.

Bradshaw concludes that the temple symbolism of Revelation also carries on this Edenic/Solomonic tradition:

Fittingly, just as the first book of the Bible, Genesis, recounts the story of Adam and Eve being cast out from the Garden, its last book, Revelation, prophesies a permanent return to Eden for the sanctified.36 In that day, the veil that separates man and the rest of fallen creation from God will be swept away, and all shall be “done in earth, as it is in heaven.”37 In the original Garden of Eden, “there was no need for a temple—because Adam and Eve enjoyed the continual presence of God”—likewise, in John’s vision “there was no temple in the Holy City, ‘for its temple is the Lord God.’”38 To reenter the Garden at that happy day is to return to the original spiritual state of immortality and innocence through forgiveness of sin, and to know the oneness that existed at the dawn of Creation, before the creative processes of division and separation began. The premortal glory of the righteous shall then be “added upon” 39 as they receive a fullness of the blessings of sanctification, “coupled with eternal glory, which glory we do not now enjoy.”

What does any of this have to do with the lore and legends of Baphomet and the Knights Templar exactly? This is a very good question that is answered thoroughly in Baphomet: The Mystery of the Temple Unveiled. The Even ha’Shettiya, also known as the “Stone of Foundation,” which currently resides within the eight-sided Dome of the Rock in Jerusalem, the Holy City and center and heart of the earth as European mapmakers charted.

This is the same rock that supposedly was the same rocky site upon which Abraham was coerced into sacrificing his own son Isaac in the sight of Jehovah, to test his faith, as well as the place where Mohammed was lifted into Heaven by the archangel Gabriel. This is also the same site that the Knights Templar resided nearby when they founded modern day Jerusalem. So the Stone of Foundation for the Jews, Muslims, and the Catholic Crusaders was in fact, the Stone of Lucifer as part of the Axis Mundi or column that unites Heaven and Earth, and even the Underworld. King David, who purchased the rock of the Even ha’Shetityya from the Jebusites as the location of the Ark of the Covenant, was not overlooked by him. This sacred object primarily served as a vehicle for communication with Jehovah/Yahweh.


King Solomon holding the Grail Temple and Royal Scepter.

David’s son, King Solomon, a famous alchemist, similarly thought that the stone’s alchemical properties as a mediator between Heaven and Earth, used the rock as a cornerstone or foundation for his famous Temple, which would draw upon the power and spirit of YHWH. We see the Testament of Solomon depicting Sabaoth as the god of Solomon, who gives him a magical ring through the archangel Michael to build the temple through the forced help of 72 goetic demon helpers. This is Sabaoth is probably the same deity as Abraxas. (This connection is fully explored further in depth in the book.)

Perhaps the pyramids of Egypt and Mexico were constructed by similar means though the use of demonic, supernatural power. Furthermore, perhaps this is what the Knights Templar were so drawn towards—the supernatural power behind the Temple of Solomon—the same power that would one day make them so rich that they would become a threat to French and Catholic nobility. It is this power that manifest itself in the form of a head of a man or even of a cat, and eventually from the Dionysian and Azazel-like goat head.

What is most fascinating as that the Freemasonic pontif Albert Pike in Morals & Dogma seems to spur and condemn the idea that the Templars also worshiped Baphomet when he writes:

“[It is absurd to suppose that men of intellect adored a monstrous idol called Baphomet, or recognized Mahomet as an inspired prophet. Their symbolism, invented ages before, to conceal what it was dangerous to avow, was of course misunderstood by those who were not adepts, and to their enemies seemed to be pantheistic. The calf of gold, made by Aaron for the Israelites, was but one of the oxen under the laver of bronze, and the Karobim on the Propitiatory, misunderstood. The symbols of the wise always become the idols of the ignorant multitude. What the Chiefs of the Order really believed and taught, is indicated to the Adepts by the hints contained in the high Degrees of Free-Masonry, and by the symbols which only the Adepts understand.

Pike is claiming that the symbolism associated with the Templars and Freemasonry is veiled and misunderstood by the masses also reflects the idea that the alchemical Philosopher’s Stone was simply a ruse created by alchemists to confuse the masses and mask their true and secret methods and sciences to create gold or something else completely. However, this doesn’t answer the general claim that a certain Templar possessed a severed idol head and turned to it to form their own Faustian pact with the spirit of Baphomet. We can gain more clarity on this subject from Sean Martin in The Knights Templar (p. 139):

Misunderstanding is almost certainly at the root of the allegation that the Templars worshipped an idol called Baphomet. Descriptions of it varied, but it was usually described as being a life-sized head, which was said to make the land fertile (as is said of the Grail). That the Templars did possess heads is without doubt. They possessed the head of St Euphemia of Chalcedon at their preceptory in Nicosia on Cyprus, and, more curiously, a silver head shaped reliquary was found after the arrests at the Paris Temple. This bore the inscription CAPUT LVIII, and inside it were parts of a woman’s skull (who was believed to have been one of the 11,000 virgins martyred at Cologne with St Ursula). The heads may have indeed been worshiped, in the way that the Celts revered the head.

The Assassins, during their initiation ceremonies, buried the initiate up to his neck in sand, leaving only the head visible, before disinterring him. Given their simulation of Saracen torture, the Templars may also have carried out this practice. A further possibility is that Baphomet, long thought to be a mistranslation of ‘Mahomet’ (the Prophet Muhammad), could well be a corruption of the Arabic word abufihamat, which means ‘Father of Understanding’, a reference to a spiritual seeker after realization or enlightenment has taken place: ‘The Baphomet is none other than the symbol of the completed man.’44 It is therefore possible that the supposed head the Templars worshipped was actually a metaphorical head. That Hugues de Payen’s shield carried three black heads suggests that certain elements within the Order – the upper echelons perhaps – were involved with esoteric disciplines learned from the Sufis from the very beginning of the Temple’s existence.

Could these “alchemical heads” be code words for a secret knowledge held by the minds of the initiated as well as literal severed heads who supposedly “prophesied”? The Templars were also said to have in their possession, ritual skulls made out of precious metals and human bone covered in gold and silver. These skulls may have been their own deceased brethren. There are testimonies taken from the Catholic inquisitions that purport of the Templars alluding to possess metallic skulls used in Templar ceremonies, especially in the legend of The Necromantic Skull Of Sidon.

Skulls tend to be used in ancestor worship and also happen to be the premiere emblem of Mexican commemoration of the Dia de los Muertos (“Day of the Dead” being a pre-Colombian tradition of ancestor worship and colonial Catholicism) and demonic deity of the drug cartels, Santa Muerte, a mixture of the Virgin Mary (who, herself is the Catholic version of Astarte and Ishtar/Lilith) and the Aztec god of death Mictlantecuhtli. The Yale Masonic secret society of the “Skull & Bones,” a Satanic club of which a string of U.S. Presidents belong to (John Kerry, the Bush family, etc.) via secret oaths and initiation rites into diabolism similar to the ones found in Templar Baphometic rites. These “Bonesmen” have their origins in the so-called “Bavarian Illuminati” who themselves come from the Jesuits, whose saints are often depicted next to skulls or holding skulls. There are paintings depicting Mary Magdalene holding a skull as well.


