Philip K Dick

Book Review: VALIS by Philip K Dick

Known for his books that eventually would become big-screen hits like Blade Runner and Minority Report, the author Philip K Dick in VALIS (Vast Active Living Intelligence), combines elements of autobiography, philosophy, science-fiction, Gnostic theology, psychoanalysis, and existential self-construction. Like the recently published Exegesis, it takes its origin in the need to understand and respond to the events of February and March 1974 (which Dick called 2-3-74). He was irradiated by a brilliant pink light emanating from a Christian fish-symbol (ichthys) necklace worn by a young woman. He had a series of visions over the next two months, and spent the rest of his life trying to understand them.

The novel splits Dick into two characters: the narrator, Philip K Dick, a moderately successful science-fiction writer; and his unattractively named “Horselover Fat” (Philip in Greek means “fond of horses”; “dick” is German for “fat”), which is his crazy, schizophrenic alter-ego, to whom the visions arrived, and whose life became a quest to resolve their enigma. The principal framework of this book is a sci-fi variant of Gnostic cosmology, where the phenomenal universe is a construct of a false, malevolent and insane god–explaining all of the irrationality and sufferings that it contains.

The world humanity finds itself exiled in, is called the Black Iron Prison, and we are its prisoners. The true God is outside the universe and breaking through to heal it and us in various ways, including the pink light that Dick experienced. After many surreal experiences and visions the book ends with the narrator, Philip K. Dick, sitting before the TV, watching and waiting. He is clear that this is his way of continuing the search and keeping to his mission: keeping awake and open to infinite possibility.

Dick’s novel opens with the beginnings of his eventual psychological break-down and suicide attempt:

Horselover Fat’s nervous breakdown began the day he got the phonecall from Gloria asking if he had any Nembutals. He asked her why she wanted them and she said that she intended to kill herself” (p. 1).

This is no message from a divine light, but the beginning of a soul-destroying relationship with a toxic, thanatotic individual, whose name “Gloria.” One of my favorite lines in the book, actually has little to do with Gnosticism. It goes like this:

I am, by profession, a science fiction writer. I deal in fantasies. My life is a fantasy. Nonetheless, Gloria Knudson lies in a box in Modesto, California. There’s a photo of her funeral wreaths in my photo album. It’s a color photo so you can see how lovely the wreaths are (p. 3).

I think many of us experience moments of revelatory intensity and also of intense despair at the imprisonment of our daily lives and of our very selves.

Caught in his own maze, like Daedalus, who built the labyrinth for King Minos of Crete and then fell into it and couldn’t get out. Presumably Daedalus is still there,  and so are we. The only difference between us and Horselover Fat is that Fat knows his situation and we do not; therefore Fat is insane and we are normal (p. 31).

How did humanity get in such a situation? By the blinding, hypnotic power of the Demiurge, of course. However, other divine beings like Christ, had other plans:

It can be argued that this is the most important statement in the New Testament; certainly it is the most important not-generally-known statement. We shall be like him. That means that man is isomorphic with God. We shall see him as he really is. There will occur a theophany, at least to some. Fat could base the credentials for his whole encounter on this passage. He could claim that his encounter with God consisted of a fulfillment of the promise of 1 John 3:1/2-as Bible scholars indicate it, a sort of code which they can read off in an instant, as cryptic as it looks. Oddly, to a certain extent this passage dovetails with the Nag Hammadi typescript that Dr. Stone handed to Fat the day Fat got discharged from North Ward. Man and the true God are identical-as the Logos and the true God are-but a lunatic blind creator and his screwed-up world separate man from God. That the blind creator sincerely imagines that he is the true God only reveals the extent of his occlusion. This is Gnosticism. In Gnosticism, man belongs with God against the world and the creator of the world (both of which are crazy, whether they realize it or not). The answer to Fat’s question, “Is the universe irrational, and is it irrational because an irrational mind governs it?” receives this answer, via Dr. Stone:

“Yes it is, the universe is irrational; the mind governing it is irrational; but above them lies another God, the true God, and he is not irrational; in addition that true God has outwitted the powers of this world, ventured here to help us, and we know him as the Logos,” which, according to Fat, is living information (p. 58).

An enlightened, immortal man existed before the creator deity, and that enlightened, immortal man would appear within the human race which Samael was going to create. And that enlightened, immortal man who had existed before the creator deity would trample upon the fucked-up blind deluded creator like potter’s clay (p. 55).