The famous skull and crossbones motif normally associated with pirates is often said to have originated with this skull from Sidon, but it was probably much older. This haunting motif, which we today associate with poison, was most likely a symbol related to the earlier alchemical rites of the Templar Knights. During these early rites, skulls were used representing “Caput Mortumm” or “Dead Head,” which refers to a stage in alchemy preceding creation of the “Philosophers Stone,” which is the Great Work of the alchemists, equated with spiritualized gold. This is the stage of “Nigredo” or the “blackening” in Hades/Hell. The Gnostic-Hermetist Zosimos depicts this stage in the most extreme and gruesome imagery in his alchemical work Visions.

The most important skull or head used in the rites of the Knights Templar was known within the Order as Baphomet. This most sacred of heads, which many of the Knights alluded to during their depositions preceding their French trial, may have been that of John the Baptist, whose head was acquired by the Templar’s as part of treasure they looted from Constantinople during the Fourth Crusade in the 11th century. Even stranger is the fact that this Baphomet skull could also be related to the head of Simon Magus! Be sure to check out our book for more details on all of this.

However, the idea that the Templars revered Baphomet in its Gnosticized form, seems to be a later additional detail that emerges during the French Revolution and later emphasized with the likes of Purgstall, Eliphas Levi, Aleister Crowley, etc. Whatever the case may be, it seems as though the Templar treasure is somehow tied with the symbolism of the head, the mind, as well as the Holy Grail cup which is associated with drinking the wisdom of various Hermetic and Gnostic deities and alchemists like Zosimos, as we explain in the book. Indeed, even the Holy Grail/Fisher King legends themselves have strong associations with Gnosticism, and it is this heresy that the Orthodoxy greatly desired to have stamped out of existence and absorbed into their own “universal” collective religion.

(In Part 2, we will re-examine the infamous Medieval legends of Faustus and Simon the Magician and his consort, Helena/Sophia and how it all relates to the Holy Grail legends.)

Forbidden Gnosis In Prometheus, Lucifer and Icarus

Myth has always presented a problem of meaning and interpretation, and a history of controversy exits over its value that can be approached from a number of viewpoints. In general, it is a narrative that describes and portrays in symbolic language the origin of the basic elements and assumptions of a culture. However, because of its all-encompassing nature, myth can illuminate many aspects of individual and cultural life. While many have written on the subjects I am about to explore, I have yet to find anyone that has crossed referenced this points, in the way I will construct here.


The same can be said for the Greek myth concerning the famous Athenian Icarus and his father Daedalus, the famous architect, inventor, and craftsman. This story is found in Ovid’s Metamorphoses VIII:183-235. Because he murdered his sister’s son Perdix in fear that the boy’s talent might surpass his own, he had to flee to Crete. He began to work at the court of King Minos and Queen Pasiphae, in the magnificent palace of Knosos. There he constructed a wooden cow for the queen to satisfy her amorous longings for a beautiful white bull and by which she became pregnant with the Minotaur. When the Minotaur was born, Daedalus built the Labyrinth to contain the blood-thirsty, monstrous half-man, half-bull. Later, Minos shut Daedalus and his son Icarus into the Labyrinth. To escape, Daedalus built wings for himself and Icarus.

Icarus and his father Daedalus escape from the tower of their island prison in Crete with wings fashioned of wax. Despite his father’s warning, Icarus becomes enamored of his new found power and of the beauty of the Sun, he flies up to the light (and heat), his wing melt, and he falls to his death and drowns in the sea. The wiser and more restrained Daedalus keeps his flight balanced between heaven and earth, thus succeeding in escape from bondage. The Greeks were very aware of the temptation of Lucifer–in most of their tales of tragedy, “hubris” or overweening pride was the source of a hero’s downfall.

Like Icarus, the archangel Lucifer is said to have fallen because of his pride and vanity over his own beauty and power, much like the myth of Narcissus. This supreme spirit of evil who was once radiant, but who because of his sin of pride fell from heaven into darkness and became Satan, saying: “Non serviam: I will not serve,” and thus brought upon himself the everlasting wrath of God. There is also a Gnostic sensibility in this story. To fall from spirit to matter, to bring radiance to dull earth, is a creative act.

The name Lucifer is Latin for “bearer of the Light”. The typical depiction of Lucifer as a slithering manifestation of evil is hard to reconcile with the meaning of the name. Lucifer represents a force that can combine beauty and its logical conclusion if gone too far to extreme decadence, hence to evil. Like in the Apocalypse of Moses, Lucifer, in the form of a serpent, offered the gift of knowledge to Adam and Eve. By their eating of the fruit of the Tree of Knowledge, Lucifer promised that they would “be like God, knowing good and evil”. Like Icarus, they were not yet prepared for such a gift and ignoring warnings to the contrary by God, they accepted it and fell from Paradise. In this example it should be noted that the gift of knowledge, in and of itself is not evil, as many Orthodox theologians have claimed in their authoritarian interpretation.

Satan in his Original Glory: 'Thou wast Perfect till Iniquity was Found in Thee' circa 1805 William Blake 1757-1827 Presented by the executors of W. Graham Robertson through the Art Fund 1949

Satan in his Original Glory: ‘Thou wast Perfect till Iniquity was Found in Thee’ circa 1805 William Blake 1757-1827 Presented by the executors of W. Graham Robertson through the Art Fund 1949

In Isaiah 14:12-17 (NJKV), we find the story of Lucifer’s fall from grace. Many theologians however stresses Lucifer isn’t a name of a rebellious angel, but rather a rebellious king of Babylon. However, it is a wonder how a mere mortal king can exalt himself “above the stars of God”.

12 “How you are fallen from heaven,
O Lucifer, son of the morning!
How you are cut down to the ground,
You who weakened the nations!
13 For you have said in your heart:
‘I will ascend into heaven,
I will exalt my throne above the stars of God;
I will also sit on the mount of the congregation
On the farthest sides of the north;
14 I will ascend above the heights of the clouds,
I will be like the Most High.’
15 Yet you shall be brought down to Sheol,
To the lowest depths of the Pit.

16 “Those who see you will gaze at you,
And consider you, saying:
Is this the man who made the earth tremble,
Who shook kingdoms,
17 Who made the world as a wilderness
And destroyed its cities,
Who did not open the house of his prisoners?’

The King of Babylon called himself the “Day-Star,” a name for the planet Venus, the first planet or star seen in the morning just before the sun rises, hence the King was also called “son of the morning.” Venus is the Roman name for the Greek goddess of love, Aphrodite. She has also has many similarities with the Gnostic Sophia, Eve, and Helena of the Illiad as well but we will have to address this further in a future post.

King Louis XIV of France was called the “Sun King,” carrying on this tradition of kings associating themselves with solar and stellar titles. So the fall of the King of Babylon was Isaiah’s way of putting him in his place by sarcastically observing in effect: “OK, so you think you are the Day Star of Heaven and can go beyond the stars of God, you think you’re so high and mighty, well you got another thing coming bitch!”

The Church Father Origen in De Principiis (Book 1, Chapter 5, verse 5), makes an interesting commentary on this passage.

Most evidently by these words is he shown to have fallen from heaven, who formerly was Lucifer, and who used to arise in the morning. For if, as some think, he was a nature of darkness, how is Lucifer said to have existed before? Or how could he arise in the morning, who had in himself nothing of the light? Nay, even the Saviour Himself teaches us, saying of the devil, Behold, I see Satan fallen from heaven like lightning. For at one time he was light. Moreover our Lord, who is the truth, compared the power of His own glorious advent to lightning, in the words, For as the lightning shines from the height of heaven even to its height again, so will the coming of the Son of man be. And notwithstanding He compares him to lightning, and says that he fell from heaven, that He might show by this that he had been at one time in heaven, and had had a place among the saints, and had enjoyed a share in that light in which all the saints participate, by which they are made angels of light, and by which the apostles are termed by the Lord the light of the world.