This is further elaborated in the different points in Dick’s Tractates Cryptica Scriptura.

44. Since the universe is actually composed of information, then it can be said that information will save us. This is the saving gnosis which the Gnostics sought. There is no other road to salvation. However, this information-or more precisely the ability to read and understand this information, the universe as information-can only be made available to us by the Holy Spirit. We cannot find it on our own. Thus it is said that we are saved by the grace of God and not by good works, that all salvation belongs to Christ, who, I say, is a physician.

45. In seeing Christ in a vision I correctly said to him, “We need medical attention.” In the vision there was an insane creator who destroyed what he created, without purpose; which is to say, irrationally. This is the deranged streak in the Mind; Christ is our only hope, since we cannot now call on Asklepios. Asklepios came before Christ and raised a man from the dead; for this act, Zeus had a Kyklopes slay him with a thunderbolt. Christ also was killed for what he had done: raising a man from the dead. Elijah brought a boy back to life and disappeared soon thereafter in a whirlwind. “The Empire never ended.”

46. The physician has come to us a number of times under a number of names. But we are not yet healed. The Empire identified him and ejected him. This time he will kill the Empire by phagocytosis.

Earlier in the book, Horselover Fat’s world steadily begins to unravel, much like the characters in the Dickian inspired movie Dark City. In Dark City: The Reality Projector, Individuation and the Aion, the author remarks on one of the characters, Detective Walenski, who has gone insane trying to find the truth about his unreality in his spiral-like existence.

“Round and round and round she goes… where she stops nobody knows.” – Detective Bumstead. Detective Walenkski’s drawings are reflections of his efforts to try to figure out that which he cannot remember or understand. The streets and subway follow a spiraling pattern . John finds out that the “Green Line” is the only way to Shell Beach (green-Osiris), but he has no way to get on it.

Horselover Fat eventually has a similar epiphany: that the present world of 1974, in reality, is a holographic cover-up, projecting over the sprawling nightmare, boiling behind it. To his horror, humanity was still stuck in the far-flung ancient world of Rome, where Christian martyrs were thrown to the lions, and all the Caesars spread the light of the Empire all over the known world. And curiously, behind ancient Rome, was also another “big brother,” communist, technocratic New World Order-type of dystopia, explored in another novel called Flow My Tears, the Policeman Said:

…during the interval in which he had experienced the two-world superimposition, had seen not only California, U.S.A., of the year 1974 but also ancient Rome, he had discerned within the superimposition a Gestalt shared by both space-time continua, their common element: a Black Iron Prison. This is what the dream referred to as “the Empire.” He knew it because, upon seeing the Black Iron Prison, he had recognized it. Everyone dwelt in it without realizing it. The Black Iron Prison was their world. Who had built the prison-and why-he could not say. But he could discern one good thing: the prison lay under attack. An organization of Christians, not regular Christians such as those who attended church every Sunday and prayed, but secret early Christians wearing light gray-colored robes, had started an assault on the prison, and with success. The secret, early Christians were filled with joy.

Fat, in his madness, understood the reason for their joy. This time the early, secret, gray-robed Christians would get the prison, rather than the other way around. The deeds of the heroes, in the sacred dream-time . . . the only time, according to the bushmen, that was real. Once, in a cheap science fiction novel, Fat had come across a perfect description of the Black Iron Prison but set in the far future. So if you superimposed the past (ancient Rome) over the present (California in the twentieth century) and superimposed the far future world of The Android Cried Me a River over that, you got the Empire, the Black Iron Prison, as the supra- or trans-temporal constant. Everyone who had ever lived was literally surrounded by the iron walls of the prison; they were all inside it and none of them knew it-except for the gray-robed secret Christians.

That made the early, secret Christians supra- or trans-temporal, too, which is to say present at all times, a situation which Fat could not fathom. How could they be early but in the present and the future? And if they existed in the present, why couldn’t anyone see them. On the other hand, why couldn’t anyone see the walls of the Black Iron Prison which enclosed everyone, including himself, on all sides? Why did these antithetical forces emerge into palpability only when the past, present and future somehow-for whatever reason-got superimposed?