Many of pointed out that in the Book of Revelation of St. John, Christ refers to himself as “the bright and morning star,” that is, Lucifer. And in the Gospel of John (8:12) it reads:

When Jesus spoke again to the people, he said, “I am the light of the world. Whoever follows me will never walk in darkness, but will have the light of life.”

The infamous Theosophist Helena Blavatsky often identified Christ with Prometheus and Lucifer, who brought fire, light and knowledge to humanity and were all considered savior figures. In The Pillars of Tubal-Cain by Nigel Jackson and Michael Howard, they too also compare Lucifer with that of Jesus Christ’s sacrifice on the Cross with a Gnostic sensibility and Grail mythos thrown in for good measure.

Esoteric tradition teaches us that until we find the Grail, and it should be clearly understood that it is not a physical object in this time-space continuum, Lucifer must play out his role as the sacrificial king. He is doomed to incarnate in a ‘cloak of flesh’ as an avatar for the human race and pay the ultimate price as a scapegoat on their behalf. This is the ultimate sacrifice for being the light-bearer who brought down from Heaven the illumination of Gnostic wisdom and the primal fire of creativity. Lucifer eternally dies and is reborn to save humanity of itself. As the human race progresses spiritually so he can slowly ascend the Ladder of Lights back to the realm of the Gods beyond the Pole Star. He is the Lord of the Morning Star and the Lux Mundi (Light of the World) whose rebirth from darkness we celebrate every year at the winter solstice. (pg. 68-69)

In Greek mythology, Prometheus, one of the Titans, is known as the friend and benefactor of humanity. He and his brother Epimetheus were given the task of creating humanity and providing humans and all the animals on earth with the endowments they would need to survive. When it came time to create a being who was to be superior to all living creatures, Prometheus (whose name means “afterthought”) took over the task of creation. To make humans superior to animals, he fashioned them in nobler form and enabled them to walk upright. He went up to heaven and lit a torch with fire from the sun.


The gift of fire (symbolic of wisdom or knowledge) that he gave to humanity was more valuable than the gods intended and because of his actions Prometheus incurred the wrath of Zeus. For this transgression, Zeus had him chained to a rock in the Caucasus mountains, where he was constantly preyed upon by an eagle. Finally he was freed by the hero Hercules, who slew the eagle. John Milton’s depiction of Satan in Paradise Lost seems to combine both Lucifer and Prometheus into one figure as a tragic hero.


We can also see similar ideas expressed in the Book of Enoch, which explains what was no doubt the popular understanding of the fall of the angels and its disastrous results, being the Deluge. Two hundred angels took wives of the daughters of men, and their offspring were giants three thousand yards in height. These giants having consumed the food of mankind, began to devour men and each other, whose cries were brought to the attention of YHWH by his angels, including Michael, Gabriel, Raphael and Uriel. The Rape of the Sabine Women accounts found in Livy, Plutarch and Dionysius of Halicarnassus, also seem to echo the Enochian tales of angels and their sexual escapades with their human female concubines.


In Roman legend, Romulus forcibly carries off the Sabine or Latin women to be provided as wives to his men at the new settlement of Rome. The city had just been founded by Romulus (Cain), and the Romans wish to ensure the future prosperity of their young nation. Because of the lack of women to provide the necessary offspring, they plan a mass abduction, which is actually synonymous with the term “rape”. With this in mind, they invite the neighboring Sabines to a feast during which they seize the women for themselves and drive off the men. These same men return to attack Rome for revenge, but the conflict is resolved thanks to their Sabine women, who stand between their brothers and their husbands in reconciliation to create peace.

And on another level, it is basically the symbolic reenactment of Zeus and the pantheon of Olympian gods descending to the earth to have licentious sex and copulation with a variety of women as well as goddesses like Aphrodite, Demeter, Gaia, etc. The story of the Sabine women describes the capture of women from neighboring cities in order to secure Rome’s future. In any case, these Enochian texts fill in the bare bone details of Genesis 6, with fantastic detail, and in particular giving long lists of the fallen angels and their ministrations and gifts of knowledge to men. Chapter 8 tells us that:

1 And Azazel taught men to make swords, and knives, and shields, and breastplates, and made known to them the metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of costly stones, and all 2 colouring tinctures. And there arose much godlessness, and they committed fornication, and they 3 were led astray, and became corrupt in all their ways. Semjaza taught enchantments, and root-cuttings, ‘Armaros the resolving of enchantments, Baraqijal (taught) astrology, Kokabel the constellations, Ezeqeel the knowledge of the clouds, Araqiel the signs of the earth, Shamsiel the signs of the sun, and Sariel the course of the moon. And as men perished, they cried, and their cry went up to heaven . . .

The same thing happens in Chapter 69, when it says:

4 The name of the first Jeqon: that is, the one who led astray [all] the sons of God, and brought them 5 down to the earth, and led them astray through the daughters of men. And the second was named Asbeel: he imparted to the holy sons of God evil counsel, and led them astray so that they defiled 6 their bodies with the daughters of men. And the third was named Gadreel: he it is who showed the children of men all the blows of death, and he led astray Eve, and showed [the weapons of death to the sons of men] the shield and the coat of mail, and the sword for battle, and all the weapons 7 of death to the children of men.

And from his hand they have proceeded against those who dwell 8 on the earth from that day and for evermore. And the fourth was named Penemue: he taught the9 children of men the bitter and the sweet, and he taught them all the secrets of their wisdom. And he instructed mankind in writing with ink and paper, and thereby many sinned from eternity to10 eternity and until this day. For men were not created for such a purpose, to give confirmation 11 to their good faith with pen and ink. For men were created exactly like the angels, to the intent that they should continue pure and righteous, and death, which destroys everything, could not have taken hold of them, but through this their knowledge they are perishing, and through this power12 it is consuming me.

This list is practically identical with that which Prometheus gives his services to humanity, as explained in Aeschylus’ ancient play, Prometheus Bound:

They lived deep within dark caves, and swarmed the earth like throngs of ants. They could not recognize the signs of winter, nor spring with its flowers, nor fruit-laden summer, so they did everything without any rational plan, until I taught them to read the risings of stars and their settings, which up to now they ignored. I gave them numbers, that knowledge most to be prized, and the art of writing words to help memory, the mother of all the muses. I first yoked beasts and made them work so they could relieve Man’s back of his heaviest burdens. I harnessed horses to the chariot and made them respond to reins, a delight for the wealthy. It was me who invented the ship with sails that wanders the sea, a chariot for sailors. All this, to my own misery, I dared to invent and pass on to Man, but for all my cleverness I could devise no escape from my present suffering.

Hear the rest and you will be even more amazed at the arts and inventions I devised. The greatest was this: before, 44 if a man fell sick, there was no remedy— nothing, no pill, ointment, nor drink—and without 480 drugs they wasted away. I showed them how to mix healing medicines that could ward off all diseases. I also gave them skills so that they could predict the future: I showed them which dreams were true; how to interpret strange voices and sayings, and how to understand chance meetings during travel. I taught Man to understand the flight of the taloned bird, what was beneficial, and what meant harm, their daily lives, loves and hates, 490 and how they mate.

Then I taught about the smoothness of entrails, the right color of gall so that it please the gods, and how to read the liver’s lovely mottled lobe. I showed Man thighbones wrapped in fat, and how to burn the long backbone, and thus I taught Man the obscure art of prophecy, sacrifice, and the language of fire, which had not yet been understood. But so much for that. Who could claim before me that he discovered the hidden 500 treasures that lay buried under earth: bronze, iron, silver and gold? No one. That’s clear, unless some fool babbles nonsense. I’ll make a long story short: all the arts and crafts that Man possesses came from me, Prometheus, the god you see suffering before you now.

The Watcher Shemyaza of Enoch (another mask of the fallen angel Azazel and Tubal-Cain and Cain himself), also seems to embody a Luciferian and Promethean power in the way he falls in love with Esterah or Ishtar and reveals to her the forbidden knowledge of the secret name of God being the TetragrammatonMidrash Shemhazai and Azael 3-5, tells us:

They said before Him: “Give us Thy sanction and let us descend (and dwell) among the creatures and then Thou shalt see how we shall sanctify Thy name.” He said to them: “Descend and dwell ye among them.” … Forthwith Semhazai beheld a girl whose name was Esterah; fixing his eyes at her he said: “Listen to my (request).” But she said to him: “I will not listen to thee until thou teachest me the Name by which thou art enabled to ascend to the firmament, as soon as thou dost mention it.” He taught her the Ineffable Name….”


When Shemyaza told her, Esterah used this forbidden knowledge to ascend to the stars much like how Lucifer desperately desired to do so. While the other fallen angels or Watchers were rounded up by the loyal angels like Michael, and punished by God, Shemyaza voluntarily repented his error and sentenced himself to hang upside down, much like the Hanged Man archetype of the Major Arcana of the Tarot and even the apostle Peter who was said to have been crucified upside down in Rome under Emperor Nero Augustus Caesar. Some have equated the Yezidi angelic patron, Melek Taus with Shemyaza.

They have said about him; i.e., Shemhazai, that he repented and suspended himself upside-down between heaven and earth because he had no excuse for his behavior before the Holy One, blessed be He, and to this very day he remains suspended between heaven and earth in repentance.

The Church Father Justin Martyr had many things to say about Enochian literature, fallen angels and the pagan gods. For example, Justin claims that the children of the Watchers, being the demons, masquerade as the pagan deities and trick the pagans into persecuting Christians. All throughout his Apologies, he claims that the forbidden teachings and occult sciences of the fallen angels given to women serve to explain the origins and continued practice of the Greco-Roman religions and witchcraft since they were polytheistic and idolatrous in nature, to him.


Instead of placing blame on Adam and Eve for human sin, he instead places the blame on the sins of the angels. Justin Martyr is the first one to equate the Enochian angels with the pagan gods and pagan culture and he certainly wasn’t the last as many other Christian thinkers after him used the angelic descent myth to denounce the Greco-Roman world as demonic. This is the type of thing that probably pissed off Julian the Apostate to no end! This includes, Tatian, Irenaeus, Clement of Alexandria, Tertullian, Cyprian, Commodian, etc. In 2 Apology 5.5, Justin identifies the pagan gods with both “the angels and those demons who had been begotten by them,” and the same chapter claims that the angels gave the names of pagan gods to both themselves and their children.

Whence also the poets and mythologists, not knowing that it was the angels and those demons who had been begotten by them that did these things to men, and women, and cities, and nations, which they related, ascribed them to god himself, and to those who were accounted to be his very offspring, and to the offspring of those who were called his brothers, Neptune and Pluto, and to the children again of these their offspring. For whatever name each of the angels had given to himself and his children, by that name they called them.

The Gnostic-Hermetic alchemist, Zosimos, also had a very unusual take on Prometheus and also had much to say about the fallen angels and the Nephilim. On the later, Zosimos mentions a mythical figure named Chêmes (a pun on the Egyptian art of Alchemy), who is evidently one of the gigantic spawn of the fallen angels and their human wives. This giant, he tells us, he recorded the revelations of the angels in the Book of Chêmes, in which form they were transmitted to the earliest alchemical initiates. And so Zosimos takes the Enochian tale and uses it to explain the sacred art of Chemeia or ancient alchemy.

However, Zosimos in the Book of Chêmes condemns those involved in ritual sacrifices to the powers who run the world and Fate, as well as their own passions. “Al Chemia,” as a name for the Egyptian “the black land,” which refers to the darkness of the unconsciousness or the “Prima Materia,” being the building blocks of creation. Zosimus’ “Chemes” may also refer to the “Black One,” being Osiris’ original title of Khenti-Amenti being the “Lord of Western Darkness.”

In On the Letter Omega, the short text appeals to a number of Hermetic and Gnostic writings which are now lost to us, while having a very unusual and even irreverent and even blasphemous take on the gods that Plato would have balked at. Zosimos draws on the existing Gnostic myth of describing the imprisonment of the divine man in matter in order to show he held Gnostic views on Fate and the cosmos. Zosimos writes:

But Hermes and Zoroaster say that philosophers as a class are superior to Fate because they neither rejoice in her good fortune, for they are master over pleasures, nor are they thrown by the evils she sends, as they always lead an inner life, nor do they accept the fair gifts she offers, since they look to an end of ills.

This is also why Hesiod introduces Prometheus offering h this advice to Epimetheus “What do men consider a god fortune greater than all others?” “A shapely wife,” he replies, “along with great wealth.” And he says “not to accept a gift from Olympian Zeus, but to send it back again,” teaching his bother through philosophy to reject the gifts of Zeus, that is, of Fate.

In essence, Zosimos is saying that one should reject all the gifts of Fate, including good fortune. Later on in the same text, Zosimos depreciates Zeus as a lowly Demiurge and Prometheus as symbolic of the spirit fallen in the tomb of the flesh. No longer is Zeus the lofty and fiery Logos of the Stoics and is relegated to the same fate he meted out against the Titans for their dismemberment and murder of Dionysus-Zagreus as explained in Orphic texts as well as Hesiod.

Hesiod called the outer man “fetter,” with which Zeus bound Prometheus. Then, after this fetter, Zeus set yet another fetter upon him – Pandora, whom the Hebrews call Eve. For Prometheus and Epimetheus are, by the allegorical method a single man, that is, soul and body; and so Prometheus sometimes takes the form of soul, sometimes that of mind, and sometimes that of flesh because of Epimetheus’ disregard when he disregarded the advice of Prometheus, his own foresight. For our Mind says: “The Son of God, being capable of everything and becoming everything, when he wills, as he wills, appears to each.”

According to Hesiod, all the Olympian gods helped created Pandora by giving her unique gifts. She was the first human woman created by the gods, specifically by Hephaestus and Athena on the instructions of Zeus. Moreover, Pandora was modeled out of the earth as part of the punishment of humanity for Prometheus’ theft of the secret of fire. Elsewhere in the same text, Zosimos surprisingly advocates one to reject even magical rites or how he calls it, the “Magian science” as advocated by Hermes, in a now lost book called On the Inner Life, condemns magical rituals,

“….saying that the spiritual man, one who has come to know himself, need not rectifying anything through the use of magic, not even if it is considered a good thing, nor must he use force upon Necessity, but rather allow Necessity to work in accordance with her own nature and decree. He must proceed through that one search to understand himself, and, when he has come to know God, he must hold fast to the ineffable Triad, and leave Fate to work what she will upon the clay that belongs to her, that is, the body. And with this way of thinking and of regulating one’s life, he says, you will the see the Son of God becoming everything for the sake of holy souls, to draw her up out of the realm of Fate into the realm of the incorporeal.