Maybe in the bushmen’s dream-time no time existed. But if no time existed, how could the early, secret Christians be scampering away in glee from the Black Iron Prison which they had just succeeded in blowing up? And how could they blow it up back in Rome circa 70 C.E., since no explosives existed in those days? And now [sic], if no time passed in the dream-time, could the prison come to an end? It reminded Fat of the peculiar statement in Parsifal: “You see, my son, here time turns into space.”

In one article, by Kyle Arnold, he sums up the following points succinctly:

In the following months, the visions continued. Scenes of ancient Rome appeared, superimposed over Dick’s suburban neighborhood. A local playground seemed a Roman prison. Where there was a chain-link fence, Dick saw iron bars, and where there were children playing, he saw weeping Christian martyrs about to be fed to lions. Dick saw pedestrians dressed in Roman military uniforms, stone walls, and iron bars. “I hadn’t gone back in time,” Dick wrote to a friend, “but in a sense Rome had come forward, by insidious and sly degrees, under new names, hidden by the flak talk and phony obscurations, at last into our world again.” Dick supposed time had stopped in 70 A.D., the year the temple of Jerusalem was destroyed by a Roman siege. Everything that happened afterwards was an illusion, and the world was still under Rome’s dominion. Dick believed the Roman Empire was embodied in the tyrannical Nixon administration, and responsible for the assassinations of the Kennedys and Martin Luther King Jr. His own role was that of an undercover Christian revolutionary fighting to overthrow the Empire. That was why the delivery girl had flashed him the fish sign.

The novel ends with an optimistic phone-call from Horselover Fat reporting on his quest to find the 5th Messiah:

“one day I got a phonecall from Horselover Fat: a phonecall from Tokyo. He sounded healthy and excited and full of energy, and amused at my surprise to be hearing from him” (p. 210).

The split between Dick and Fat continues, but it enriches his life instead of despairing it. The healing power of ICHTHYS, anagram for “Iesous CHristos, THeou Yios, Soter” (Jesus Christ, Son of God, Savior) and Eros has come to win out over thanatos (spiritual death or ignorance) and alienation. After all the speculations and synchronicities, after all the encounters both toxic and salvific, there is no final explanation only a new sense of optimism and openness:

“My search kept me at home; I sat before the TV set in my living room. I sat; I waited; I watched; I kept myself awake. As we had been told, originally, long ago, to do; I kept my commission” (p. 212).

At the same time, Dick tells us in, “The Ten Major Principles of the Gnostic Revelation”: “To know these ten principles of Gnostic Christianity is to court disaster.” PKD is telling us right there that the archons will come after you once you figure out what’s really going on, much like the Strangers in Dark City and the agents in the Matrix trilogy.

The Megas Aeon Podcast #5 – Alex Güldbeck & Michael Eleleth – The Laughing Jesus, Indigenous Traditions & Metaphysical Revolt

In this episode, I interview Alex Güldbeck aka Rev. Illuminatus Maximus of GnosticJesus.com, formerly known as the Gnostic Friends Network. Michael Eleleth/Janus also joins me as the co-host, in one of the most interesting, fascinating and above all, hilarious discussions I’ve had on everything from: chaos magick, memes, Gnostic theology ala the Nag Hammadi and church fathers, psychedelics, shamanism, Thai sorcery, Buddhism, Philip K Dick, the new age movement, conspiracy theories, David Icke and the reptilians, John Lamb Lash’s eco-friendly, feminist brand of gnosticism, the Carpocratians, Luciferianism and much, much more! Parts 1 & 2 are listed below.

Outro music: Jah Wobble – Becoming More Like God.

Blade Runner & Deus Ex: The Kingdoms of Technocratic Fallen Angels

The replicants in the film “Blade Runner” based off of Philip K. Dick’s Do Androids Dream of Electric Sheep? are seen as pawns in a chess game of the human. Their entire existence is made to be used to serve us. Some might agree that this is unjust, and raises moral questions about what is considered a living being and what is considered a synthetic creation destined for slave labor. In the hit video game, Deus Ex: Human Revolution and its upcoming sequel Deus Ex: Mankind Divided, we see the same moral questions brought up with futuristic technology being developed in form of nano-tech “augmentations” which are synthetic additions or replacements of various parts of the human anatomy–effectively making the person a lesser version of the Borg from Star Trek. We will get to Deus Ex later.