In essence, Zosimos is saying that the true alchemical work of the adept was spiritual purification in nature and can only be achieved internally rather than through external means. One can compare this to Irenaeus in Against Heresies 1.21.4, rendered in Hans Jonas’ The Gnostic Religion, where Irenaeus claims certain Gnostics rejected the idea of magical rituals to attain spiritual salvation.

“One must not perform the mystery of the ineffable and invisible power through visible and corruptible things of creation, nor that of the unthinkable and immaterial beings through sensible and corporeal things. Perfect salvation is the cognition itself of the ineffable greatness: for since through “Ignorance” came about “Defect” and “Passion,” the whole system springing from the Ignorance is dissolved by knowledge. Therefore knowledge is salvation of the inner man; and it is not corporeal, for the body is corruptible; nor is it psychical, for even the soul is a product of the defect and is as a lodging to the spirit; spiritual therefore must also be [the form of] salvation. Through knowledge, then, is saved the inner, spiritual man; so that to us suffices the knowledge of universal being: this is the true salvation.”

We can also see this in the Pistis Sophia (1.15), which is a highly developed anti-astrological Gnostic polemic, also attacks magic on similar grounds. The same fallen angels we find in Enoch, are said to have given man, Mageia, or magical techniques that call upon the evil archons in the twelve aeons or the Zodiac. When Jesus Christ confuses the archons by interfering with the regular revolution of Fate and the sphere over which the archons rule over, and magic ceases to work.

In the Derveni Papryi, associated with Orpheus, it takes on the opposite stance, advocating magical rites to be performed by “magoi,” being the Orphic magicians. These magi offer many things such as:

… prayers and sacrifices to appease the souls, and the enchanting song of the magi is able to remove the daimones when they impede. Impeding daimones are avenging souls. This is why the magi perform the sacrifice, as if they were paying a penalty. On the offerings they pour water and milk, from which they make the libations, too. They sacrifice innumerable and many-knobbed cakes, because the souls, too, are innumerable. Initiates make the preliminary sacrifice to the Eumenides, in the same way as the magi. For the Eumenides are souls.

These daimones function much like the Archons, except for the fact that they are subservient to them, as well as to the gods, in which Zosimos seems to equate with the Archons (Zeus as the Demiurge, much like how YHWH is depicted as Ialdaboath in Gnostic-Ophite writings). The Neoplatonist Proclus in his commentary, On the Timaeus of Plato (1, 77) he mentions different views about how the fall of Atlantis was interpreted as an allegory of the daemons dragging the souls of human beings into matter. Different gods like Osiris, Baccus, the Titans and Typhon were interpreted as evil daemons, much like the Archons of Gnosticism.

Others interpret [Atlantis] as a conflict of daemons, with some being better and  others worse, the one side superior in numbers, the other in power, with the one being victorious and the other vanquished, as Origenes supposed. Others interpret it as a dispute between the finer souls – the foster-children of Athena – and others who work at generation and who belong to the god presiding over generation. Others combine (or so they believe) the views of Origenes and of Numenius and say that is is a a conflict between souls and daemons, with the daemons being a down-dragging force and the souls tying to come upwards. Their view is that there are three kinds of daemons, a divine type of daemon, a type now in that that condition which is made up of individual souls who have received a daemonic lot, and the other corrupt kind – the soul polluters.

So daemons of the final type strike up this war with souls on their descent into generation. And they claim that, just as the ancient theologians refer this to Osiris and Typhon or to Dionysus and the Titans, Plato attributes it to Athenians and Atlantines out of reverence. For he hands down the tradition, that before they came into three-dimensional bodies, there is rivalry between the souls and the enmattered daemons that he assigned to the west, for the west is the Egyptians say, is the region of harmful sous. The philosopher Porphyry is of this view, and one would be surprised if he is saying anything different from the view authorized by Numenius.

Proclus often refers to the gods as theo ephoroi, as they preside over different aspects of the world and human existence. These theoi ephoroi include gods such as Neptune and Athena, who are guardians of generation and philosophical life. He uses the term the most frequently to planetary gods, who are understood in astrological terms to preside over lower being, such as divine and demonic souls, animals, plants, stones, etc. He states that demons are actually the assistants of the planetary guardians, much like how Gnostic writings claim that demons are the lackeys of the Archons, who are portrayed as governors or administrators. On the Origin of the World tells us exactly this.

Now, when the seven rulers were cast down from their heavens onto the earth, they made for themselves angels, numerous, demonic, to serve them. And the latter instructed mankind in many kinds of error and magic and potions and worship of idols and spilling of blood and altars and temples and sacrifices and libations to all the spirits of the earth, having their coworker fate, who came into existence by the concord between the gods of injustice and justice.

The Neoplatonist Iamblichus also claimed the same thing in De Mysteriis. Plotinus also claimed that the stars and planets were visible gods, beneath them being in the sublunary sphere were hosts of aerial daimons who served as a bridge between man and the gods. Plotinus, like the Middle Platonists, the Chaldaean Oracles and his enemies within the Gnostics, thought that the physical universe belonged to the domain under Hades. Zosimos also considers these daimones as hungry, elemental spirits that are “not only hungry for sacrifices but for your soul.”


In the Corpus Hermeticum 16. 5-6the Sun is identified with the Demiurge, and the surrounding cosmic bodies were instruments with which he crafted the world. The planetary governors are depicted as administering mankind’s fate, and shaping man in their nature—as a microcosm—an act which is explicitly described as being done out of love.

 5. Even so the Creator, that is to say the Sun, ever links heaven to earth, sending his substance down from above, and raising up matter from below. He draws everything around himself and into himself, and from himself gives all to all, bestowing his light in abundance. For it is he whose beneficent powers not only pervade the heavens and the air, but reach down to the lowest depth in the earth and abyss of the sea.

6. If there is a spiritual substance, then it is the body of the Sun, which his light contains. The Sun alone being near to himself in place and nature knows of what his substance is made and whence it flows. We cannot see him, but by systematic efforts we can understand him.

In the same chapter, the CH claims that these daimons control the cycles of reincarnation and fate: “When each of us has been born and ensouled the daimons that are responsible for the administration of birth at that moment take charge of us—the daimons which are ordered under each of the planets….” Although Proclus does not mention Prometheus, Lucifer or Icarus in any of his writings, it should be worth nothing that these daemons are the very forces that causes the fall of souls into the world of matter, and this seems to be a common theme in many religions and myths as we’ve seen here. 2 Peter 1:19 makes a startling statement about Lucifer: “And so we have the prophetic word confirmed, which you do well to heed as a light that shines in a dark place, until the day dawns and the morning star rises in your hearts.”

2 Peter compares heading a message of prophecy as Lucifer ascending in the heart of man, as the fallen spirit or genius enmeshed in flesh. Helena Blavatsky in the Secret Doctrine 2.XX, seems to agree with this sentiment.

It is not denied that the moral idea in the myth, as presented in the Theogony of Hesiod, plays a certain part in the primitive Greek conception. The Titan is more than a thief of the celestial fire. He is the representation of humanity — active, industrious, intelligent, but at the same time ambitious, which aims at equaling divine powers. Therefore it is humanity punished in the person of Prometheus, but it is only so with the Greeks. With the latter, Prometheus is not a criminal, save in the eyes of the gods. In is relation with the Earth, he is, on the contrary, a god himself, a friend of mankind ([[philanthropos]]), which he has raised to civilization and initiated into the knowledge of all the arts; a conception which found its most poetical expounder in AEschylus (pg. 519).

So, if Venus is a name of a planet, than by extension and logical conclusion, Lucifer was one of these Archontic administrators in the highest of the seven heavens. And yet, even Jesus Christ in Revelation bares this title as the Morning-Star. Lucifer is a title that may be applied to salvific gods because they brought the light of heaven to earth, like Jesus, Prometheus, Hermes, etc. And as stated earlier, Lucifer is also the name of a cosmocrator, or an archon, since Lucifer is associated with Venus. In the Apocryphon of John, we see the third archon, being Astaphaios. She is a female archon, connected with Astarte and Venus, which in turn, connects to Lucifer. This is where all the occult legends of Lucifer being female or hermaphrodite come from. At the same time, Jesus Christ is presented as the “Light of the world” in the Gospel of John, so he himself, as stated earlier, connects to the Shining Ones.

I would like to end this article with a telling quote from the Latin Church Father, Tertullian. In his polemical Against Marcion (1.1), he equates God and the Christian gospel with that of Prometheus! He also claims that the arch-heretic Marcion corrupted the Christian message and Church, and is equated to a beast, like the one found in Revelation.

Nay more, the true Prometheus, Almighty God, is mangled by Marcion’s blasphemies. Marcion is more savage than even the beasts of that barbarous region. For what beaver was ever a greater emasculator than he who has abolished the nuptial bond?

Clement of Alexandria does the same thing in the Stromata (1.17), where he equates the light of philosophy with Prometheus. However, he claims that the Greek philosophers were “thieves and robbers” for ripping off the Hebrew prophets. In reality, both the Hebrew prophets and the Greeks ripped off the Egyptians and the historical record is very clear about this. Judaism is largely a bastardization of Egyptian religion and philosophy, if one digs deep enough.

There is then in philosophy, though stolen as the fire by Prometheus, a slender spark, capable of being fanned into flame, a trace of wisdom and an impulse from God. Well, be it so that the thieves and robbers are the philosophers among the Greeks, who from the Hebrew prophets before the coming of the Lord received fragments of the truth, not with full knowledge, and claimed these as their own teachings, disguising some points, treating others sophistically by their ingenuity, and discovering other things, for perchance they had the spirit of perception. Exodus 28:3

Hell, if you compare Livy’s History of Rome with the Old Testament, it seems like the later is basically a rip-off from the former! But that, my beloved truth seekers, is for another story. So much for Christian Orthodoxy, right? 

Interview: Jeremy Crow 2.0

Jeremy Crow was a guest of mine last year, around this time. I enjoyed our discussion so much that I decided to interview him again on some separate but related issues. Further and beyond!

Before we begin, I have to say that I cannot speak on behalf of all Luciferians. I will, however, give my personal opinion as an individual who self-identifies as a Luciferian. – Jeremy Crow.


From a Luciferian perspective, how would one go about defining the “Left Hand Path”?

The famous mythologist Joseph Campbell defined the Right Hand Path as the path which involves staying within the institutions and norms of the culture or society you were raised in. He defined the Left Hand Path as the Journey of the Hero: one who for whatever reason becomes an outsider to their culture, goes on a quest and returns home to enrich their community with the rewards gained and lessons learned on their journey. I think this is a great starting point. The status-quo tends to be very good at “works of light” such as promoting love and compassion as well as placing a high value on service to the community. However, they are also frequently found actively discouraging exploration into the unknown and the taboo. This type of behaviour can be poetically referred to as a fear of the dark. Contrary to popular opinion the Left Hand Path is not the polar opposite of this. In fact, the LHP is more accurately referred to as the Complete Path, as it includes both the works of light and the courageous exploration of the darkness.

What is your view(s) on Baphomet and how does this archetype relate to Luciferianism?

It isn’t something that I have worked with extensively, but I think it could be used as a symbol of the Complete Harmonized Self. In other words, it combines all the parts of the self, even those that seem to be in opposition, and gets them all working together in harmony. All internal dualities have been transcended, both the Shadow and the Transpersonal Spirit have been integrated and a more focused and powerful being has emerged.

Is there a “Left Hand” path view on the Apocalypse or Eschatology (The end of the world)? Is this anyway related to the concept of “Year Zero”?

The mainstream Gregorian calendar divides our concept of time into the world before and after the birth of Jesus Christ. Hence we have B.C. to refer to the years “Before Christ” and A.D. or “Anno Domini” meaning “the year of our Lord” to indicate the years since Christ entered the world. The Age of Christ corresponds roughly to the esoteric concept of the Age of Pisces. We are currently in a transition out of the Age of Pisces and into the Age of Aquarius. A very simple sign of this shift is the modern usage of C.E. or “Common Era” to replace the reference to Christ in our standard method of counting time.

In addition, a few years ago one could observe a popular obsession with the Mayan Long Count calendar, which described a much larger cycle of not just the transition between two Ages but the end of a full set of twelve zodiacal Ages. We can think of a zodiacal Age as a Macrocosmic or “Great” Month. The long count calendar describes an entire Great Year, and that Great Year was said to end on December 21st, 2012 C.E. A great many people predicted something catastrophic would happen on this date, up to and including the End of the World.

I say that the End of the World actually did happen on that date and the New Luciferian Era (NLE) sprung up to take its place. It is the start of a brand new Great Year: An entire new set of Ages of a fundamentally different quality than those which preceded it. I like to call that moment when the NLE arose from the ashes of the End of the World as the start of Year Zero. As I am writing this, we are approaching the start of Year Two of the New Luciferian Era, or 2 NLE. In the wake of this new Aeonic current of cosmic energy the Luciferian movement has made a profound level of progress, and we’re just getting started!

How does Jesus Christ fit into Luciferianism? Or can it all?

It can be said that Jesus Christ was the prophet of the previous Age. Each of these Ages prepares us for the next. Jesus Christ is clearly a Right Hand Path figurehead, however if we are honest we can clearly see more than a glimmer of the Light Bearer archetype in him. This is especially true if we look at this mythological character through a Gnostic lens. Before the term Lucifer became synonymous with the character of Satan in the public mind, Jesus was often referred to as a Lucifer or Light Bearer. To borrow a parable, his message was a seed that fell mostly on hard soil hostile to the intended crop. His message has since been distorted and abused by many along the way. Christianity has become a powerful movement and isn’t likely to fade into oblivion anytime soon. If they can capture some of that original gnostic light bearer archetype, if they can learn to adapt with the changing times and if they can gain a tolerance for other religious beliefs, I can see a place for a reformed version of Christianity within the New Luciferian Era.


What is the Luciferian view on the “Divine Feminine” or what is often called “Sophia” in Platonic, Jewish and Gnostic literature?

The original term Left Hand Path came from Hindu Tantra. In this practice, women would sit to the left of their male partner. This is one part of the meaning behind the term Left Hand Path. Personally, I see the modern Left Hand Path (or Complete Path, as stated earlier) includes a generous dose of recognition and even veneration of the divine feminine. Within Luciferianism specifically, we see that the term Lucifer is a term applied to the celestial phenomenon of the Morning Star. This is the last bright object in the sky before the rising of the Sun. In this sense it is the herald of the dawn or bringer of the light. This bringer of light is actually the planet we now call Venus, which has been considered a feminine force since the beginning of recorded time. We can even look to the myth of the serpent in Eden (who was clearly an example of the Light Bringer archetype) that tells us that a woman was the first initiate into forbidden knowledge. She then shares that knowledge. I usually use the feminine pronoun when referring to Lucifer as an entity or character. I feel that the divine feminine is very important in Luciferianism.