While the novel itself is pessimistic and post-apocalyptic, the movie is far much darker, in which its visuals follow a cyberpunk, machinic society that is disconnected from nature, much like the Borg from Star Trek, H.R. Giger’s nightmarish artwork, who is most famous for designing the alien for the movie Alien, present a similar world. The future in the Terminator-movies and the Matrix isn’t that different either. While I do find this dark, cybernetic world aesthetically pleasing, but certainly it is not world that any sane person would want to become reality, as it is basically a depiction of hell.

The movie is transhumanistic in its depiction of the replicants, the artificial humans. The plot is that four (six, really but two of them died in the backstory) replicants escaped from the off-world colonies (i.e. colonies in outer space to earth.) Replicants have only a four year life-span, and they’re seeking to prolong it. Their presence on earth is illegal and Deckard, played by Harrison Ford, has to hunt them down. The suffering of the replicants is much more highlighted than the experiences of Deckard. When both of the female replicants are killed sad music is played in the background, and there’s slow motion. And the end battle against the boss, Roy, played by Rutger Hauer, is somewhat anti-climactic, since the replicant saves Deckard and simply dies of old age instead of being shot by the hero.

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Throughout the film of Blade Runner, the replicants strive to hide behind their apparent humanity as well as become more powerful than their human creators. Replicants are essentially synthetic humans with superhuman capabilities. There are also animal replicants shown throughout the film as synthetics such as the owl or the snake that played pivotal roles (symbolizing Minerva, Lilith, Molech, Lucifer, Satan, etc). These were developed first for use as pets and beasts of burden after most real animals became extinct due to some type of nuclear holocaust or chemtrail-geoengineering experiment gone global. Blade Runner begins with a shot of a huge, futuristic ziggurat-like building with a vehicle flying towards it. Such buildings reminds us of the ziggurats of ancient Mesopotamia. Erich von Däniken, the Ancient Alien theorist, theorized that ziggurats were airports for the flying vessels of the aliens.

In the film, it is revealed that humanoid replicants were created for military purposes and for the exploration and colonization of space. The Tyrell Corporation recently introduced the Nexus 6, the supreme replicant which are much stronger and faster than, and virtually indistinguishable from, real human beings. Earth law forbids replicants on the planet, except in the huge industrial complex where they are created.

The law does not consider replicants human and therefore accords them no rights nor protection. A key aspect of replicant psychology is that they are lacking in empathy, in effect making them textbook sociopaths. Because of that, measuring the degree of empathic response via a Voight-Kompff machine is the most used method of detecting replicants. NEXUS 6 replicants also have an in-built fail-safe mechanism, namely a four year lifespan, to prevent them from developing empathic cognition and therefore immunity to a Voight Kompff Machine. This is especially necessary for the Nexus 6 models whose intellectual capacity at least matches their designers.

Replicants are illegal on Earth after a bloody mutiny against an off-world colony staged by a Nexus-6 combat model. Special police units or bounty hunters such as Blade Runners are sent to investigate, test and ultimately “retire” replicants found on Earth. Since the dawn of their existence, these replicants were meant for labor. This was not considered slavery because they were synthetic beings. They have no ability to think or feel exactly as humans are meant to. But, this presents some moral dilemmas.

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Tyrell himself said to Deckard in the beginning of the film that his corporation’s modo was “more human than human.” With this vision, his corporation blurred the line that was living and non-living. These replicants began to feel that they should be entitled to more than slave labor. To live as the humans live in the decaying Earth of 2019. So they rebelled and switched the tables on which is the user and whom is being used in the chess game of mortality. Throughout the film each of the replicants use humans as pawns in this chess game as the replicants scramble from lower beginnings to the kings of the game. The first instance of the replicants switching the roles of user and used includes the meeting of Roy, Leon, and Chew in the sub-zero lab which neither interests nor affects the Nexus 6.

As Roy and Leon torment and drive him towards hypothermia, they use him for information as to get inside the Tyrell Corporation’s main headquarters to discover a possible way to increase their very short lifespan. The group of Nexus replicants were a new breed of replicants and were designed to be as human possible. With these advancements however, they started to consider themselves as actual humans. In the short scene before the meeting of Roy and Tyrell, Pris and Roy are in J.F. Sebastian’s apartment trying to convince him of letting Roy into Tyrell’s complex. This of course is another example of the replicants bending the role of the pawn in the chess game by manipulating J.F. Sebastian into what they want. This is also however, an example of the replicant’s transcendence into another class of being. Sebastian asks Roy and Pris to give him an example of their superhuman powers after he discovers they’re the Nexus 6 model.

Roy replies by saying “We’re not computers Sebastian, we’re physical.” Roy is referring to the sensitivity that he and Pris have developed in which they consider themselves not a robot or computer but a real and living being that deserves respect. Pris goes onto say in the same scene “I think Sebastian, therefore I am.” Both of these acts from the replicants intimidate Sebastian into letting them into Tyrell’s complex.

These points raise some interesting questions, not only about the film, but about life in itself. Do we define ourselves solely on the biological characteristics, or is there something more that makes a person human? If it is solely on the biological aspects of a being, then replicants are clearly not human, for they have genetic differences.

Yet, as the movie progresses, we come to see that some of the replicants, particularly Roy and Pris, are capable of being more “human” than Deckard. Deckard is cold and uncaring, whereas Roy and Pris are two replicants who seem to convey genuine love for each other. And beyond that Roy conveys strong feelings of empathy and respect for Deckard. So, the suggestion becomes that we cannot so easily distinguish what it is and what it isn’t human.

Nearing the end of the film, Roy uses Sebastian’s literal chess game to complete his own chess game of mortality. Roy tells Sebastian to make a move that would result in Tyrell’s king in checkmate. Roy enters into the room of Tyrell and finds it difficult to confront his creator just as Tyrell finds it difficult to have Roy confront him. Roy asks a series of biological questions in order to figure some kind of way to expand Roy’s and the other’s lifespan from 4 years.

After Tyrell tells him that it’s impossible to change Roy’s structure to incorporate a longer lifespan because of viral and toxic difficulties, Roy crushes his skull and makes him bleed out his eyes in a gruesome death. Truly, this was a checkmate of Tyrell’s king on Roy’s behalf. After Roy was done using Tyrell, he would travel back to Sebastian’s apartment. Roy’s chess game with the human race continues even after discovering that he will soon die with no help from Tyrell.

Roy discovers a dead Pris lying on the ground riddled with bullet holes. He cries out in anguish and searches for whoever stole the last remaining time he had with Pris away from him. Deckard fires a couple shots past Roy, but Roy is too fast while he dodges them. Repeatedly throughout this scene, Roy says how Deckard is being unsportsmanlike for a man to shoot another man while unarmed. Roy is toying with Deckard at the end of this film, using Deckard even at the last moments of his life as part of a game. At the end of this scene, Roy saves the life after letting him hang off the edge of a skyscraper by his only good hand. Showing that he despises the waste of a life, Roy grabs Deckard by the arm and pulls him over the ledge.

He then proceeds to say one of my favorite lines in the film. Roy speaks in a soft monotone voice “I’ve seen things you people wouldn’t believe…Attack ships on fire off the shores of Orion…I watched c-beams glitter in the dark near the Tanhauser Gate. All those moments will be lost…like tears in rain.” In the end of the film, Roy and the rest of the escaped replicants are retired and Deckard’s job is complete. However, many of the questions that were raised are left unanswered. Is it unjust to enslave a creation if it is a living being just as humans are? Also, what is the distinguishing factor of a living and thinking being? At least at the end of the film one point is absolutely clear. The replicants were driven to become as human as they possibly could. Using humans as a chess piece to complete the tasks as they wanted. Truly switching the roles of the user and the used.

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Personally, I think Blade Runner is a beautiful film, but I can’t get over Ridley Scott’s butchering of Dick’s masterpiece. Philip K Dick portrayed replicants as amoral sociopaths for a reason. Scott totally misunderstood everything Dick was saying in the book. Replicants were never supposed to be misunderstood good guys. They’re evil sociopaths who are totally devoid of empathy. They aren’t even called “replicants” in the book, but andies (short for android). Roy and his android pals are unambiguously amoral and inclined to evil in Dick’s story, and in the book, Deckard kills Roy almost immediately after locating the androids. Roy isn’t a big character in the book at all. Blade Runner is really a completely different story that just uses the same setting and characters that appear in Do Androids Dream of Electric Sheep? Why is the film so different than the book? It’s because Ridley Scott is another one of those bigwig Hollywood directors who thinks that he understands the story better than the original author.