Can you explain the significance of the Ziggurat of Enki?

An ancient myth speaks of the Babylonian people building a Tower to reach the heavens and attain equality with the gods. There were indeed towering structures built by the ancient Mesopotamian people. These structures were a type of stepped pyramid called a Ziggurat. The building of a Ziggurat can be seen as an analogy for both the establishment of a powerful legacy and on a more subtle level, for the emergence of an immortal Body of Light.

The Ziggurat of Enki is an esoteric Order for the New Luciferian Era that embraces the Complete Path. Its rituals are based on the myths of Mesopotamia. Enki is the Sumerian name for a promethean character who in myth was the god of magick and both the creator of humanity and later through the divulging of forbidden knowledge also became its saviour. This god was also known to the Babylonian people as Ea. Since the ZoE is a Magickal Lodge, its symbolic patron and archetypal inspiration is naturally Enki.


The Zigurat of Enki takes a novel approach to working a Magickal Lodge system. Much of the concepts are drawn from the Open Source movement. There are no oaths of secrecy regarding the ceremonies, to the point where non-initiates can even be present during an initiation if all the primary participants are comfortable with that. When potential members are permitted to read (or observe) an initiation ceremony before becoming an initiate, everybody knows exactly what they are getting themselves into. A heightened state is achieved in ways that do not require the element of surprise.

Another break with tradition is that there is no requirement for a Charter in order to start a lodge. Anyone who has managed to obtain a copy of the ritual, one way or another, can choose to utilize that ritual without asking anyone else for permission. This allows an incredible level of flexibility and freedom. If you want to open a secret lodge of the Ziggurat of Enki, you can do so without anyone but the individuals directly involved knowing. You can also open a temporary lodge that will only operate for one night and never again if you so choose. This type of independent and autonomous lodge system offers great potential to anyone creative enough to experiment with it.

Currently the best and most complete information about the Ziggurat of Enki is available in my book “Initiation into the Left Hand Path.” The limited advance edition is currently available on my website Each of the only 45 copies are signed and numbered. Most have already been sold but there are still a handful of copies available.


What is the Greater Church of Lucifer?

The Greater Church of Lucifer is an organization founded by Jacob No. Other leaders of the Church include Michael W. Ford, Etu Malku and me. The word Church is being used to indicate a gathering or community based around a shared set of similar beliefs and philosophies. We all have our own way to describe this particular set of philosophies such as Adversarial Thought, Mercurial Consciousness, Left Hand Path or my personal favorite, The Complete Path. The word Lucifer, meaning Bringer of Light, is used to indicate that our philosophy includes the goal of making knowledge available to others who seek it. While rational self-interest is viewed as important, this is not a path of pure selfishness. We seek to leave the world a better place than we found it through our individual and collective actions.

That being said, we do not focus exclusively on works of Light. It is also valuable to explore, understand and integrate the contents of the Shadow. We do not shun the Darkness for we understand that it is a very real part of ourselves. To shun it would not eliminate it but only repress it, where its contents will continue to grow twisted in the dark, subtly (or not so subtly) influencing our decisions. We can liberate a lot of mental and emotional energy by unraveling past traumas, addressing them with self-compassion and allowing them healthy expression and respect as a valid part of the complete self. Again, all of this works toward establishing a Complete Harmonized Self.

This balance of focus on both Light and Darkness is a large part of the New Luciferian Era, which the Greater Church of Lucifer fully embraces. The planet Venus is not only the Morning Star or “Bringer of Light” but is also the celestial body which produces the phenomenon of the Evening Star or “Bringer of Night.” They are like two sides to the same coin and we should strive to work with both these complementary forces towards the goal of elevating the human species through the empowerment of individuals.

The Greater Church of Lucifer is very much about community and education. While many of the members may be interested or involved in the occult, this is not the primary focus of the GCoL. Instead we first want to explore the philosophy and lifestyle of those who choose to take up the banner of Luciferianism. We have some very ambitious plans, including the establishment of brick and mortar locations for local meetings, starting in the areas with the most members and spreading out from there as we are able. We are also working on educational programs, campaigns to provide food for the hungry and even assistance with addiction related issues. To find out how you can get involved please check out

A Luciferian Interview: Jeremy Crow

Jeremy Crow is a Luciferian/Left-Hand Path Occultist based in Toronto, Canada. He’s also part of the electro/drum ‘n bass group, Pleasure the Priestess. I’ve also interviewed him on the Youtube show, Aeon Arcanum with my co-host Karl James Smith (I’m the guy with the glasses). Recently, I asked him to take part of a Q & A session because of his Light-bringing intelligentsia and fiery Promethean Gnostic spirit that fits very well with the general theme of this blog. This is the result of our dialogue. Enjoy the interview!

Three Eyed Crow

1. How do you think Left-Hand Path Luciferianism and ancient, Nag-Hammadi styled Gnosticism are alike and do they differ in any specific differences, including perhaps encratic/asceticism in contrast with antinomian libertinism?

I think modern Luciferianism differs from historical Gnosticism in a number of ways. For instance, Gnosticism tended not to deviate very far from the Judeo-Christian mythos. They certainly had their own way of looking at it compared to the mainstream Christian traditions that developed and they definitely were influenced by other cultures, however it was not nearly as syncretic as modern Luciferianism. Luciferians of today borrow heavily from a very wide range of mythologies and spiritual systems both ancient and modern. For a few examples, Prometheus is almost universally considered by Luciferians as a “Lucifer” (literally “Light Bringer”) as well as characters such as the serpent from the biblical Eden story, the Norse god Odin and the Sumerian god Enki. Many even consider the Gnostic Christ to be a Lucifer.

There is a basic story arc that these various Light Bringers typically follow: The providing of forbidden knowledge to an oppressed people, punishment of the emancipator from the established authorities and finally the redemption of the light bringer. The actual practices are also wildly divergent, even among modern Luciferians. You often see more extreme forms of practice in historical forms of Gnosticism when compared with modern practitioners. Take for example the Cathar practice of avoiding reproduction in order to avoid providing physical bodies so as not to enable the Archons to imprison souls in the flesh. That is a form of extreme fundamentalist dualism that I think would be very difficult to find among modern Luciferians.

2. Do you equate Lucifer with Satan or do you consider them two distinct entities?

My thoughts on this have evolved over time. Really, “Lucifer” and “Satan” are just words that are used to convey ideas. Are those two ideas the same? To some people, they certainly are. To start with, I think it’s important to know that Lucifer is a Latin word that means “Bringer of Light” or “Bearer of Light” and that Satan is a Hebrew word that means “Adversary.” When I was first getting into Gnosticism I used the word “Lucifer” to personify the liberating truth and “Satan” to personify the demiurgic force that tries to maintain control through suppressing the truth. It was a very Manichean or dualistic way of looking at things. Now I see Lucifer and Satan more as the two primary ways of relating to the aspects of reality that we find disturbing and have a hard time accepting or integrating. For someone who is not ready to accept these difficult truths, it is more of an adversarial relationship – Satan guarding the gates of Hell from the intrusions of the unwary for their own protection. When we become mature enough and brave enough to effectively integrate the shadow, it becomes Lucifer initiating you into the forbidden knowledge. The lens has changed.

Satan In His Original Glory - William Blake (1805)

3. H.P. Blavatsky and Aleister Crowley have both exerted an enormous influence on modern Luciferian thought. Do you think its possible that John Milton’s Paradise Lost could be the origination of the celebration or deification of Lucifer?