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No doubt, Blade Runner is a beautiful film. The casting, score, and cinematography were all perfect. It’s just the modifications to the story that sucked. Ridley Scott should’ve left it alone. It would’ve been the perfect adaptation from literature to film. The androids are sociopaths in the novel. You’re supposed to sympathize with them in Blade Runner, however. That’s what I dislike so much about that movie. It’s a complete 180 from the premise of the book. In effect the movie wants you to sympathize with the inhuman antagonists. I don’t think it worked, though, particularly when it came out in the eighties, when people saw the movie, since people back them were more rooted in reality than we are now. Nowadays though, I can imagine a Social Justice Warrior watching the movie and hating humans for being so intolerant against these poor artificial machines.

“Androids?” blew my mind when I first read it. Dick really explores the themes of good and evil more in-depth than any of his other work, in my opinion. He also goes into the possibility of good and evil people, like the pneumatics and hylics of Gnosticism. I highly recommend people to read it. Not surprisingly, Blade Runner has many allusions to Gnosticism as wellJay’s Analysis also has a great review of the film as well.

The underlying message in Blade Runner is, as the Rolling Stones put it, to have sympathy for the devil. Transhumanism and Satanism have many strong similarities and some may go so far as to say they are one and the same philosophy. This might sound counter-intuitive to someone not versed in these topics. Transhumanism is something that is associated with science fiction and futurism, while Satanism is something archaic and superstitious. And yet, we see places and sites like CERN with their employees performing mock human sacrifices in context of a Satanic ritual performed before the Hindu god Shiva, the principle of destruction. In a way, demons, or devils, or fallen angels are some may be considered artificial intelligence’s.

In Hinduism, these same demons are called “rakashas” which are often referred to as “man-eaters.” Either they were devised as concepts in the mind of God, but he chose not to create them, or he created them but banished them to hell. Christopher Knowles over at the Secret Sun blog, has also equated the rise of scientific materialism and globalism with the Faustian bargain. Quite clever. Indeed, the globalist agenda is kind of like the counterfeit creation of the Gnostic Demiurge. They’ve created a counterfeit reality that does not actually exist, and they’ve successfully indoctrinated the majority of the public with their lies.

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Hieronymous Bosch, “The Garden of Earthly Delights.”

Hell is often (but not always) depicted as a terrible place of fire and brimstone, a lake of fire filled with horned demons, but hell can also be an artificial, dark world that is often presented in science fiction works. This does not mean the artists who make these depictions are necessarily “in the know” or work for the Illuminati, but rather they have inadvertently picked up the inspiration from the ether or in dreams and depicted what they saw. This is where Deus Ex comes in. I am actually a big fan of the series. While the Deus Ex series started in 2000, the video game I will be referring to often is the sequel, Deus Ex: Human Revolution. This game begins by immediately focusing in on a statue of a fallen angel facing a mysterious smoking figure/conspirator.

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The game primarily follows the exploits and adventures of the security agent Adam Jensen for a bio-technology corporation called Sarif Industries. Adam Jensen quickly uncovers a plan that ties technological “augmentations” with the Illuminati controllers to take over the world in their Satanic quest to create a totalitarian socialist/fascist New World Order, which reminds us of the idea of the “Beast” in Revelation 17, which makes war “with the Lamb, and the Lamb shall overcome them.” Oh and by the way, in Revelation 19:20, the same Beast is condemned to hell:

And the beast was taken, and with him the false prophet that wrought miracles before him, with which he deceived them that had received the mark of the beast, and them that worshipped his image. These both were cast alive into a lake of fire burning with brimstone.

There are other mysterious groups alluded and discussed throughout the game, such as Majestic 12, the Knights Templar, the Bilderberg Group, and the Trilateral Commission, also play a central part in the plot. They also show up in Human Revolution and Mankind Divided. This dark setting is enhanced by the fact that the entire game takes place at night (the first Deus Ex that is), a backdrop that adds to the atmosphere of conspiracies and stealth. The name “Sarif” evokes similarities with the angelic class of the Seraphim. In Romans 1:21-23, we read:

…when they knew God, they glorified him not as God, neither were thankful; but became vain in their imaginations, and their foolish heart was darkened. Professing themselves to be wise, they became fools, And changed the glory of the uncorruptible God into an image made like to corruptible man, and to birds, and fourfooted beasts, and creeping things.

One central tenet of early heresy in Gnosticism, is that the Lawgiver Jehovah was really just an angel in rebellion against the Good Father above (e.g. Irenaeus, Against Heresies, 1.24.2, 1.25.4). Paul seems to evoke the same language which reflects this doctrine in letters such as Galatians 3:19 and 4:1-8:

“Wherefore then serveth the law? It was added because of transgressions, till the seed should come to whom the promise was made; and it was ordained by angels in the hand of a mediator.”

Now I say, That the heir, as long as he is a child, differeth nothing from a servant, though he be lord of all; but is under tutors and governors until the time appointed of the father. 3 Even so we, when we were children, were in bondage under the elements of the world: but when the fullness of the time was come, God sent forth his Son, made of a woman, made under the law, to redeem them that were under the law, that we might receive the adoption of sons. And because ye are sons, God hath sent forth the Spirit of his Son into your hearts, crying, Abba, Father. Wherefore thou art no more a servant, but a son; and if a son, then an heir of God through Christ.

There are other instances in Paul’s letters where he basically says that the Old Testament and Moses’ Law quite literally blinded and deceived the Israelites such as 2 Corinthians 3. In these passages observing the Law is equated with worshiping angels as seen in Hebrews 2:1-3

We must pay closer attention, therefore, to what we have heard, so that we do not drift away. For if the message spoken by angels was binding, and every transgression and disobedience received its just punishment, how shall we escape if we neglect such a great salvation? This salvation was first announced by the Lord, was confirmed to us by those who heard Him,…

In context of the sermon, in the Bible the Seraphim and Cherubim, are described as having both human and animal traits, having the forms of men, eagles, lions, ox, and even serpents as different texts of the Old Testament depict (Isaiah 6:2-6, Ezekiel 1 & 10). This is where the many Gnostic teachers like Basilides and the Sethian Ophites pounced upon this idea by using Romans 1:23, to reduce Jehovah, the Lawgiver to an inferior power or a mere angel, which has the corruptible form of a man and various animals, much like how Ialdaboath is portrayed as having a face of a lion and a body of a serpent or dragon in Gnostic literature. Paul also seems to be attacking pagans and perhaps even Jews for reducing the Supreme deity to angel and demon worship. And so Sarif industries also made the human race further corruptible by using different augmentations which only sever the spirit of man from God, even further. Some point to Daniel 2:43 as prophetic reference to cybernetic influence on the biology of mankind:

And whereas thou sawest iron mixed with miry clay, they shall mingle themselves with the seed of men: but they shall not cleave one to another, even as iron is not mixed with clay.

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In the sequel Deus Ex: Mankind Divided, the fallen angelic/Luciferian symbolism continues on. Oh and there is even an official novella called Deus Ex: Fallen Angel. Matthew 24:37, tells us:

As it was in the days of Noah, so it will be at the coming of the Son of Man.

This is a phrase that some Christian UFOlogists and conspiracy theorists like Michael Tsarion have interpreted this to mean that in the days of Noah, earth inhabitants held a wide variety of technology which gave rise to various pyramids and structures that we, today, have no way of reconstructing on an exact scale, as well as all of the genetic manipulation that we are seeing now arise in food production and hybrid experiments with human and animal DNA. Matthew seems to echo Genesis 6 and the Book of Enoch, among other Jewish apocalyptic literature, with the Sons of God interbreeding with the daughters of men to produce a race of giants or the Nephilim. And then God sent a flood to get rid of it all because it was perverting his creation. This relates to the ziggurat in Blade Runner, the building of the Tyrell corporation, that creates the replicants. Back in the days of Noah, these high priests used their perverse technologies and occult ritual magic to try to summon these demonic, artificial entities into our world. The ziggurat probably symbolizes this. The movie Blade Runner states that they are attempting to do it again. The Gnostic text On the Origin of the World tells us this exactly:

Let us return to the aforementioned rulers, so that we may offer some explanation of them. Now, when the seven rulers were cast down from their heavens onto the earth, they made for themselves angels, numerous, demonic, to serve them. And the latter instructed mankind in many kinds of error and magic and potions and worship of idols and spilling of blood and altars and temples and sacrifices and libations to all the spirits of the earth, having their coworker fate, who came into existence by the concord between the gods of injustice and justice.

Many have also compared the Kabbalistic Jewish Golem, which is an artificially emerging human nourished from inanimate matter to modern A.I., a being with the unholy capacity of stealing the uniqueness of human soul, through spells using the Tetagrammaton or the Name of YHWH, indicating the Demiurge has occult mysticism under his sway.