That’s an interesting question. Technically, Milton’s Paradise Lost doesn’t mention Lucifer at all. It’s a story about Satan. Milton apparently didn’t intend Satan to be the protagonist although that is how it turned out. Certainly it has inspired some to sympathize with Satan and his plight. It has also been one of the major pieces of literature that led to the identification of Satan with the serpent in Eden as well as with the word Lucifer as found in the KJV version of the bible. For a very long time, the word Lucifer was not associated with Satan. Not until the KJV came out did people start thinking of Lucifer as equivalent to Satan. To this day, the Catholic Church does not see the word Lucifer as equivalent to Satan or even as something bad at all. There was even a Bishop who took on the ecclesiastical name Lucifer and was later canonized.

I would also like to mention that Mary Shelley’s Frankenstein was essentially an updated retelling of Paradise Lost, where the monster becomes the anti-hero style protagonist and Dr. Frankenstein is the uncaring and cold hearted creator. In the book, the monster actually reads Paradise Lost and sympathizes with Satan. Mary’s husband Percy Bysshe Shelley also wrote a lyrical drama called Prometheus Unbound, which he prefaces with a note stating that Prometheus is essentially the Satan character but in a different cultural context in which he is actually appreciated by the people he helped emancipate. Paradise Lost has been and remains an important and influential piece of literature, especially for those on a Left Hand Path.

4. How does the dual symbols of Lucifer and Satan tie into the concept of the HGA (The Holy Guardian Angel)? Could this dichotomy be compared to Carl Jung’s thought on the Shadow Self?

I alluded to this above and will elaborate here. The way I see it can be easily described with reference to Jung’s concept of the Shadow. Before I get into that, I want to make it clear that I think the modern concept of the Holy Guardian Angel as something you need to spend years trying to gain knowledge of and conversation with in order to determine your True Will is a load of crap. This kind of thinking amounts to a lot of busy-work, doing the same basic rituals over and over for years and rarely yielding any greater insight into your life’s purpose or progress toward achieving it. It is my suggestion that you likely already know what inspires you. Pick a goal in line with that and work at it as hard as you can. It will evolve or even dramatically change as you go along and that’s how it should be. If you genuinely don’t know what inspires you, explore as much as you can until you find your muse! If nothing else, you will develop your personality in the process.

The original concept of the personal guardian angel was a usually undetectable influence that subtly keeps you from harm. The Shadow, as a repository of all that you have rejected about yourself and the suppressed memories of traumatic events is frightening for the very reason that this material is potentially damaging. It was knowledge that was so disturbing or incomprehensible that your mind segregated it from consciousness so that you would not go insane. Personified, it is Satan or Hades, making sure that the damned souls and demonic entities do not escape the underworld to molest the living. Satan is the guardian angel. What many modern occultists sometimes refer to as “shadow work” is an attempt to explore the contents of this rejected personal truth (aka “forbidden knowledge”) and to heal and integrate it into the conscious mind. This work seeks to overcome the natural feelings of fear and revulsion and look upon the Shadow not as an adversarial guardian but as an initiator – the devil is transformed into an angel of light, so to speak. Eventually we should grow beyond the need for these functions to become mature and courageous enough to process difficult truths through a consciously directed process. This is why you hear that once we leap into the Abyss, we leave the HGA behind. At least that is my personal take on the HGA.

5. What are your thoughts on Chaos Magick and creative visualizations associated with ideas such as the Law of Attraction? Does the deific or daemonic (the Platonic daemon) self-identification “I am” formula in the Greek Magical Papyri and the Egyptian Pyramid texts have anything to do with these concepts and ritual practices?

I think that most Luciferians are Chaos Magickians in the sense that they develop their own personal system based on what works for them. They may not call themselves Chaos Magickians, but the basic concept is there. Modern Luciferianism is very personal and tends to be quite syncretic. As far as Creative Visualization, The Secret, the Law of Attraction, or whatever else you want to call it, I do see a lot of validity in that technique. It is important but not sufficient and therein lies the problem. Too many people reduce this to “if I have the right mental attitude and can visualize it strongly enough, it will manifest in my life” and then they spend all their free time in fantasy, never accomplishing anything. If you want something bad enough, you need to work on it from both sides. Continue to do your visualizations but you also need to put in the grunt work on the ground to create ways for it to manifest in your life. If you’re trying to get a certain type of job, wishing and praying for it usually won’t work unless you are also sending out resumes. Too many aspiring occultists spend countless hours trying to develop magickal powers without any idea of what they hope to accomplish with these powers. Usually, those hours would be better spent working toward achieving the same thing using more mundane techniques. I like to think of Creative Visualization and/or Sigil Magick as a method of enhancing the likelihood of succeeding in my conventional efforts. It’s to get that extra edge.

6 On various social media websites (including Facebook and Youtube), you’ve spearheaded an Occupy the Temple movement. Could you elaborate more about this?

Occupy The Temple is an initiative to challenge the status quo of occult organizations and Esoteric Orders. There are many ways of going about doing things that may have been necessary in the past but could be discarded or improved upon for the modern era. Many times, the only reasons these methods persist is because of the reverence for tradition and (more often) because they allow the leaders of these groups to hold and maintain more power over their membership. Occupy The Temple seeks to educate people about these specific issues and to encourage [and where possible, to also provide] alternative ways of doing things. Ideally these changes will be possible to enact within the existing establishments but where it cannot, we encourage individuals to take it upon themselves to defiantly do things the way they feel is right without asking for permission from someone who has taken on a position of authority in their group. Occupy The Temple is a leaderless movement in a manner similar to the hacker collective Anonymous, in that anyone can take up the Occupy The Temple mantle and take direct action without asking permission from anyone. These individuals take both credit and responsibility for their own actions. For examples of issues, I encourage anyone curious to look us up.

Pleasure the Priestess

7. Are there any upcoming musical or book projects to expect, down the pipeline for 2014?

Yes, I have a few things in the works. Pleasure The Priestess is working on a new album which we plan to release on vinyl, cassette tape and digital download sometime in 2014. The new songs are going to be closer to our Industrial roots compared to the more dance music oriented stuff we released in 2013. We’re going to experiment with crowd-funding to help finance the project. We also intend to continue putting out music videos on our YouTube channel. I hope people will check out our channel and if they like what they see, they can show their support by subscribing on YouTube.

As far as books, you can expect to see at least two publications in 2014. One of these is a compilation of articles written by members of the Luciferian Research Society (LRS) mostly on topics of practical occultism. It is therefore a “Book of Shadows” for our community and we intend to publish a series of these over time. If it pays for itself it will be a worthy project, as it will publish the work of aspiring authors and help them get noticed. If it actually generates some income, these funds will be used to support the expenses of the LRS and its official projects. For more info on the LRS, please visit:

I also have a personal project to publish a book containing four original rituals that I have written for use by Left Hand Path occultists. The first three of these are solo rites. The final ceremony is a full lodge initiation which requires five people to perform: Four officers and one candidate for initiation. This group ritual will form the basis of a sort of Open Source Order, as anyone can perform it without asking permission or paying dues to any governing body. No governing body such as a Grand Lodge or Sovereign Sanctuary will even exist in the first place and if someone should try to set one up, it could not be enforced as there will be no oath of secrecy attached to the initiation ceremony. A digital copy of this rite will be freely available to encourage sharing and I will also be publishing and selling physical copies of the book.

Jeremy Crow