Now, forgive me for heading into further conspiracy territory but it must be pointed out. Chemtrails are often poo-pooed on by many but it relates to the idea of geoengineering. Geoengineering for what exactly? I would say it’s the dark, artificial world we’ve been seeing in various science fiction movies. Perhaps the strange phenomenon Global Dimming is caused by chemtrails. I’ve seen many airplanes spray chemtrails over the years in many different countries, even over my house! This isn’t such an easily dismissable issue since they are very visible and perceived unlike other nebulous concepts you will see in esoterica. If you don’t believe me, start paying attention when you go outside. You might not see them everyday, but you will see them eventually. I do not know exactly for what purpose they are being sprayed–perhaps its for depopulation purposes.

I heard one Christian Youtuber guy say that they are used so that demons can manifest in the natural world more seamlessly. This ties into the technocratic kingdom of the fallen angels, or the rising and fall of the Beast of Revelation. I’ve heard other authors like John Lash discuss the “archons” of Gnosticism in terms of being inorganic cyborgs. But he’s a bit of a psuedo-Gnostic pagan David Duke and has fallen far from what he was doing 8-10 years earlier with his fascinating book Not In His Image. What I am saying might be hard to believe but there you have it.

All of this also ties in with what has been occurring on the world stage as of late, with numerous terror-attacks, threats of World War 3, reproductive-disease spreading Mosquitoes, poisoned drinking waters for the underprivileged, citizen assassinations, proxy wars and uprising in the Middle East, civil, domestic uprisings, the rise of Satanism in the public arena, the crushing of dissidents and free-speech, one must realize that there are insane, lunatic nihilists out there, especially in positions of power, who really do want to realize their own destruction. Just look at all the progressive feminists who want Muslim immigrants to invade their countries and rape and kill them. Just look at the Bug Chasers in San Francisco who purposefully want to get HIV/AIDS. Human sacrifice, dogs and cats living together, mass hysteria!

In Luke 21:10-28, Jesus tells his disciples a dire prophecy about the future:

10 Then He said to them, “Nation will rise against nation, and kingdom against kingdom. 11 And there will be great earthquakes in various places, and famines and pestilences; and there will be fearful sights and great signs from heaven. 12 But before all these things, they will lay their hands on you and persecute you, delivering you up to the synagogues and prisons. You will be brought before kings and rulers for My name’s sake. 13 But it will turn out for you as an occasion for testimony.14 Therefore settle it in your hearts not to meditate beforehand on what you will answer; 15 for I will give you a mouth and wisdom which all your adversaries will not be able to contradict or resist. 16 You will be betrayed even by parents and brothers, relatives and friends; and they will put some of you to death. 17 And you will be hated by all for My name’s sake. 18 But not a hair of your head shall be lost. 19 By your patience possess your souls.

The Destruction of Jerusalem

20 “But when you see Jerusalem surrounded by armies, then know that its desolation is near. 21 Then let those who are in Judea flee to the mountains, let those who are in the midst of her depart, and let not those who are in the country enter her. 22 For these are the days of vengeance, that all things which are written may be fulfilled. 23 But woe to those who are pregnant and to those who are nursing babies in those days! For there will be great distress in the land and wrath upon this people. 24 And they will fall by the edge of the sword, and be led away captive into all nations. And Jerusalem will be trampled by Gentiles until the times of the Gentiles are fulfilled.

The Coming of the Son of Man

25 “And there will be signs in the sun, in the moon, and in the stars; and on the earth distress of nations, with perplexity, the sea and the waves roaring; 26 men’s hearts failing them from fear and the expectation of those things which are coming on the earth, for the powers of the heavens will be shaken. 27 Then they will see the Son of Man coming in a cloud with power and great glory. 28 Now when these things begin to happen, look up and lift up your heads, because your redemption draws near.”

It sure sounds like the future is now. But, threats of the apocalypse have been here with us since the beginning of time and space. It’s always been the same story in the realm of the Demiurge! In my upcoming novels, Delta Heavy and Crimson Dusk, all of these themes will also be thoroughly referenced as well. Stay tuned for news on that on this site. Here are a few more videos of interest. (Please note, I won’t be posting links to videos in all future posts.) One more thing, please consider supporting my site by donating so I can keep this site afloat, independent and advertisement-free.